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All Journal Texture : Art and Culture Journal Abdi Seni Acintya Capture : Jurnal Seni Media Rekam PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Prasetyo, Andry
Program Studi Fotografi Fakultas Seni Rupa Dan Desain Institut Seni Indonesia (ISI) Surakarta
Arts Humanities Education Social Sciences

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TURONGGO YAKSO DALAM ETNOFOTOGRAFI Perkasa, Mandira Citra; Prasetyo, Andry
TEXTURE : Art & Culture Journal Vol 1, No 2 (2018)
Publisher : TEXTURE : Art & Culture Journal

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (19.28 KB)

Abstract

ABSTRACTThe idea of a photographic creation work en titled “TURONGGO YAKSO IN ETNOPHOTOGRAPHY” was a response to the case of the disappearance of the founder’s handwriting book, the art of Turonggo Yakso which contained important notes about the arts of the Dongkol Village community. The book is about the history of the art of Turonggo Yakso, the design of the movement, and all the rules of the Baritan ceremony (the ritual of the Dongko community after harvest as gratitude for the Almighty God because of the successful harvest).The purpose of this project is to attempt to reassemble the archives in the form of text data from interviews with Turonggo Yakso art actors, and visual data on the documentation of the shows which are packaged in ethnophotographic photographs. The process of creating this work uses ethnophotographic methods which were initiated by Dipti Desai, namely Pseudo-Ethnography. Photographers do not carry out ethnographic methods strictly, but rather rely on field data from interviews by informants and environmental observations.The final project of this work presents visual data and text data about the history of Turonggo Yakso folk art which is the original art of the Kecamantan Dongko community, Trenggalek Regency, East Java Province from preparation, during the show, to the end of the show in ethnophotographic form.Keywords: Ethnophotography, Turonggo Yakso, Art of Tradition, Jaranan.ABSTRAKIde karya penciptaan fotografi yang berjudul “TURONGGO YAKSO DALAM ETNOFOTOGRAFI” merupakan tindak lanjut dalam menyikapi kasus hilangnya buku tulisan tangan sesepuh pendiri kesenian Turonggo Yakso, yang berisi catatan penting tentang kesenian masyarakat Desa Dongkol. Buku tersebut berisi tentang sejarah kesenian turonggo yakso, rancangan gerak, dan segala aturan seputar upacara Baritan (Upacara yang dilakukan oleh masyarakat Dongko setelah panen sebagai rasa syukur terhadap Tuhan Yang Maha Kuasa karena hasil panen yang sukses). Tujuan penciptaaan karya ini sebagai usaha untuk mengumpulkan kembali catatan-catatan yang berupa data teks hasil wawancara dari para pelaku kesenian turonggo yakso, dan data visual dari peristiwa pertunjukannya yang dikemas dalam foto etnofotografi. Proses penciptaan karya ini menggunakan metode etnofotografi yang dicetuskan oleh Dipti Desai yakni Pseudo-Ethnography atau etnografi “semu”, di mana pengkarya tidak mengikuti metode etnografi secara ketat, namun lebih mengandalkan data lapangan dari hasil wawancara oleh narasumber dan pengamatan lingkungan.Hasil tugas akhir karya ini menyajikan data-data visual dan data-data text tentang sejarah kesenian rakyat Turonggo Yakso yang merupakan kesenian asli masyarakat Kecamantan Dongko, Kabupaten Trenggalek, Provinsi Jawa Timur dari persiapan, saat pertunjukan, hingga akhir pertunjukan dalam bentuk etnofotografiKata kunci: Etnofotografi, Turonggo Yakso, Kesenian, Jaranan.
DIGITALISASI BAGI PUSTAKAWAN GUNA PENYELAMATAN NASKAH KUNO DI PERPUSTAKAAN WILAYAH SURAKARTA Andry Prasetyo
Abdi Seni Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2427.359 KB) | DOI: 10.33153/abdiseni.v9i1.2443

