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All Journal Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
I Made Bendi Yudha
Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
Arts Humanities

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Ornamen Nusantara Sebagai Sumber Inspirasi Penciptaan Lukisan Pada Kain Sutra M. Indra Bayu Utomo; I Wayan Setem; I Made Bendi Yudha
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Oktober
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1839

Abstract

In writing this final report, the author raised the theme of ornament as a source of inspiration for creating paintings on silk. Silk painting is a type of craft product originating from China and India since the 2nd century AD. Silk painting entered Indonesia about 200 years later because of the trade relations between Indonesia and China and India. Although the art of silk painting has long been known in Indonesia, the art of silk painting is still not developed like other types of craft products that have been widely developed in Indonesia. Because when the influence of silk painting entered Indonesia, Indonesia had already developed the batik industry. The art of silk painting itself is more or less influenced by batik techniques. The author develops archipelago ornaments in the creation of paintings on fabrics, especially silk, the techniques studied are very interesting for the development of painting techniques. Therefore, the author makes 6 beautiful works that have their own ornamental style, besides that the author also develops the creation of archipelago ornaments by creating new ornaments on both denim and silk fabrics with different methods and techniques
Kucing Sebagai Ide dalam Penciptaan Karya Seni Lukis Lintang Diani Putri R.; I Made Bendi Yudha; I Wayan Gulendra
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): April
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2343

Abstract

Everyone has their own way of expressing their relationship with pets like cats. The process of creating a work of art is closely related to the experiences experienced such as emotional closeness with cats and experiences full of feelings and thoughts in everyday life that are excited. This uniqueness gives rise to a sense of expressing it through creativity and imagination into the form of paintings using various techniques, media, taking into account the elements and principles of art. There is a method from Alma M. Hawkins as a reference at the stage of making this painting, including exploration, improvisation, and forming. The artwork created displays visuals that lead to naive forms with freedom in processing shapes and expressing lines that do not depend on the original object.
Revitalization of Kali Unda Tourism Objects Muhammad Rafli Ramdhani Nataprawira; I Made Bendi Yudha; I Wayan Gulendra
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Oktober
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Paksebali Village is one of 12 villages in Dawan District and is located east of Semarapura City, 1 Km away. Paksebali Village consists of 5 Office Banjars. The Klungkung River Dam Tourism Object, which is currently called the Unda River Tourism Object, is the most easily accessible tourist attraction because when heading to this area it is located close to the connecting bridge between Klungkung City and Dawan District. The Kali Unda Tourism Object has a natural panorama that captivates tourists because this tourist spot has a dam that forms a two-story waterfall, which is known as "Curtain Waterfall". Around the dam there are shady trees and restaurant huts as a means of enjoying the natural beauty of Kali Unda Tourism Object. Revitalizing the Unda River Tourism Object through Community Service activities, the condition of the Unda River is currently increasingly apprehensive, namely environmental conditions that are not maintained, lack of reflection therapy fish ponds, ornamental fish ponds and fish nurseries, botanical gardens, and inadequate photo spots. Likewise with existing infrastructure such as changing room walls, mossy and dull toilets, no signs providing information, and unused entry counters, so revitalization is needed to restore and increase visits as a water tourism object.
Co-Authors I Wayan Gulendra I Wayan Setem Lintang Diani Putri R. M. Indra Bayu Utomo Muhammad Rafli Ramdhani Nataprawira