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Soemaryatmi Soemaryatmi, Soemaryatmi
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Karya Kolosal Tari Bandungrejo dalam Rangka Hari Tari Dunia di Surakarta Soemaryatmi, Soemaryatmi
PANGGUNG Vol 28, No 1 (2018): Kontestasi Tradisi: Seni dalam Visualisasi Estetik, Naskah, dan Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v28i1.441

Abstract

The aim of the research of the colossal artwork of Bandungrejo dance which was held on the 9th World Dance Day in ISI Surakarta is to description the information about the development of artistic creativity that has been developed in the community. The method that is used in this research involves the collection of data by using observation, interview, and documentation. The data processing is done by triangulation techniques. This study uses a sociological approach that considers art that the artwork is an expression of community groups.The research result showed that the colossal artwork of Bandungrejo dance is such a culmination of all of the artworks which is compiled into a dance masterpiece. The idea of this colossal folk dance is adopted from the legend of Ki Joko Bandung whose stages of presentation structure consisted of introduction, midle, climax and closing. It has wide range of motions which consists of symbolic motions, realist movements (daily-life motions) and motions of some customized characters. The musical composition that is used as a companion in the colossal dance is such a popular folk song, Ilir-ilir, Elo-elo narration, Gandrung Kemakmuran, Guyub Rukun Makaryo, and Langgam Rahina.Keywords: colossal work, folk dance, dance dayABSTRAK Tujuan penelitian karya kolosal tari Bandungrejo dalam Hari Tari Dunia ke-9 di ISI Surakarta adalah untuk mendeskripsikan perkembangan kreativitas seni yang ada di masyarakat. Metode penelitian yang digunakan meliputi pengumpulan data dengan teknik observasi, wawancara dan dokumentasi. Pengolahan data dilakukan dengan teknik trianggulasi. Penelitian menggunakan pendekatan sosiologi seni yang beranggapan bahwa karya seni merupakan ekspresi kelompok masyarakat. Hasil penelitian menunjukkan karya kolosal tari Bandungrejo merupakan kulminasi dari beberapa karya yang ada menjadi sebuah karya yang besar. Ide garap tari kolosal kerakyatan diangkat dari legenda Ki Joko Bandung. Struktur sajian terdiri dari bagian awal, tengah, klimaks dan penutup. Ragam gerak tari  yang digunakan sangat bervariasi terdiri dari gerak simbolis, gerak realis (sehari-hari) dan beberapa menyesuaikan dengan karakter tokoh yang ada. Komposisi musikal, lagu kerakyatan, Ilir-ilir,  Elo-elo Gandrung Kemakmuran dan Guyub Rukun Makaryo hingga langgam Rahina adalah Musik yang mengirinyaKata kunci;  karya kolosal, tari rakyat, hari tari.
Dampak Akulturasi Budaya pada Kesenian Rakyat Soemaryatmi, Soemaryatmi
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.33

Abstract

The sub district of Selo lies between the slope of Merapi and Merbabu mountains. It has several arts which are still developing because of the support from the surrounding societies. Folk arts in Selo have been performed in second and forth weeks since 2008 in the Hall of Tourism Office, Selo sub district. Some of the dance forms have come to acculturation, for example, dances of Campur Bawur, Suro Indeng, Buditani and Prajuritan. Folk arts become a media for conveying feeling and thinking coming from the artist along with the supporting society. Involvemen of the arts in ritual as well as non ritual events shows that the arts have important role in the society’s life.The dances of Campur Bawur and Prajuritan  as the media of expression have been performed in onther areas such as Surakarta for the sake of appreciation and entertainment. Arts performance also represents the society’s legitimacy or belief of the dead spirit. The dead spirit as the embryo of human being and the societies is considered to be able to protect and give safety to the socienty. As an entertainment, the form of its movement is simple and the accompaniment is dynamic. Every per- formance is mostly affected by situation of the society.  The forms of make up, costums, movements, and accompaniment have mixed with moern performance. Keywords: folk dance, aculturation, entertainment.
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