Article Per Year (5 Year)
p-Index From 2019 - 2024
0.444
P-Index
This Author published in this journals
All Journal INTERNATIONAL JOURNAL OF HUMANITIES, SOCIAL SCIENCES AND BUSINESS (INJOSS) INTERNATIONAL JOURNAL OF SOCIETY REVIEWS (INJOSER)
Sapta Lelunu
Institut Agama Kristen Negeri Palangka Raya, Indonesia
Religion Humanities Economics, Econometrics & Finance Social Sciences Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
THEOREM OF THEODOR ADORNO ON HEGEMONY, MUSIC CRITICISM, AND FOLK MUSICAL STUDIES Kesia Rosalina Putri; Sapta Lelunu; Nia Olivia; Daniel Daniel; Octa Maria Sihombing
INTERNATIONAL JOURNAL OF HUMANITIES, SOCIAL SCIENCES AND BUSINESS (INJOSS) Vol. 3 No. 1 (2024): IN PRESS JANUARY
Publisher : ADISAM PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to demonstrate that there is music thinking as a resistance or non-violent resistance that is based on the balance of life through musical works. In order to realize the research objectives, Theodor Adorno's thoughts have become essential to explore, analyze and make Adorno's thoughts as the basis for criticism of music which prioritizes music as merely personal satisfaction but excludes certain subjects or groups. This study is qualitative research with library sources through journals as part of the secondary sources. In addition to secondary sources, books written by Theodor Adorno became the main material as the basis for analysis of music secularization and resistance. Results have shown that Theodor Adorno's thoughts on the basis of music hegemony in the public sphere become weapons of the self and outside the self as tools of resistance to find glimmers of hope through reflection through and in music universally.
CRITICAL DISCOURSE ANALYSIS AND CULTURE OF SEKEPENG DANCELIFE Nova Lady Simanjuntak; Evan Wardiannata; Jonathan Salmanezer; Jasmine Ambun Sintalegawa; Sapta Lelunu; Apri Yardi; Wika Dwi Darma
INTERNATIONAL JOURNAL OF SOCIETY REVIEWS Vol. 1 No. 2 (2023): DECEMBER
Publisher : Adisam Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Skepeng or Lawang Skepeng dance is a custom of the Ngaju Dayak tribe in Central Kalimantan, which is a wedding dance. This dance is only used for traditional events at weddings, a kind of silat game (main manca in Dayak language) to welcome guests of honor or the bride's entourage. This dance is relevant as a literary discussion as it contains local, national and global cultural values as part of an intercultural peace space as well as a point of reflection on the values of loyalty. This research uses a data search method on secondary sources as qualitative research. The results showed that the philosophy of this Lawang Sakepeng tradition is to keep a family life away from various obstacles, hindrances and disasters. This tradition is a proof that he can make the family proud by keeping the brave bachelor.
Co-Authors Apri Yardi Daniel Daniel Evan Wardiannata Jasmine Ambun Sintalegawa Jonathan Salmanezer Kesia Rosalina Putri Nia Olivia Nova Lady Simanjuntak Octa Maria Sihombing Wika Dwi Darma