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All Journal KALANGWAN Segara Widya: Jurnal Penelitian Seni Randwick International of Social Science Journal Jurnal Igel: Journal of Dance
Sutirtha, I Wayan
Institut Seni Indonesia Denpasar
Arts Humanities Social Sciences

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Journal : Jurnal IGEL : Journal Of Dance

 1 
TARI SAKANAYA CERMINAN MORAL MANUSIA I Wayan Krisna Ananta Kusuma; I Nyoman Cerita; I Wayan Sutirtha
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

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Abstract

The creative source of the Sakanaya dance work comes from the Sengkuni character who is the antagonist as the source of conflict in the Mahabharata story. His intelligence and abilities make him dissolved into destruction, because he cannot control the six enemies that are within him (Sad Ripu).The creation of this dance work uses the theory of imagination which means the power to form images (images) and the theory of aesthetics which means beauty. The process of realizing it into creative dance works using the creation method in the book Creating Through Dance by Y. Sumandiyo Hadi, a translation of the book Creating Trough Dance by Alma M. Hawkins with stages of exploration, improvisation, and forming. Exploration is thinking, imagining, and responding, by doing research on creative sources, determining ideas and themes for the work, designing the concept of work, selecting dancers, choosing composers and accompaniment players and choosing a place to practice; Improvisation is the process of pouring out the concept of a work to dance performers and has a probationary period; The last stage of forming is the process of uniting and assembling movement patterns, arable structures, music, and formation as a whole.This dance work is packaged in a creative dance work, with the theme of social life. Danced with seven dancers, accompanied by gamelan Semarandhana. The realization of this dance work is expected to awaken every human being that the importance of self-introspection is to maintain integrity or harmony in the lives of fellow human beingsKeywords: Sakanaya, Sengkuni, Sad Ripu, Creative
Tari Bayu Sutha Karya Anak Agung Anom Putra Nayunda; Anak Agung Ayu Mayun Artati; I Wayan Sutirtha
Jurnal IGEL : Journal Of Dance Vol 2 No 1 (2022): Terbitan Pertama Bulan Juni tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

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Bayu Sutha Dance by Anak Agung Anom Putra The title of this study is Tari Bayu Sutha Karya Anak Agung Anom Putra. The purpose of this study is to find out the beginning of the creation, form and function of Bayu Sutha dance, to measure how far the author's ability to research or study a dance work, and provide information related to the beginning of the creation, shape and function of Bayu Sutha dance. In this study qualitative methods are used, to obtain complete data. The stages of data collection in this study, namely observation, interview, literature study, documentation study. The overall results of the data are processed and analyzed neatly and structured in order to get good results and appropriate conclusions from the research. Bayu Sutha dance is a dance creation that is danced singleally, created by Anak Agung Anom Putra. The dance was created as a request from the organizers of the International Gamelan Festival Amsterdam (IGFA) in the 100th anniversary event of the Tropen Museum Amsterdam on 9-11 September 2010. This Bayu Sutha dance tells the story of Hanoman's mercurial youth and has a sincere heart. Hanoman is the protagonist in the Ramayana story. Anak Agung Anom Putra was also inspired by his name "Anom", therefore a dance was created that depicted the character of Hanoman. In general Hanoman dance is displayed in ramayana sendratari. However, it is different from Bayu Sutha dance that is danced single-handedly. Accompaniment music in Bayu Sutha dance using the semarandhana gong. Keywords: bayu sutha, creation dance, Ramayana.
REPRESENTASI SPIRIT HYANG PERTIWI DALAM TARI LEGONG KREASI MAHA WIDYA Ni Komang Ayu Dita Lestari; Ni Nyoman Manik Suryani; I Wayan Sutirtha
Jurnal IGEL : Journal Of Dance Vol 3 No 1 (2023): Terbitan Kesatu Bulan Juni tahun 2023
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v3i1.2374

Abstract

The Legong Kreasi Maha Widya is a dance perfomed by five female dancers, inspired by the power or stronger of Mother Earth. The Maha Widya Kreasi Legong Dance was created by Anak Agung Mas Sudarningsih S.Sn., M.Pd who is a one of the active artists at the Pancer Langit Art Studio. Merdeka Learning program, studying Merdeka campus which is located at the Pancer Langiit Art Studio, students carry out research using descriptive analytical methods using a qualitative approach, which refers to the layout creative process and of performance through the Spirit Hyang Pertiwi contained in Maha Widya's Legong Dance. The results of data analysis show that the essence of the Representation of Spirit Hyang Pertiwi by Maha Widya's Legong Kreasi dance is not explained, but is otomatic presented with dramatic using a symbolic presentation mode.Oriented from this thought, The legong kreasi maha widya Dance was created using the principles of the Langon method sourced from Lontar Purwadigama which mention that there are concepts. three concepts such as (1) the concept of controller called is Ungon, (2) the concept of reinforcement called is Ingon, (3 ) the concept of mastery which is called Angon.Layout of Kreasi maha widya dance of Legong Dance consists of four structures consisting of we called Pepeson, Pengawak, Pengecet and pekaad.The purpose of the research Legong Kreasi Maha Widya dance is introduce to the public, for the position of Maha Widya's Legong Kreasi dance is inseparable from an innovation and creative idea that is owned as a inspiration artist to transform his ideas inspired by Nature which is a source of knowledge and strength for the universe, everything will certainly return to where we stand, namely Mother Earth. Key words : Mother Earth, Creative Process, The Legong Kreasi Maha Widya
Co-Authors Anak Agung Ayu Mayun Artati Dyah Kustiyanti Fenny Diaristha, Putu I Nyoman Cerita I Wayan Krisna Ananta Kusuma Indra Sadguna, I Gde Made Nayunda Ni Komang Ayu Dita Lestari Ni Nyoman Manik Suryani Suminto Suminto Widnyana, Kompiang Gede