Garuda - Garba Rujukan Digital

ASPEK GENETIK, OBJEKTIF DAN AFEKTIF DALAM PENERJEMAHAN Donie Fadjar Kurniawan
Gelar : Jurnal Seni Budaya Vol 4, No 2 (2006)
Publisher : Institut Seni Indonesia Surakarta

Translation have been practiced and developed for approximately well over 5000 years as from the Egyptian Old Kingdom and the Greek philosophy. It is commonly said that translation refers to reproducing the closet natural equivalent message from source language into target language. The evolution of linguistic theories and transaltion studies comes to two important paradigms of translation researchs. First in product oriented translation. Here, the translator should successfully replace the message from source language into target language. Furthermore, the second paradigm is process oriented translation. In process oriented translation, the focus is on the process of producing the equivalent message cognitively, - in iblackbox' translator In order to get a good process translation, the translator at least have to explore the three aspects withn it The three aspect are Genetic (the producer of the translation) , Objective (transaltionas an object) and Affective (the affect of translation into the reader).Keywords : source language(SL), target language(TL), genetic, objective, affective aspects.

Micro Sociological Theories And Their Function Of Aesthetics Donie Fadjar Kurniawan
Gelar : Jurnal Seni Budaya Vol 5, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Aesthetics is basically part of ore daily life. It has a very closet meaning to guide, choose and determine in our behavior and attitudes. In Micro sociology, there is also paralel and strong opinions about those, here we know as the phenomenology, ethno methodology,symbolic interaction and hermeneutics. This writing will explore how that micro sociological theories have a strategis interrelationsip among them. It can be seen clearly on the work about discourse, philosophical anthropological, and psiycho analytic theory of arts.Keywords : Micro sociological theories, aesthetics of art

KOSTUM PERTUNJUKAN WAYANG ORANG SERIAL MAHABARATA GAYA SURAKARTA Indri Hapsari; Donie Fadjar Kurniawan
Texture:Art and Culture Journal Vol 4, No 2 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

This reseach is based on the variety interpretations on the human puppet show on the mahabarata story in Indonesia. These various interpretations produce a lot of style and one of them is Surakarta style.The interpretation of Surakarta style can be observed by the dancer’s costume which have the uniquecharacteristic adapted by local tradition.The goal of this research is to make a deep and detail data in the using of mahabarata’s dancer costume in Surakarta style. The method used in this research is qualitative descriptive. The subjects of the research are Mahabarata’s human puppet show in Sriwedari, Indonesian Institute of The Arts (ISI) Surakarta, and Taman Budaya Jawa Tengah (TBJT) Surakarta. The steps in thisresearch are literature review, data collection and draw conclusion. The conclusion is The use of the puppet costume of the mahabarata series, Surakarta style was adjusted to the characteristics of the puppet figures and plays performed. Costume design is the result of visualization of fashion on the human puppet show. Thesuggestion of this research can be used as the reference in the mahabarata’s dancer costume of Surakarta style and provide the knoeledge contribution as an effort to preserve human puppet in Surakarta style.

PELATIHAN BAHASA INGGRIS UNTUK MURID SMAN 6 SURAKARTA Donie Fadjar Kurniawan
Abdi Seni Vol 7, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

Program pelatihan bahasa Inggris adalah upaya pengajaran bahasa Inggris sebagai realisasi pelayananmasyarakat. Program ini difokuskan pada eksplorasi ke â€˜Inggris diucapkanâ€™ dalam seni rekaman mediauntuk siswa dari negara SMA 6 Surakarta. Tujuan adalah untuk mengetahui, dan mampu membawa mediaberita bahasa Inggris dalam bentuk rekaman audio-visual. Pelajar bahasa Inggris Berita presenter adalahmereka yang berada di kelas XI 2016-2017 tahun sekolah melalui perwakilan yang ditentukan oleh gurubahasa Inggris. Jumlah represntation adalah empat siswa setiap kelas sehingga thatthe jumlah total 28siswa. Program ini berlangsung dari Juli hingga Agustus 2016 dengan keseluruhan 8 pertemuan masingmasing 120 menit.Metode yang digunakan dalam mengajar ini didasarkan pada bahasa Inggris yangdiucapkan. Di sini, peserta diberi pengetahuan suara dalam bahasa Inggris, di setengah jadwal, program inidiarahkan pada â€˜kelancaranâ€™ siswa bahasa Inggris. Hal ini dilengkapi dengan menghubungkan pengetahuanteknis pengucapan dan intonasi. Hasil dari program ini adalah untuk menyajikan berita dalam bahasaInggris ditambah dengan kesiapan untuk tampil dalam bentuk audio visual, seperti muncul setiap haridalam program bahasa Inggris berita bahasa di televisi dari topik, setengah jadwal kemudian difokuskanpada kenyamanan tampil dalam audio visual, seperti ekspresi, ekspresi, menyiapkan tampilan napas umumdalam membawa berita bahasa Inggris.Kata kunci: berbicara bahasa Inggris, presenter berita, audio visual.

