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Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA)
Published by Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi
ISSN : 2621119X     EISSN : 25984934     DOI : https://doi.org/10.31539/kaganga.v6i1.5320
Core Subject : Social,
Social Sciences
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora memuat artikel hasil penelitian baik penelitian menggunakan pendekatan kuantitatif, kualitatif, dan mixed method yang terkait dengan bidang. Pendidikan Sejarah dan Ilmu Pengetahuan Sosial (IPS) meliputi bidang ilmu dan praktik pendidikan, praktik kurikulum dan pembelajaran, metodologi, pengembangan model serta metode pembelajaran, evaluasi dan teknologi pendidikan serta aspek pendidikan lainnya. Kajian Sejarah meliputi analisis kajian sejarah dalam segala aspek. Kajian Sosial-Humaniora meliputi penelitian keilmuan tentang sosiologi, antropologi, ekonomi, komunikasi, politik, pemerintahan, hukum, gender dan sosial-budaya masyarakat.
Arjuna Subject : -
Articles 15 Documents
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Search results for , issue "Vol 3 No 2 (2020): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora" : 15 Documents clear
Aransemen Kroncong Lagu Sasak Gugur Mayang Yuspianal Imtihan; Hary Murcahyanto; Abdullah Muzakkar; Lalu Ahmad Alfian Bakti
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 3 No 2 (2020): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (769.268 KB) | DOI: 10.31539/kaganga.v3i2.1709

Abstract

ABSTRACT This paper is based on the results of research which aims to describe the form of the keroncong version of the keroncong version of the traditional song Gugur Mayang arrangements. Descriptive qualitative method with a phenomenological approach is used in data collection through observation, interviews and documentation with a focus on the form of keroncong arrangements in the song Gugur Mayang. The uniqueness of this paper is the scarcity of research on traditional Sasak songs arranged in the kroncong version that has been researched by other researchers. The results of this study indicate that the form of the arrangement of the keroncong version of the song Gugur Mayangis a song that begins with the AA section, with the introduction at the beginning of the song, then the bridge, followed by the AA” section on the song Gugur Mayang. In the episode or interlude, it is filled with violins and accompanied by several other instruments then it is entered in the coda section which is played by all instruments other than the flute. The scale used in this arrangement is the D minor scale which means 1 mol or F major. Keywords: Arrangement, Gugur Mayang, Keroncong, Sasak Song.
Dekultrasi Bentuk Pertunjukan Musik Hadrroh Alwan Hafiz; Hary Murcahyanto; Abdullah Muzakkar; Hulfatul Husna
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 3 No 2 (2020): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (931.367 KB) | DOI: 10.31539/kaganga.v3i2.1725

Abstract

ABSTRAK This paper is based on the results of research that aims to describe the deculturation and form of Hadrroh musik performances in Gerisak Semanggleng Sakra Barat Village, Lombok Timur. This study used a qualitative descriptive method with a phenomenological approach. Collecting data by observation, interviews and documentation. From the results of the study, it is concluded that a result of the times and often following competitions the musik group has innovated to become a modern Hadrroh Modern musik group. To meet the needs of a show so as not to be outdated, this musik group underwent a change in the form of deculturation in the form of its performance by adding a keyboard musical instrument and presentation material using modern religious songs. The form of Hadrroh's musik shows is divided into two forms of performances, namely routine performances as a means of worship and non-routine performances (rituals) as entertainment. Keyword : Deculturation, Hadrroh Music, Performance Forms.
Peran Karang Taruna Bunga Bakung Dalam Pelestarian Hutan Adat Melalui Kearifan Lokal K. Rapiandi Isak Merang; Iskandar Iskandar
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 3 No 2 (2020): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (987.903 KB) | DOI: 10.31539/kaganga.v3i2.1781

Abstract

ABSTRACT The purpose of this research is to describe the role and to find out the obstacles of Karang Taruna in Sajau Village in preserving customary forests based on local wisdom. This study used descriptive qualitative method. The results showed that the role of Karang Taruna in the preservation of customary forests in Sajau Village was to collaborate with customary institutions, village government, and the Sajau Village community to monitor, report, and enforce customary law based on local wisdom. Constraints in the preservation of customary forests are due to internal factors of the Sajau Village community taking wood in the customary forest without the permission of the customary institutions and the Sajau Village government and external factors there are people who do not know the boundaries of the customary forest, and the company is interested in buying customary forest land. The conclusions of the research are (1) the role of Karang Taruna in the preservation of customary forests, namely: Coordination with the village government and the Sajau Village customary institution to make and stipulate customary rules, conduct supervision, maintain customary forests, enforce customary law (2) Constraints in the preservation of customary forests, namely: Threats from within the village, communities from outside the village and threats from companies. Keywords: Adat, Forest, Wisdom, Youth Organization.
Pendidikan Kepemimpinan Guru Sejarah Di Era Globalisasi Andriana Sofiarini
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 3 No 2 (2020): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (806.077 KB) | DOI: 10.31539/kaganga.v3i2.1823

Abstract

ABSTRACT The purpose of this study was to determine the spirit of current teacher leadership and historical teacher leadership education at STKIP PGRI Lubuklinggau in the era of globalization. The research method used is a qualitative method. In this study, researchers used direct observation results with the researchers' own instruments. Researchers with the results of their observations are supported by reference sources trying to analyze, analyze and present data according to what is in the field. The results showed that 1) the spirit of teacher leadership, namely as a prospective history teacher, students must be skilled in self-development when participating in lecture activities both inside and outside the classroom. 2) Teacher leadership education in the era of globalization, namely as candidates for history teachers, students must be able to adapt to the times, be able to develop themselves and continue to hone their abilities as prospective leaders in the era of globalization. The conclusions of this study indicate that the importance of leadership education for prospective history teachers in the era of globalization and being taught as prospective teachers, as well as making a leader who is wise, innovative thinking, and wise who gives birth to leaders in the future. Keywords: Globalization, History, Leadership, Teachers.
Identifikasi Faktor-Faktor Pembiayaan Dalam Pelaksanaan Upacara Adat Kematian Rambu Solo’ Budaya Toraja Jemi Pabisangan Tahirs; Rati Pundissing
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 3 No 2 (2020): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (275.574 KB) | DOI: 10.31539/kaganga.v3i2.1825

Abstract

ABSTRACT This study aims to identify the financing factors in the implementation of the Toraja culture of the traditional death ceremony (Rambu Solo '). The method used is descriptive qualitative. The results showed that the ritual of rambu solo 'was carried out in several stages, namely the stage of ceremony preparation (family gathering, making huts, provision of ceremony equipment) and ceremonial implementation stages (Ma'Pasulluk, Mangriu' Batu Messimbuang, Mebala'kan, Ma'Pasa '. Tedong, Ma'papengkalao, Lantang Mangisi, Ma'palao and Ma'pasonglo, Allo Katongkonan, Allo Katorroan, Mantaa Padang and Me Aa). This research concludes that the implementation of the rambu solo 'ceremony is different for each group (social strata). Keywords: Implementation cost, Social Strata, Toraja tribe

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