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All Journal Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Astonjadro Jurnal Ilmiah Ilmu Komputer Fakultas Ilmu Komputer Universitas Al Asyariah Mandar Journey : Journal of Tourismpreneurship, Culinary, Hospitality, Convention and Event Management Architectural Research Journal
Wina Agus Satria
Department Of Architecture, Engineering Faculty, Udayana University
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Engineering Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Architectural Research Journal

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The Third Typology: The Development of Catuspatha of Denpasar City Km. Deddy Endra Prasandya; Made Wina Satria
Architectural Research Journal Vol. 1 No. 1 (2021): ARJ: Architectural Research Journal
Publisher : Program Studi Arsitektur, Fakultas Teknik dan Perencanaan, Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1453.105 KB) | DOI: 10.22225/arj.1.1.3298.8-14

Abstract

In Bali, crossroad or pempatan agung is not only seen as a channel of movement. Crossroad or better known as catuspatha in Balinese architecture has sacred meaning and values. In the days of the kingdoms, associated with its status as the center of the royal capital, catuspatha was functioned as the natah of the city. It was the center of citizen activities. Along with the development of times, technology, and the influence of economic, social and cultural factors, the catuspatha was increasingly experiencing development and changes. This study seeks to identify the development and changes of the catuspatha of Denpasar City based on the theory of The Third Typology by Anthony Vidler. The research method used is typical normative criticism which has the belief that buildings and urban areas are always built through a model based on the types of structural, functional, and shape. The results show that The Third Typology also applies to the catuspatha of Denpasar City, where its development and changes can be seen from three typologies, including the first typology which emphasizes natural philosophy, the second typology which is more modernist ideology, and the third typology neo rationalist which emphasizes on continuity of form and history.
Aesthetic Study of Temple Architecture in Bali: A Case Study of Pamesuan Pura Puru Sada, Pura Agung Kentel Bumi, and Pura Batuan Made Wina Satria; Km Deddy Endra Prasandya
Architectural Research Journal Vol. 4 No. 1 (2024): Architectural Research Journal
Publisher : Program Studi Arsitektur, Fakultas Teknik dan Perencanaan, Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/arj.4.1.2024.20-26

Abstract

A temple as a place of worship is a sacred building, the center of worship of Ida Sang Hyang Widhi Wasa (God Almighty for Hindus) and His manifestations, so that its placement is in a part that is considered main in the land plan of a village or other special place according to applicable local village regulations. In the construction and planning, determining the size, layout, as well as the meaning and symbolism of each temple building in Bali has been stated in the lontar Asta Kosala. Meanwhile, the land management is stated in lontar Asta Bumi. Even though it was built based on concepts from the same lontar source, the shape and appearance of each temple can be very different. Each region in Bali has a unique architectural style, both in ornamentation, use of materials, and even the proportions of the form. In the view of Balinese architecture, the assessment of aesthetic quality is more focused on meaning, taste, and philosophical values, so the assessment tends to be subjective. This research seeks to examine the relationships between humans and the environment, especially those related to aesthetic aspects. The research method used is interpretive criticism, which is not influenced by certain views or doctrines and does not base itself on measurable objectivity. The results of the research show that there is an influence of formal aesthetics on the sensory and symbolic, where the shape and dimensions of the gates (both Candi Bentar and Kori Agung) have given an aesthetic impression to observers, which is then captured by visual sensors and interpreted.
Co-Authors Anak Agung Ngurah Aritama Gede Windu Laskara Km Deddy Endra Prasandya Km. Deddy Endra Prasandya Km. Deddy Endra Prasandya Nyoman Ratih Prajnyani Salain Raden Budiarto Hadiprakoso