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Understanding Intersectionality through Tequila Leila’s Experience in 10 Minutes 38 Seconds in this Strange World (2019) Diah Putri Ayu Wandira; Rizal Octofianto Datau; Nur Wulan
POETIKA Vol 11, No 2 (2023): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v11i2.86712

Abstract

The article aims to explore intersectionality and its societal impact on the characters as portrayed in Elif Shafak’s 10 Minutes 38 Seconds In This Strange World (2019). This issue was extensively discussed to comprehend the representation of gender inequality and patriarchy in the story. Although the text has been the subject of discussion among a limited number of scholars, the novelty of this study lies in its adoption of a theoretical perspective that has not been utilized previously, specifically Kimberly Crenshaw’s framework of intersectionality. Methodologically, this qualitative study identified and collected the primary data from the text by selecting direct and indirect quotations relevant to the issue discussed. This approach was complemented by secondary sources from previous and related studies which were drawn from books and journal articles. Having analyzed the text by applying Crenshaw’s theory of intersectionality, the authors found that Shafak represented gender inequality and patriarchy in Turkey as a hegemonic and systematic belief. The text also discovered that the perpetuation of the patriarchal system, rooted in the practices frequently justified by religious rhetoric, is effectively prolonged by the continued male dominance in shaping public policies. It also indicates that the main character, Tequila Leila, and the other characters in the story possess overlapping identities, leading to numerous unfortunate experiences. Tequila Leila’s oppressed experiences unveiled the structural and representational intersectionalities.
Exploring Freudian Defense Mechanism Theory in the Portrayal of Paul Atreides in the Movie 'Dune’ Mufidah Kutfiyah Sari; Rani Roanliq Lamahayu; Firsta Marchania Rachman; Aulia Nurul` Izza; Ega Citta Salsabilla; Rina Saraswati; Rizal Octofianto Datau
ARIMA : Jurnal Sosial Dan Humaniora Vol. 1 No. 2 (2023): November
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/arima.v1i2.664

Abstract

This study explores the complex character of Paul Atreides in the movie “Dune” (2021), using psychoanalysis theory to uncover the hidden behaviors that determine Paul's psyche. While many analyses of "Dune" exist, there is a gap in that existing research focuses on broader themes, and this study tries to fill that gap by providing an in-depth exploration of Paul's psyche. This study aims to point out and interpret Paul's defense mechanisms in response to the chaotic events on Arrakis by analyzing the film's narrative and character development. This analysis uses qualitative research with Freud's psychoanalytical frameworks through Defense Mechanism Theory to examine the main character's psyche, motivations, and development in the movie "Dune." The methodology analyzes the character's actions, interactions, and personal journeys within the narrative, shedding light on their role in the film's narrative. The results show four types of Defense Mechanisms found in Paul Atreides as a protagonist in the movie "Dune": repression, denial, projection, and sublimation. This study concludes that the psyche, motivations, and character development of the main character, Paul Atreides, are evoked by the relationships and situations present in the film's narrative using a psychoanalytic framework.