Muh Rizaldi
UIN Sunan Kalijaga Yogyakarta

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

Komodifikasi Hadis Hijrah dalam Akun Media Sosial Komunitas Kajian Musawarah Muh Rizaldi
Al-Bayan: Journal of Hadith Studies Vol 2 No 1 (2023): Januari
Publisher : Prodi Ilmu Hadis STAI Khozinatul Ulum Blora

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Hadiths on hijrah when presented in the form of content on social media have shifted their function from a religious basis to a commercial one. The Musawarah (Muda Sakinah Mawaddah Warahmah) study community account becomes an icon that draws the meaning of the hadith about hijrah to support the implementation of religious events and marketing of merchandise products sold. This paper intends to examine the phenomenon of commodification of hadith about hijrah in the social media accounts of the Musawarah study community. There are at least two questions raised in this article. 1) How is the discourse of hijrah hadiths in the social media accounts of the Musawarah Study community. 2) How are the forms of commodification of hijrah hadiths in the social media accounts of the Musawarah Study community. In answering these questions, this research will use the theory of the intersection of religion and media by Irwan Abdullah and Roland Barthes' semiotic theory. This study concludes that, the construction and distinction in the transmission of the meaning of the hijrah hadith becomes the basic foundation for the commodification of the hijrah hadith. At least three forms of commodification of the hijrah hadith were found. First, the commodification of hijrah hadith with the commercialization of hijrah fest event tickets. Second, the commodification of the hadith of hijrah with the commercialization of open sharia business stand services in the hijrah fest event. Third, the commodification of the hadith of hijrah by launching a sharia business with the narrative content of the hadith about hijrah. These three forms occur as a result of the process of symbolizing religion on social media which causes religion to no longer be imprissant in the human body but appears in lifestyle and entertainment codes that turn religion into a consumption process.
Analisis Historiografi Kitab Hadis al-Arba’in; Studi atas Karya Muhammad Mahfuz al-Tarmasi dan Hasyim Asy’ari Syamsul Ma'arif Ilyas; Muh Rizaldi
El-Furqania : Jurnal Ushuluddin dan Ilmu-Ilmu Keislaman Vol. 9 No. 2 (2023): Agustus
Publisher : STAI Al-Mujtama Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54625/elfurqania.v9i2.6956

Abstract

This paper intends to examine the comparative analysis of the historiography of the hadith book al-Arba'in; al-Minhah al-Khairiyyah by Muhammad Mahfuz al-Tarmasi and the book al-Arba'ina Hadisan Ta'allaqu bi Mubadi Jami'iyah Nahdiyatul Ulama by Hasyim Asy'ari. Departing from the assumption that, these two figures were born from the same sociocultural and scientific style so that there is a possibility of similarities and differences that are interesting to study, especially in terms of scientific transmission both have a teacher-student relationship. Therefore, there are two questions raised in this article. (1) What is the historiography of the writing of Mahfuz al-Tarmasi's al-Arba'in and Hasyim Asy'ari's al-Arba'in. (2)How is the comparison between Mahfuz al-Tarmasi's al-Arba'in and Hasyim Asy'ari's al-Arba'in. In answering that question, the author uses a historical approach; starting from heuristics (collecting sources), verification, interpretation and then historiography. This study concludes that, first, these two books were not written in an empty space, they were formed from sociocultural constructs (patterns of religion, culture, tradition, politics, thought) of the late 19th century and early 20th century. Secondly, the teacher-student relationship between Mahfuz Tarmasi and Hasyim Asy'ari became the starting point for the similarities and differences (to say not identical) which are clearly visible from two aspects, namely the history of the writing of the book and the systematic preparation of the book.