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All Journal Jurnal Ilmiah Mandala Education (JIME) Musamus Journal of Language and Literature Jurnal Ekonomi Journal Of Human And Education (JAHE) Innovative: Journal Of Social Science Research Jurnal Pengabdian Masyarakat dan Riset Pendidikan
Survey Sijabat
Universitas Musamus
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Journal : Musamus Journal of Language and Literature

 1 
The Interpretation of Song Lyrics by Fortwnty in the Album Nalar: A Study of Riffaterre's Semiotics Survey Sijabat; Evelin Giovani; Ekfindar Diliana
Musamus Journal of Language and Literature Vol 5 No 02 (2023): Vol 5 No 02 (2023): Musamus Journal of Language and Literature
Publisher : Universitas Musamus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35724/mujolali.v5i02.5225

Abstract

The purpose of this research is to know the interpretation meaning behind “Kursi Goyang”, "Larasuka", and "Mangu" lyrics by Fortwnty in the Nalar album. This research used a semiotic analysis approach developed by Michael Riffaterre. This semiotics helps researcher to investigate the interpretive meanings of the lyrics of "Kursi Goyang", "Larasuka", and "Mangu". The research process involves four stages, (1) Heuristic and Hermeneutic Readings, (2) Matrices, Variants, and Models, (3) Hypograms, and (4) Indirect Expressions. This research used a qualitative interpretive. The research data were obtained from the lyrics. The data were collected using listening and note-taking technique. The results of the research are from hermeneutic reading in the lyrics “Kursi Goyang” is interpreted when someone is so focused on making money and thinks that happiness comes from having a lot of money and a high position that they forget to take a break. The results of the research are from hermeneutic reading in the lyrics “Larasuka” interpreted as how lonely someone feels, and from hermeneutic reading in the lyrics “Mangu” interpreted as a romantic relationship between individuals who have different religious beliefs. The finding revealed there are three factors that cause indirect expressions named displacing of meaning, distorting of meaning, and creating of meaning.
"Women's Resistance against Patriarchal Culture in the novella Al-Lawn Al-Akhar by Ihsan Abdul Quddus" Nurul Istiqomah; Evelin Giovani; Survey Sijabat
Musamus Journal of Language and Literature Vol 5 No 02 (2023): Vol 5 No 02 (2023): Musamus Journal of Language and Literature
Publisher : Universitas Musamus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35724/mujolali.v5i02.5226

Abstract

The aim of this research is to describe the resistance exhibited by female characters towards their husbands and families, as demonstrated through open and covert forms of resistance in the novella "Al-Lawn Al-Akhar." The data collection technique employed in this study is literature review. The data analysis technique used is descriptive analysis. The research adopts a sociological approach to literature with James C. Scott's theory of resistance. The primary data source utilized is the novella "Al-Lawn Al-Akhar" by Ihsan Abdul Quddus. The findings of this research indicate the presence of two forms of resistance in the novella "Al-Lawn Al-Akhar" by Ihsan Abdul Quddus: open resistance and covert resistance. 1) Public resistance is demonstrated by female characters in the novella through acts of rebellion, contradiction, anger, and threats expressed with a raised voice and visible facial expressions. This form of resistance is adopted by female characters who feel they are being treated unfairly or denied justice, prompting them to resist in order to defend themselves and seek their rights or justice. 2) Hidden resistance is practiced by the female character within the novella. It is manifested through silent grumbling and cursing within their hearts, behavior that reflects disapproval, silence, and concealed tears not shown to others.
Co-Authors Arin Mantara Anggawirya Ekfindar Diliana Evelin Giovani Firtha Ayu Rachmasari Jacobus Rico Kuntag Rival Hanip Rosalia Floriani