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All Journal Journal of Music Science, Technology, and Industry (JOMSTI)
Komang Wahyu Dinata
Program Studi Musik, Institut Seni Indonesia Denpasar
Arts Social Sciences Other

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Tahapan dalam Produksi Komposisi Iringan Tari Satya Gora Dharma Komang Wahyu Dinata; I Pt. Lukita Wiweka Nugraha Putra
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This paper discusses the series of stages of production of Satya Gora Dharma Dance Accompaniment composition, where this work is a karawitan composition work that the author made in 2021. Method: This work is produced by the author using Digital Audio Workstation technology, with a series of stages starting from the beginning until this work is completed. Digital Audio Workstation is a digital-based technology that is often used by musicians, arrangers, composers and other work sectors related to data processing in the form of audio recordings. Satya Gora Dharma dance is the great dance of Satya Dharma Singaraja College of Economics (STIE) initiated by Dr. A.A.A.N Tini Rusmini Gorda, Dr. A.A.N Oka Suryadinatha Gorda, Dr. A.A.N Eddy Supriyadinata Gorda, Dr. A.A.A.N Sri Rahayu Gorda. Satya Gora Dharma dance accompaniment compositions are produced with 3 software, namely Cubase Pro 10.5, WaveLab Pro 10, and Virtual Studio Technology (VST) from Native Instrument Kontakt 6. Result and Discussion: The discussion in this paper will focus on how this composition work is produced starting from the stage of taking audio sampling from the gamelan instruments used, making VST, composing arrangement, mixing, balancing, to the final stage in the production process, namely the mastering stage. The data analysis technique used in this paper is qualitative descriptive analysis. The qualitative descriptive analysis technique is carried out by analyzing the data that has been obtained through qualitative descriptive analysis. Then at the end a conclusion is drawn and accompanied by the necessary advice
Analisis Bentuk Lagu “Bhuana Santhi” Karya I Komang Darmayuda I Pt. Lukita Wiweka Nugraha Putra; Komang Wahyu Dinata
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This article is an analysis of the form of the song Bhuana Santhi by Komang Darmayuda. Bhuana Shanti performed by students of SMPN 1 Denpasar as Indonesia's representative in the 2014 international level vocal group (Celesta) has succeeded in making Indonesia proud as the best performer in the 2014 international vocal group event. The purpose of writing this article is to describe the form of the song Bhuana Shanti by Komang Darmayuda. Komang Darmayuda is the sole informant in writing this article. Method: This article focuses on the form of the song Bhuana Shanti by Komang Darmayuda in order to obtain the musical elements contained therein (melody, harmony/chord, and dynamics). Result and Discussion: Before obtaining the forms and musical elements contained in Bhuana Shanti's songs, the structure is first described, namely motifs, sentences, and periods. The musical elements that have been obtained through the process of analyzing structure and form will explain the beauty contained in the Bhuana Shanti song. Data in the form of numeric notation, audio, and information on the performance of the Bhuana Shanti song were obtained through direct observation and interviews with Komang Darmayuda as the composer of Bhuana Shanti. Analysis of the form of music is the most basic effort to find out the beauty contained in a piece of music. Implication: By writing this article, it is hoped that it can provide insight or material for consideration for future composers representing Indonesia in the international level vocal group (Celesta) event.
Co-Authors I Pt. Lukita Wiweka Nugraha Putra