ACCEPTIBILITY DUBBING PADA FILM ANIMASI ANAK â€˜POCOYOâ€™ Donie Fadjar Kurniawan
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

This study is to explore how the voiceover or dubbing can fulfill all the criteria of a good job in theÂ perspective of Target Language user. To produce voiceover or dubbing in kid film program is really aÂ multi-dimensional job. The first dimension is the linguistic aspects which rules two languages bothÂ source language (SL) and target language (TL). Sometimes we find a very long phrase or clause in SLand we finally get the voiceover or dubbing as a quite short phrase or clause and the vice versa. TheÂ second dimension is the scope of the social culture that also covers both sides. Sometimes, we find aÂ very difficult terminology in SL to find the acceptability in TL. It is because the specific use relating toevery social and cultural background. English has many words that is hardly found in IndonesiaÂ Language. The next dimension is naturality. How a composition in SL should be voiceover or dubbingÂ in the same naturality in the sense of TL. All of those conditions should be answered to the bestsolution by the director of voice over or dubbing. Therefore the results must consider the naturalnessÂ language dubbing for children. Vocabulary is selected in such a way that the story can get into theÂ domestic children.The subject of this study is Kid Film Program â€˜Pocoyoâ€™ episode A Little Drummer and the IndonesianÂ voice over or dubbing version.Keywords: dubbing, the source language, target language.

TEKNIK LINKING DALAM PEMBACAAN BERITA TELEVISI VOICE OF AMERICA: Studi Pembelajaran Kreatif pada Mata Kuliah Bahasa Inggris Program Studi Televisi dan Film FSRD Institut Seni Indonesia Surakarta Donie Fadjar Kurniawan
Capture : Jurnal Seni Media Rekam Vol 3, No 1 (2011)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

The focus of the research is to explore creativity in the application of linking techniquesto improve English fluency in order to increase the understanding of the English languagethrough the medium of television news. The method used is a combination betweendemonstrations and simulations method, based on experiences through reading andlistening skills. Simultaneously both these skills are applied in the instructional processin the classroom by using English-language news items from Voice of America SpecialEducation Report. The result of this study is that technique of linking is found in theEnglish News presented in television. Linking technique was applied to the type ofconsonant-vowel as well as the vowel-vowel. Consonant-vowel found in more thanthe vowel-vowel. The more linking technique found the more it makes a rapid speechin the case of presenting English news. By knowing the characteristics of the applicationof the technique linking, it is expected that Indonesian audience in general and studentof television study program in particular can understand the news more easily.

BEBERAPA PENDEKATAN SOSIOLOGI DALAM PENELITIAN PERTELEVISIAN Donie Fadjar Kurniawan
Capture : Jurnal Seni Media Rekam Vol 1, No 1 (2009)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

â€œThis is a scientific writing related with Social Sciences in the frame of Television Research. In the view of research , the discipline of television department is a multi disciplines study. It is always colored wit h many others perspectives, such as psychology, social sciences, anthropology, economy even law. This writing explores how the social sciences can be applied in the television research. After all, mind, self and society have heavy influences as a frame of perspective research in media television or symbolic interaction, structural function and phenomenology also have huge influences as a frame of theoretical research. Television research is to examine group of television programs and its existenceâ€.Keyword : social sciences, television research, symbolic interaction, structural function, phenomenology