Abstract

AbstractThis paper describes the process of digitizing training for librarians to save and provide easy access for visitors, as well as a base for library digital libraries in the Surakarta Region. The training on media transfer and preparation of the E-Book uses participatory methods, namely librarians will be directly involved in the training process. The lack of knowledge of librarians in photographic technology as the basis of the digitization process (conversion of hard files into soft files), and the lack of budget allocations for digitalization are obstacles in saving ancient manuscripts. Therefore, it is necessary to make the right media transfer tool (reprograph). Librarians were finally able to understand the basic photography techniques and compilation of e-books with the PageFlip Book 3D application, so that a collection of manuscripts could be saved from extinction. Librarians get easy access to ancient manuscripts without having to touch physically with the original manuscript.Keywords: Digitalization, Ancient Manuscripts, Libraries, Surakarta.
CARA MELIHAT Andry Prasetyo
Acintya Vol 11, No 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (415.167 KB) | DOI: 10.33153/acy.v11i1.2610

Abstract

Abstract This study discusses John Berger's book entitled: The Way of Seeing which was first printed in 1972. The purpose of this study is to urge photographers to study harder and implement critical theories about concepts and philosophies that support photography. This language urgency helps foster the critical spirit and instinct of students who are studying photography.This research departs from a literature review. Because of its basic research, with qualitative descriptive forms, it is in the search for data sources on primary and secondary data. Primary data is Berger's original work entitled How to Look, while the secondary one is a review and commentary on Berger's main work by other authors.The results of this study show the concept of thought of John Berger: Seeing the building of our existence in the world that surrounds us, therefore we can explain in words, whatever is around us. Seeing not only the affairs of the mechanical reaction of the eye organs (lens, retina, etc.) but there is the activity of choosing from so many things outside us that are visible to the eye. Keywords: John Berger, How to Look, Critical Theory, Photographer
EKSPLORASI GERAK AIR DALAM VISUALISASI FOTOGRAFI STILL LIFE Andry Prasetyo
Acintya Vol 7, No 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.832 KB) | DOI: 10.33153/acy.v7i2.2005

Abstract

The research on the art work entitled “Eksplorasi Gerak Air Dalam Visualisasi Fotografi Still Life” (The Exploration of Water Movement in Photography Visualization Still Life” aims to create a photography work with the object of water spot that quickly moves and forms a certain pattern that cannot be caught by eyes, that is then paused so that it can be enjoyed in detail by high speedtechnique. The research uses experimental approach. It is executed through two stages covering analysis and development. The analysis includes identification and studies on the research object including water movement or water spot and the material forming a certain pattern as an object of photography. The method of photography creating Still Life covers three stages: exploration, planning, and realization. The result shows that firstly, the beauty of the photograph Still Life with the object of water spot can be caught and seen by eyes with high speed technique. Secondly, the image of water movement that is freezed can produces visual element and aesthetic effect by adding the light of lamp in the background at the time the photograph is taken.Keywords: photography Still Life, water movement, exploration.
TURONGGO YAKSO IN ETHNO-PHOTOGRAPHY Mandira Citra Perkasa; Andry Prasetyo
Capture : Jurnal Seni Media Rekam Vol 9, No 2 (2018)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i2.2063

Abstract

The idea of a photographic creation entitled Turonggo Yakso in Ethnophotography is a follow-up in addressing the disappearance of the handwritten textbook of the founder of the art of Turonggo Yakso, which contains important notes on the art of Dongkol Village society. The book contains about the history of the art of Turonggo Yakso, the design of motion, and all the rules regarding the Baritan ceremony. The purpose of the creation of this work in an attempt to re-collect records in the form of text data from the interview results of the artists Turonggo Yakso, and visual data from the show performances which are packaged in ethnophotographic photos. The process of creating this work using the ethnophotographic method supported by Dipti Desai ie Pseudo-Ethnography or "Pseudo" ethnography, where the creator not follow the ethnographic methods strictly, but rely more on field data from interviews by informants and environmental observations. The creation of this work presents ethnophotographic works about the folk art of Turonggo Yakso in Dongko community, Trenggalek regency, East Java province from preparation, during the performance, to the end of the show.   
SHOT DESKRIPTIF SEBAGAI ELEMENVISUAL PROGRAM DOKUMENTER KERIS : REFLEKSI BUDAYA J AWA S Sugito; Andry Prasetyo
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (541.018 KB) | DOI: 10.33153/capture.v3i2.1893

