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Texture : Art and Culture Journal

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Published by Institut Seni Indonesia Surakarta

ISSN : 2655676 EISSN : 26556758 DOI : 10.33153

Core Subject : Humanities, Education, Art, Social,

Arts Humanities Education Social Sciences

Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 8 Documents

Search results for , issue "Vol 4, No 1 (2021)" : 8 Documents clear

BUNGA LAYU DALAM FOTOGRAFI STILL LIFE Yeti Septo Rini; Setyo Tohari Caturiyanto
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Flowers are one of the extraordinary forms that are enjoyed by their beauty. Starting from a childhood experience, this work tries to manifest anxiety through the art of photography. The object selected in this work is a lay flower. Wither is where a condition is not fresh or pale. Based on changes in flower color, irregular textures and shapes are interesting to visualize in a photographic work. One of the genres of photography used is still life photography. A work of art that creates an image of an inanimate object or object to make it appear much more alive. The work of this work, uses air-filled media with other supporting objects. The selection of media that contains water is used to facilitate the arrangement in order to achieve aesthetic or beauty value. The values of beauty include unity, complexity, and sincerity in creating such works. All of these things are related to the results in the process of working on the work. The Creation of Withered Flowers in Still life Photography has meaning, not just a visual form without aesthetic value.

MEMOAR RASA TAKUT DALAM DIRI SEBAGAI SUMBER PENCIPTAAN SENI GRAFIS Dimas Bayu Setiawan; Theresia Agustina Sitompul
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Departing from the author's empirical experience about the memoir of fear in oneself and experiencing scary and sad events, the writer wants to know himself more deeply. the creation of a work of graphic art this final project is to create a work of graphic art that takes the inspiration of fear, which indirectly also explains the concept of its creation, as well as the visual aesthetics of the work of graphic art, with the aim of creating the work of graphic art itself. The creation of the work refers to three stages, namely finding the initial idea, developing, perfecting and strengthening the initial idea. The result obtained from the creation of this work is self-therapy using high print art media.

KONTEKSTASI PILPRES 2014 & 2019 TERHADAP REMAJA MILENIAL SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS Gatrin Rukmanandi; Amir Gozali
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Creation of a painting with a background of anxiety as well as the experience that has been generated from the 2014 & 2019 presidential election at that time. The presidential elections in 2014 and 2019 at that time made a lot of people especially teenagers in the millennial generation to receive the negative impacts they received directly and indirectly. These incidents also shape the attitudes of the millennial generation to face the turmoil of this presidential election. The purpose of creating this artwork is to explain the concept, process and visual description of the work whose source of inspiration comes from the context of the 2014 & 2019 presidential elections for millennial youth. The painting style used is the Pop Surrealism style. The creation of works refers to the three stages of creation put forward by Herman Von Helmholtz which describes the stages in the creation process, including: Saturation (Data Collection), Incubation (Precipitation), Illumination (Embodiment of Work). The creation of this painting work provide more insight into the tools, materials, techniques of working on a work. The results obtained from the creation of the work are paintings inspired by the context of the 2014 & 2019 presidential elections for millennial youth. Another result is empirical experience and the deepening of concepts in the creation of painting works with the inspiration for the context of the 2014 & 2019 presidential elections for millennial youth.

PERANAN IBU DALAM KELUARGA SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS Muhammad Zulfi Khibron; Santoso Haryono
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The creation of this final project with the title The Role of Mothers in the Family as a source of inspiration for the creation of a painting was created to fulfill the requirements as an art scholar in the Indonesian Art Institute of Surakarta. mothers in educating children at this time, where there are facts faced by teenagers who deviate from existing norms. So that the negative impact of the behavior of teenagers is not widespread, then a mother must go directly to parenting children in shaping children's moral education. In the process of creating this final project through several stages, including the stages of idea creation, formulation of the concept of the creator and the realization of the work. The selected objects are human forms, puppets, dancers and other supporting objects. Processed according to the chosen style, namely figurative expressiveness, coloring using monochrome colors, namely black and white.

Ruang Kosong Ruang Kreasi: Seni Ruang Publik Sebagai Referensi Visual Budaya Tradisi Figur Rahman Fuad; Endang Sri Handayani; Endri Sintiana Murni
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The village is the main buffer of the city's culture. The stretching of the village community in developing the potential of human resources and the environment is something that is vital in the development of the city itself. The awareness of citizens to move independently to improve the quality of life is achieved through the arts. This paper wants to describe the collective awareness of residents in Purwodiningratan village in managing the empty space in the alleys of their village. Through the mural art, it is hoped that it can serve as a reminder of how to think and behave, as well as being a connector for traditional values and culture, so that the younger generation always has a foothold in projecting themselves into the future.