POLA PENDAMPINGAN , PILIHAN ACARA DAN LAMA MENONTON TELEVISI PADA MURID BERPRESTASI DI KOTA SURAKARTA Donie Fadjar Kurniawan
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

The objectives of this study are, first, to understand the pattern of guidance, second, to understand the choice of programme, and third, to understand duration of watching television to outstanding students at Surakarta. The data analysis shows as follows : the students watching television in a various ways; firstly, 56 % usually being together with their parents, no matter father or mother or both, 25 % being together with other family or relatives usually with siblings , and 19 % usually watching television by himself or herself. This kind of variations appear as the affect of pattern of guidance that is parentsâ€™ responsibility to be together while watching televsion. Secondly, from the choice programme, students have various of watching television, namely : 59% state that they have only several favorite television programmes. Next, 41% state that they have lots of favorite television programmes. Therefore, there is no statement showing no favorite television programmes. This kind of variation is also shown that 51% choose kids program as their favorite television programe. In queing: there are 13% to music, 12% to news programme, 11% film, 7% to sports, 6 % to comedy. Thirdly, from duration of watching, it is also shown that students watching in various condition namely: 59% like to watch television in unscheduled time, 25% like to watch everyday and 16% like to watch in sparetime (holiday). This kind of results also show that they take 3 until 4 hours daily to watch television during their sparetime (holiday), then 0 until 2 hours daily during their non sparetime (studying time).Key words: pattern of guidance, chocie of programe, duration of watching television, outstanding students.

Strategi Program Melalui Penghadiran Kedekatan Dengan Penonton (Studi Kasus Episode â€œMisteri Pesona Sindenâ€) Donie Fadjar Kurniawan; Ahmad Iran Pradita
Capture : Jurnal Seni Media Rekam Vol 6, No 1 (2014)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Opera Van Java is a television comedy drama show that the idea of the show isin the form of modern puppet show. It is said to be modern because the story is generallydeveloped from stories emerging in society. Opera Van Java is a comedy drama full ofartistic-arrangement elements that support the storyline in each episode. Statement ofthe problem in this research is how the setting, makeup and costume drama televisioncomedy Opera Van Java as a programming strategy through presenting closeness withthe audience. The purpose of this study is to describe how the setting, makeup andcostume of television comedy drama Opera Van Java as a programming strategy throughpresenting closeness with the audience. This study used a qualitative descriptive methodand its sample selection using purposive sampling technique. The selected sample wasepisode â€œMisteri Pesona Sindenâ€. The selection of episodes based on the local contentthat can be described and analyzed further. The results of the analysis on an episode ofthe television comedy drama â€œMisteriPesonaSindenâ€ are artistic-arrangement elementslike setting, make up and costumes shown in things and objects are often seen, perceivedand used in everyday society. In the end, the fact is then able to present and bringcloseness with the studio audience and viewers at home.Keywords: setting, makeup, costume, Opera Van Java, Misteri Pesona Sinden

KEALAMIAHAN HASIL DUBBING PADA FILM ANIMASI ANAK POCOYO EPISODE LITTLE DRUMMER DAN THE GREAT RACE Donie Fadjar Kurniawan
Capture : Jurnal Seni Media Rekam Vol 2, No 1 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

This study is to explore how the voiceover or dubbing can fulfill all the criteria of a good job in the perspective of Target Language user. To produce voiceover or dubbing in kid film program is really a multi-dimensional job.. The first dimension is the linguistic aspects which rules two languages both source language (SL) and target language (TL). Sometimes we find a very long phrase or clause in SL and we finally get the voiceover or dubbing as a quite short phrase or clause and the vice versa. The second dimension is the scope of the social culture that also covers both sides. Sometimes, we find a very difficult terminology in SL to find the acceptability in TL. It is because the specific use relating to every social and cultural background. English has many words that is hardly fond in Indonesia Language. The next dimension is naturality. How a composition in SL should be voiceover or dubbing in the same naturality in the sense of TL. All of those conditions should be answered to the bet solution by the director of voice over or dubbing. Therefore the results must consider the naturalness language dubbing for children. Vocabulary is selected in such a way that the story can get into the domestic children. The subject of this study is Kid Film Program â€˜Pocoyoâ€™ episode A Little Drummer and the Indonesian voice over or dubbing version.Keywords: dubbing, the source language, target language

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