Abstract

One of the works of art and cultural traditions of Indonesia that have a high value isKris.Kris is a product of original culture created by the ancestors of Indonesia.Apart from beinga piece of art that has a high value and full of symbolic meanings,the Javanese community is stillwith confidence Kejawen believe Kris has a strength,magical power that has an influence on thelife of its owner.The documentary program is the theme of the existence of art and culturaltraditions in the midst of modern society life activities. This work has the characteristicsedutainment,meaning that in addition to providing entertainment also have purpose to provideeducation or knowledge to the audiences.The idea of this documentary is the story of theJavanese community relations with Kris, in any ceremonial activities and rituals performed bythe Javanese community,Kris never comes off as the completeness of culture that should not beabandoned.The use of shot-shot descriptive meaning the use shot more varied such as, panshots, follow shots, tracking shots, low shots, high shots, over-shoulder shot, is needed in themaking of this documentary,because shooting is mostly done on an event without scenario ordirect camera. Type of shot that is widely used among others: Long shot with reason andpurpose to be flexible to follow the area or wide when the scene moving fast, to show wherethe scene is located (showed a), to indicate progress, as well as to show how to position thesubject has a relationship with others.Type medium shot, shot like this type most commonlyencountered in film and television.This type of shot is the most save,because there is no specialemphasis to the object.Type close shot or close-up function to create a suppressive effect,withsolid images.Keywords :Documentary film,Kris,and Java culture
DIGITALISASI SEBAGAI UPAYA PENYELAMATAN DAN KEMUDAHAN AKSES NASKAH KUNO Andry Prasetyo; Agus Heru Setiawan; M ali nurhasan islamy
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Naskah kuno yang berusia ratusan tahun dan menampung keberagaman teks dan pengetahuan tentang falsafah keagamaan, norma dan tuntunan hidup, sejarah suatu bangsa, kesusasteraan, kebahasaan, persoalan adat istiadat maupun perundang-undangan, merupakan aset penting bagi keberadaan masyarakat tertentu, yaitu berfungsi sebagai sarana mentransfer informasi dan pengetahuan lintas generasi, dan sekaligus penanda peradaban suatu jaman. Faktor usia, rapuhnya material yang digunakan, kompleksitas penyimpanan, serta aksesbilitas pengetahuan di dalamnya, menjadi persoalan yang dihadapi dalam upaya preservasi naskah-naskah kuno koleksi suatu perpustakaan tertentu. Penelitian ini bertujuan untuk menjawab pertanyaan tentang bagaimana upaya yang dimungkinkan untuk melakukan konservasi naskah-naskah kuno koleksi Perpustakaan Museum Radya Pustaka Surakarta yang terancam keberadaannya dan membangun model alih media yang memungkinkan pihak perpustakaan memberikan akses kepada pemustakanya tanpa membahayakan kondisi dari naskah aslinya. Hasil temuan di lapangan menunjukkan bahwa koleksi naskah kuno yang dimiliki oleh Museum Radya Pustaka, berada dalam taraf yang memerlukan tindakan penyelamatan secepat mungkin. Kondisi terkini dari naskah-naskah kuno tersebut rentan mengalami kerusakan yang tidak lagi dapat diperbarui. Kondisi ini diperburuk dengan sistem penyimpanan naskah kuno yang masih konvensional, yaitu dengan membuat file teks dan disusun ke dalam almari. Sedangkan untuk menjaga keselamatan naskah kuno, pengelola museum membatasi akses pengunjung untuk melakukan kontak langsung dengan naskah asli. Memperhatikan temuan tersebut di atas, model alih media ke bentukan digital menjadi satu metode potensial untuk dilaksanakan, terutama ketika melihat kondisi koleksi naskah kuno yang mulai rapuh serta memperhatikan tingginya ketertarikan pemustaka untuk mengakses koleksi naskah kuno dari perpustakaan Museum Radya Pustaka Surakarta. Selain itu perlu dibuat sebuah alat Reprographteknologi fotografi yang tepat guna, terjangkau dari segi harga, dan efektif yaitu yang diperuntukkan bagi perpustakaan yang memiliki anggaran kecil seperti perpustakaan Museum Radya Pustaka dan perpustakaan kecil di daerah-daerah.
Co-Authors Agus Heru Setiawan M ali nurhasan islamy Mandira Citra Perkasa Perkasa, Mandira Citra S Sugito