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All Journal AL-MURABBI: Jurnal Studi Kependidikan dan Keislaman An-Nas : Jurnal Humaniora IJ-ATL (International Journal of Arabic Teaching and Learning) Prosiding Konfererensi Nasional Bahasa Arab Jurnal Mu'allim Alibbaa': Jurnal Pendidikan Bahasa Arab Jurnal Studi Kependidikan dan Keislaman Multiverse: Open Multidisciplinary Journal AL-UMRON: Jurnal Pengabdian kepada Masyarakat At-Tuhfah : Jurnal Studi Keislaman
mufid, miftahul
Universitas Nahdlatul Ulama Sunan Giri Bojonegoro
Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Physics Public Health Social Sciences Other

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Journal : Jurnal Mu'allim

 1 
REPRESENTASI ETNIS KETURUNAN ARAB DI INDONESIA DALAM FILM 3 HATI DUA DUNIA SATU CINTA Khafid Oktavian; Miftahul Mufid

Publisher : Fakultas Agama Islam Universitas Yudharta Pasuruan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35891/mu'allim.v4i1.2932

Abstract

Film semiotics is one of the semiotic studies that uses film as its object. This study aims to determine the meaning of denotation and connotation contained in a film through semiotic analysis. This study discusses how the ethnic representation of Indonesian Arab descent in the film 3 Hati Dua Dunia Satu Cinta which aired in July 2010. The theory used is representation theory and uses a qualitative approach with semiotic analysis of Roland Barthes. The unit of analysis focuses on scenes that describe the lives of ethnic Indonesian Arab descendants. Data collection techniques in the form of documentation and literature study. The analysis was carried out by analyzing the data, describing each scene containing ethnic representations of Arab descent by looking for the denotative and connotative meanings contained in the scenes from the film, then carrying out the analysis process using Roland Barthes' semiotic theory. The results of the study show that in the film there are signs that describe the life of ethnic Indonesian Arab descent in the film 3 Hati Dua Dunia Satu Cinta which are represented through Arab attributes, such as the use of a robe and white cap for men, and the use of headscarves for men. woman. And in their cultural system, such as speaking using a mixed language of Arabic and Indonesian, their economic system which is predominantly trading, the matchmaking system and their artistic traditions such as Zapin dance and Gambus music.
Co-Authors Dzakiruddin, Muhammad Farida Isroani Festian Cindarbumi Khafid Oktavian Lilik Puji Lestari Mas Tajuddin Ahmad Muhammad Afthon Ulin Nuha Mundzar Fahman Nurul Musyafaah Siti Nur Alfiana Wulandari