Almira Fidela Artha
Universitas Airlangga

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“Senyum Cemerlang, Senyum Pepsodent” A Diachronic Analysis of Language Forms in Pepsodent’s Television Advertisements During Four Decades Almira Fidela Artha; Fina Syahadatina; Okta Enggiana Pradevi
PAROLE: Journal of Linguistics and Education Volume 5 Number 2 October 2015
Publisher : Master Program in Linguistics, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (16.744 KB) | DOI: 10.14710/parole.v5i2.116

Abstract

An advertising always presents messages and invitations either in verbal or non-verbal form which represents a product and also reflects the benefits that is offered to the consumers at the same time. It also happens in atelevision advertisement of toothpaste that is quite popular in Indonesia, named Pepsodent.One of the interesting points in this advertisement is the language changes which occur in every decade (ten years) along with the development of Indonesian society. The data taken are diachronic data started in the 1980s until 2010s by choosing one advertisement for each decade which is considered popular enough in the society.This study analyzes four advertisements that represent four decades to prove that in performing its functions, an advertisement always pays attention to the development of a society as the dominant factor. The results of this study indicate that from sociopragmatics viewpoint, the language used in an advertisement, especially Pepsodent’s television advertisementchanges in the range of tenyears along with the development of the society. Those advertisements show the changes in the meaning and the differences in language selectionin each decade which is influenced by the development of the society. Iklan selalu menghadirkan pesan serta ajakan dalam bentuk verbal maupun non-verbal yangmerupakan representasi sebuah produk dan juga merefleksikan manfaat yang ditawarkan pada saat yang bersamaan. Begitu pula yang terdapat dalam iklan televisi pasta gigi yang cukup populer di masyarakat yaitu Pepsodent.Salah satu hal menarik pada iklan ini adalah perubahan bahasa yang terjadi dalam setiap dekade (sepuluh tahun) seiring dengan berkembangnya masyarakat. Data yang diambil adalah data diakronik mulai tahun 1980an sampai 2010an dengan menggunakan satu iklan yang dianggap cukup populer bagi masyarakat dalam masing-masing dekade. Penelitian ini menggunakan empat iklan yang mewakili empat dekade untuk membuktikan bahwa dalam menjalankan fungsinya, suatu iklan selalu melihat perkembangan masyarakat sebagai kunci dominan. Hasil penelitian ini menunjukkan bahwa dengan kajian sosiopragmatik, bahasa yang digunakan dalam iklan khususnya iklan televisi pasta gigi Pepsodent mengalami perubahan dengan jarak atau rentang waktu persepuluh tahun seiring dengan perkembangan masyarakat. Berdasarkan sudut pandang sosiopragmatik, iklan-iklan tersebut menunjukkan terjadinya perubahan makna serta perbedaan pemilihan bahasa pada tiap dekade yang dipengaruhi oleh perkembangan masyarakat.
The Politeness Levels of Thanking and Apologizing: A Corpus Linguistic Investigation Across Generations in the Movies Ari Muhammad Syifa; Dasril Davidra; Almira Fidela Artha
Diglossia: Jurnal Kajian Ilmiah Kebahasaan dan Kesusastraan Vol. 15 No. 1 (2023): September
Publisher : Unipdu Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26594/diglossia.v15i1.4055

Abstract

The levels of politeness in expressing thanking and apologizing connect to the concept of language attitude within sociolinguistics. Language attitude in sociolinguistics refers to an individual’s mental disposition or feelings towards a particular language. It implies that a person's language attitude can range from being favorable, and indifferent, to unfavorable influenced by the environment. Based on the corpus linguistics, this study aimed to investigate politeness levels of thanking and apologizing in American movies across generations, from Baby Boom to Alpha Generation using a corpus software, AntConc, as a tool to process the necessary data. The result of this study showed that the levels of politeness thanking, and apologizing had different choices of words in the movies of each generation. In addition, this was due to factors such as environment and knowledge of the rules of expressions such as Thanks or Thank you, and Sorry or Pardon. Thus, speakers of every generation tend or rarely use those expressions because they want or unwanted to use the word, and they choose to use it. For future study, perhaps it is recommended to explore American cartoons as the object, psycholinguistics approach, and language educational concentration.
Penggemar Grup Idola Arashi di Indonesia: Fenomena Budaya Populer Global dan Fan Culture Firtha Ayu Rachmasari; Almira Fidela Artha; Dhaniswari Ananta Ayu
Diglossia: Jurnal Kajian Ilmiah Kebahasaan dan Kesusastraan Vol. 15 No. 2 (2024): April
Publisher : Unipdu Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26594/diglossia.v15i2.4657

