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Dria Setiautami, Dria
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Humanities

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Komputerisasi sebagai Media Karya Tipografi Eksperimental Setiautami, Dria
Humaniora Vol 1, No 2 (2010): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v1i2.2886

Abstract

Typography is one of the elements design, which one designer can make their own style with it. As we know, the computer era move so fast, so we have to know how we get the basic visual from the personal computer. The fact is the shape of typography can’tbe changes, that’s why we have to know how to change them and get another expression for the form. With the personal computer we can do the exerimentala of typography with the rules and breaking the rules.  
Eksperimen Tipografi dalam Visual untuk Anak Setiautami, Dria
Humaniora Vol 2, No 1 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i1.3011

Abstract

Typography is one of the elements design, which can make children learn it as an image or as text. Article explores the impacts of typography for childrens. For children’s interest we have to make the experiment visual with a big fun expression. The fact is the shape of typography can’t be changed, that’s why we have to know how to change them and get another expression to another form. With the fun experimental typography we can make one of edutainment kit books for the children.  
Pengaruh Tipografi pada Era Massimo Vignelli terhadap Tipografi Michael Bierut Harnoko, Irwan; Setiautami, Dria
Humaniora Vol 2, No 2 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i2.3201

Abstract

Massimo Vignelli is a senior graphic designer lived in New York, as a vocal modernism against post-modernism. His statement firmly opposing post-modernism in several occasions: interview in Helvetica the movie, typeradio, talkshow, and some articles in Looking Closer or AIGA Journal. Graphic design works of Massimo Vignelli reflected his characteristic, which is firmly choosing typeface. Typefaces of Vignelly are around 5 typefaces: Bodoni, Helvetica, Times Roman, Century, and Futura. The article uses formal analysis method. The writers collected materials about Michael Bierut, Massimo VIgnelli and Tibor Kalman from books and websites. The writers compare the typeface opinion of Massimo Vignelli (modernism designer), Michael Bierut designer (transition era designer from modernism to post-modernism), and Tibor Kalman (a designer in A Century of Graphic Design, as the influencer of Bierut?s betrayal over Vignelli). 
Co-Authors Irwan Harnoko, Irwan