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Rahmat Suryo Samudro
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Arts Humanities Education

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Penciptaan Tari Furshotu Tsaniyah Menggunakan Methods of Construction Jacqueline Mary Smith-Authard Rahmat Suryo Samudro; Rr. Yvonne Triyoga Hoesodoningsih; Deden Haerudin
Jurnal Pendidikan Tari Vol 2 No 1 (2021): Seni Pertunjukan dan Pengaruh Seni Tari dalam Pendidikan
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.215

Abstract

"Furshotu Tsaniyah" is taken from Arabic, Al-Furshotu which means opportunity, opportunity comes, and At-Tsaniyatun which means second. Furshotu Tsaniyah means second chance. The interpretation of this title is that there is a second chance for those who feel alive again from near death and experience life after death. The dance work "Furshotu Tsaniyah" is based on the basic movements of Sundanese dance combined with contemporary movement techniques that are explored infinitely by the choreographer. Appointed this story into a dance work to give a moral message to the community through dance works. This dance work was created through the methods of construction Jacqueline Mary Smith-Authard which consists of methods of construction 1 - 8. The embodiment of the resulting dance work is in the form of dance compositions developed from processing Sundanese dance movements and contemporary movement techniques as well as supporting elements of dance works like angel wings and whips. The dance work "Furshotu Tsaniyah" uses a dramatic dance type with a single-cone dramatic design and presented in a symbolic presentation mode.
Bentuk Penyajian Color Guard Contest Dalam Pertandingan Grand Prix Marching Band Oleh Komunitas E(x)-Guard Jakarta Rahmat Suryo Samudro
Jurnal Pendidikan Tari Vol 4 No 1 (2023): Pendidikan Tari dalam Membangun Character Bangsa
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.411

Abstract

Marching band performances consist of musical and visual elements. The visual element in the marching band is predominantly represented by the color guard players. The color guard contributes to the visual effect and conveys the message of the marching band performance. Color guard performances do not always depend on marching band orchestras, they can be independent performances using playback music as accompaniment. The Grand Prix Marching Band 2022 competition featured a color guard contest with one of the participants being the color guard community called E(x)-Guard. Researchers conducted observations, interviews and documentation of the results of the E(x)-Guard performance. This data collection technique led researchers to use descriptive qualitative research methods. A study using a theoretical approach of the basic elements of dance composition by La Meri translated by Soedarsono resulted in the conclusion that the color guard contest performance in the GPMB competition presented by E(x)-Guard with the BICARA repertoire had complete elements.
Co-Authors Deden Haerudin Rr. Yvonne Triyoga Hoesodoningsih