MAKNA FASHION GENERASI Z DALAM FILM SUNSHINE BECOMES YOU ANALISIS SEMIOTIKA ROLAND BARTHEZ Nur Rochmat Indiarjo; Sapto Hudoyo
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The research was meant to see through deeper about the signs that resides within the main actors’s costumes of Sunshine Becomes You as the fashion of Generation Z. The reseach method is descriptive and use Roland Barthes’s semiotic analysis about the denotative and connotative value of the signs. The conclusion of this research shows according to the signs from the main actors’s costume from Sunshine Becomes You that Generation Zs has a mindset of how very important look is for them, tend to be practice and instant behaviours, love freedom and high self-confidence, and also eagerly need for self-approvement from their society.

Topeng Surakarta Sebagai Sumber Ide Penciptaan Motif Batik Pada Busana Casual Wanita Kristanti Kristanti; FP. Sri Wuryani
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The main idea behind the creation of this artworks is inspired by the visual form of the Surakarta masks. This concept was chosen because the Surakarta masks has a variety of shapes, colors, functions, and characters that are different and interesting for the source of ideas for the creation of batik motif, such as the masks of Panji Inu Kertapati, Dewi Sekartaji, Klana Sewandana, Gunungsari, and Jaya Kartolo. This final project aims to create women's casual outfit by applying the Surakarta masks as the basic idea in creating the artworks. The Surakarta mask's scope gives rise to ideas to be developed into the creation of written batik motif. The process of creating works starts from the exploration stage, which is observing the shape of the Surakarta masks and then pouring it into the design stage of an alternative design to be selected as a batik motif to be applied to casual outfit. The last stage is the embodiment stage, in this process starting from making a dress pattern, painting on a patterned fabric for casual cloth, batik, painting dyeing, sewing and finishing. The coloring technique used in the creation process is the technique dabbing using remasol dyes. The materials and tools used were wax, canting, remasol, waterglass, silk cotton, and satin fabric bridal. As the result of my final project, there are 5 women's casual outfits, each named according to the characters of the Surakarta mask. The first artworks entitled Lelanange Jagad (Handsome Man), the second entitled Kirana (Moonlight), the third entitled Ahengkara (Roam), the fourth entitled Sajjana (Immortal), and the last artworks entitled Warada (Strong). This design results an innovation to preserve Surakarta mask art culture and also the traditional art of batik in the fashion sector.

MEMORI KETAKUTAN ANAK SEBAGAI SUMBER INSPIRASI KARYA SENI PATUNG Silviya Sukmawati; Effy Indratmo
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Violence from parents and violence from the immediate environment at the age of children causes them to become children who are easily afraid of sounds (Verbal), fear of physical violence (objects), and fear of the immediate environment. This final artwork project aims to create a sculpture art with the theme of the memory of a child's fear, which also explains the concept and process of creation and also the visual aesthetics of sculpture. The shape of the memory of children's fear is portrayed in the media of sculpture art with cast printing techniques. The creation of sculpture in this final project provides more insight into empirical experiences in creating works of art as well as the deepening of concepts in children's memory of fears.

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Contact Name
Zuliati

Contact Email
zuliati@isi-ska.ac.id

Phone
+6281804209909

Journal Mail Official
texture@isi-ska.ac.id

Editorial Address
FSRD Institut Seni Indonesia Surakarta Jalan Ring Road Mojosongo Km. 5,5 Jebres, Surakarta, Jawa Tengah

Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Zuliati

Contact Email zuliati@isi-ska.ac.id

Phone +6281804209909

Journal Mail Official texture@isi-ska.ac.id

Editorial Address FSRD Institut Seni Indonesia Surakarta Jalan Ring Road Mojosongo Km. 5,5 Jebres, Surakarta, Jawa Tengah

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Zuliati

Contact Email
zuliati@isi-ska.ac.id

Phone
+6281804209909

Journal Mail Official
texture@isi-ska.ac.id

Editorial Address
FSRD Institut Seni Indonesia Surakarta Jalan Ring Road Mojosongo Km. 5,5 Jebres, Surakarta, Jawa Tengah

Location
Kota surakarta,

Jawa tengah

INDONESIA