Abstract

Munculnya istilah budaya populer global ditandai dengan fenomena mudahnya budaya populer suatu negara menjadi tren secara global. Salah satunya adalah budaya populer yang berasal dari Jepang, seperti anime, manga hingga musik J-Pop. Kepopuleran musik J-Pop secara tidak langsung ikut mengenalkan grup-grup idola Jepang seperti Arashi. Arashi memiliki cukup banyak penggemar di seluruh dunia, termasuk di Indonesia. Penggemar Arashi di Indonesia layaknya penggemar Arashi di negara asalnya yaitu Jepang, juga melakukan berbagai macam aktivitas yang berhubungan dengan Arashi. Oleh karena itu, penelitian ini meneliti bentuk-bentuk aktivitas yang dilakukan penggemar Arashi di Indonesia, seperti aktivitas konsumsi, produksi hingga membentuk dan bergabung dalam suatu komunitas penggemar seperti Arashindo. Penelitian ini juga mengamati budaya penggemar di Indonesia, serta melihat bagaimana penggemar melakukan proses adaptasi dan negosiasi pada saat melakukan aktivitas tersebut. Informan dalam penelitian ini adalah para anggota komunitas Arashindo yang dipilih menggunakan teknik purposive sampling berdasarkan beberapa kriteria, seperti pernah berpartisipasi dalam kegiatan komunitas Arashindo; pernah menonton konser atau menghadiri event Arashi; pernah berkunjung atau tinggal di Jepang. Metode pengumpulan data menggunakan wawancara mendalam. Dari hasil wawancara tersebut diperoleh hasil: aktivitas konsumsi penggemar Arashi di Indonesia tidak hanya ditandai dengan membeli CD, DVD, goodies konser dan produk iklan yang dibintangi Arashi saja, tetapi juga berupa datang ke konser dan menonton acara televisi; penggemar tidak hanya menjadi konsumer, tetapi juga produser yang menghasilkan sebuah fanwork; penggemar mengalami proses adaptasi dan negosiasi ditunjukkan dengan keinginan belajar bahasa Jepang hingga keinginan mengetahui lebih banyak tentang budaya Jepang. Kata kunci: arashi, budaya penggemar, budaya populer global, komunitas penggemar     Abstract The term of global popular culture is marked by the phenomenon in which the popular culture of a country easily becomes a global trend, for example, Japanese popular culture, such as anime, manga and J-Pop music. The popularity of J-Pop music indirectly introduced many Japanese idol groups such as Arashi. Arashi has quite a lot of fans around the world, as well as in Indonesia. Similar to Japanese fans, Indonesian fans carry out various activities related to the idol. Therefore, this study examines the forms of activities carried out by Arashi fans in Indonesia, such as consumption, production as well as forming and joining a community, namely Arashindo. This study also observes fan culture in Indonesia and sees how fans through the adaptation and negotiation process while carrying out these activities. The informants, in this study, were members of the Arashindo who were selected using a purposive sampling technique based on several criteria, that are having participated in Arashindo community activities; been to an Arashi concert/event; have visited or lived in Japan. The data collection method used is in-depth interviews. From these interviews, the results obtained that: the consumption activities of Arashi fans in Indonesia are not only marked by buying CDs, DVDs, concert goodies and advertising products starring Arashi, but also by coming to concerts and watching television programs; fans are not only consumers, but also producers who produce a fanwork; fans go through the process of adaptation and negotiation shown by the desire to learn Japanese, and also the desire to know more about Japanese culture. Keywords: arashi, fan culture, global popular culture, fan community