M Hermintoyo
Fakultas Ilmu Budaya, Universitas Diponegoro

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Humor dalam Suasana Ramadan M Hermintoyo
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 1: Februari 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (431.027 KB) | DOI: 10.14710/nusa.14.1.44-52

Abstract

The existence of social media makes it easy for people to communicate and express themselves and so on. so there is an urge to express or inform something not only information but provide entertainment in the form of humor. In certain situations certain themes will emerge, for example during the month of Ramadan there will be humor themes related to events or activities related to Ramadan such as, when starving, breaking fast, sahur, forgiveness-forgiveness, holiday allowances, etc. . Humor is done in order to wait for the maghrib drum to be delivered so that there is activity during the fasting. In general, communicating humor gives each other humor that mobile phone users have. Creative journals used are usually play words that mean ambiguous.
Ambiguitas dalam Humor Parikan/Pantun Kilat Sebagai Pelesetan Makna M Hermintoyo
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (438.289 KB) | DOI: 10.14710/nusa.14.2.160-168

Abstract

Language is a communication tool that can be done according to purpose, variety, and media. The goals expected in communicating can be for entertaining, joking and creativity. Creativity can be in the form of works of art, such as rhymes. Pantun in Javanese is called parikan. The constituent elements are bound by the rules of the pantuna form. Ordinary rhyme or four-row rhyme or flash rhyme consisting of two lines. But both must rhyme abab (cross rhyme); each row between four to twelve syllables; the first line is sampiran, the second line is the content (quick rhyme. If the regular rhyme of the first and second rows is sampiran; the fourth row is in the form of contents. The variety used in pantun is a variety of literature. The media can be oral, written, written). can be in print, and in electronic media through the internet. The contents of the pantun can be serious or not, for example the contents are only for humor. Based on the rhyme content data with multiple information / taxa / ambiguity. The tendency of the pantun content ambiguity in the data tends to be interpreted negative / connotative pornography .
Diksi Cermin Realita Budaya dalam Lirik Lagu Populer Indonesia M Hermintoyo
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 4: November 2018
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (469.881 KB) | DOI: 10.14710/nusa.13.4.543-553

Abstract

Creative authors will be sensitive to their environment and their development according to their times. Through the diction that is used shows the ability of the author in writing song lyrics. Understanding the song lyrics is not only understanding the language code, but requires the literary code and cultural code. Lyrics in the language code seen in their basic form are meaningful series of words. The words used in showing its beauty are manifested as poetry or lyrics whose meanings are figurative. These figurative words can be seen in the intrinsic elements of majas-literary works and so on. These words are used by the author as a means of creativity through the existing reality in the form of cultural codes. Culture that lives in the community is used as a metaphorical symbol that reflects its experience and knowledge. For connoisseurs of the work can be accepted if there is the same knowledge about the cultural code.