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BERBAGI KREATIVITAS VISUAL: PELATIHAN DASAR VIDEOGRAFI DAN EDITING UNTUK STAF HUBUNGAN MASYARAKAT MUSEUM BAHARI Dyah Kusumawati; Santi Delliana
BESIRU : Jurnal Pengabdian Masyarakat Vol. 1 No. 3 (2024): BESIRU : Jurnal Pengabdian Masyarakat, Maret 2024
Publisher : Lembaga Pendidikan dan Penelitian Manggala Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62335/33hg6f95

Abstract

A community service program has been designed with the main aim of introducing the basic concepts of videography to public relations staff at the Maritime Museum, while also promoting tourism promotion. Through this training, participants will be given an in-depth understanding of the stages of video production, from pre-production to post-production, as well as basic techniques in shooting, composition and editing using editing applications. It is hoped that the participants will have sufficient skills to create interesting and informative visual content for the promotion of the Maritime Museum as an attractive tourist destination. Hopefully this program can also expand the reach and increase public interest in visiting the Maritime Museum, thereby contributing to the development of local tourism. This program combines practical training with promotional objectives, forming a solid foundation for increasing knowledge and skills while also promoting the beauty and uniqueness of the Maritime Museum as a tourist attraction worth visiting. Thus, this program not only supports the development of participants' skills, but also plays an active role in strengthening the image and tourist attraction of the city of Jakarta.
Analisis Resepsi Penonton Mengenai Hubungan Beda Agama dalam Film Akhirat: A Love Story Mochammad Fegi Adzriansyah; Santi Delliana
KALBISIANA Jurnal Sains, Bisnis dan Teknologi Vol. 10 No. 1 (2024): Kalbisiana
Publisher : UNIVERSITAS KALBIS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53008/kalbisiana.v10i1.3522

Abstract

Films do not become a reflection of reality in a real building. This research is in progress to find out the reception of the film Akhirat: A Love Story in Jakarta, the plot of the film Akhirat: A Love Story which addresses the issue of interfaith marriages. The theory used in this research is the theory of encoding and decoding. This research uses qualitative accession with reception analysis method. The results of this research show that the four informants in this research agree that Akhirat: A Love Story is a film that has a narration as strong as that of a different religion. On the other hand, the three informants in posizi oposizi aka this film also reflect on the causes and effects of religious entities that are embedded in an image of romance. According to the informant, Sanghe is in a position of negotiation, takama, describing the blessing of parents, as well as the struggle of appearances of different religions is described in a sequence of psychological and physical conditions. Informants in the dominant position of ipsuttu akaa who do not approve of romantic relationships of different religions are wise liars.