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Texture : Art and Culture Journal

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Published by Institut Seni Indonesia Surakarta

ISSN : 2655676 EISSN : 26556758 DOI : 10.33153

Core Subject : Humanities, Education, Art, Social,

Arts Humanities Education Social Sciences

Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 10 Documents

Search results for , issue "Vol 5, No 1 (2022)" : 10 Documents clear

Melukis sebagai Terapi Diri Mental Illness Haniatus Sa’adah
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Art therapy is one type of the therapy which done through a creative process on the creation of a work of art as an effort to relieve the inner conflicts or repressed emotions in someone who suffers from health problem such as mental illness. The aim of this study project under the title “Painting as Self- Therapy for Mental Illness” is to create an abstract paintings based on inner experience as self-therapy for mental illness. In addition, the act of counseling routinely with a psychiatrist and drug therapy is being undertaken by the author. In this study project, the author creates a painting in an abstract-expressionistic style that is direct and spontaneous, with or without special considerations regarding the application of the visual concept of painting in his work, providing the author’s subjectivity in his work can be fulfilled absolutely. The abstract painting itself really emphasizes the expression of emotions through free strokes, line and colors which that is appropriate or suitable for art therapy medium; by using ink and acrylic paint on various types of paper such as; linen paper, recycled paper, and watercolor paper. The author also uses the direct method on painting the creative works or the paintings done by the act of spontaneously, quickly, and full of intuition with either wet or dry techniques. From the process of making this study project, the author was able to produce hundreds of works which later those selected, sorted, and arranged into a panel or an independent painting which concluded into total of 14 works with spontaneous, firm, textural, and magical line expressions. Through art therapy by working on abstract-expressionism style of painting, the author feels the psychological impact which leads into an atmosphere of happy inner-self, a relief, becomes more passionate, and a calmness which drives to organize life more optimistically, and also it is able to relieve the worries and pain that the author feels.

Penciptaan Hiasan Dinding melalui Teknik Batik Kombinasi Trapunto Haryati Dwi Suhestin; Tiwi Bina Affanti
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The creation of wall hangings is motivated to meet the needs of aesthetic elements in spaces that have the function of helping to build the atmosphere in a room. The reason for visual selection by processing the natural nuance is because the scenery in the natural nuance has the ability to give the impression of comfort and serenity to its inhabitants. The results of the creation of this Final Project are as follows: Creation of visual design by processing the theme of the natural atmosphere through batik techniques and trapunto techniques for wall decoration totaling eight (8) visual designs. The overall visual design processes the elements contained in the natural atmosphere along with the stories in them which are illustrated through a decorative styling, using a two-size 110x80cm and 80x0cm philip berkolin cotton fabric that is done with Remasol staining.

Environmental Pollution Arvita Adellia Saputri; Salim Salim; Ruth Ambarsari
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Final project planning aims to create a party fashion design that combines the source of ideas and fashion style chosen. The source of ideas from the final project design is Enviromental Pollution. Environmental Pollution poured into clothing with a pattern application patchwork dan tie dyed techbiques as fashion motifs, meanwhile fashion style is avant garde. The type of clothing chosen is eveing dress. The materials used in the final prpject design are linen, tulle, and silk catton fabric for tie dyed. The colors of the material in the final project design follow the color of the source of ide, namely blue

Gambar Pitutur Punakawan sebagai Inspirasi Penciptaan Video Kanal Tunggal Stephanus Andre Triadiputra; Setyo bagus Waskito
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The rapid development of technology makes the world has no real boundaries. Dissemination of information occurs very quickly and easily. Modern society at all ages, most of them have equipment that allows them to be directly connected to information, entertainment and knowledge that comes from anywhere. As a result, clash of local values with foreign or external values is unavoidable. Javanese proverbs that often appear through pictures of pitutur clowns (Semar, Gareng, Petruk, and Bagong) in glass paintings have noble values that are useful for character building, especially for Javanese people. Pitutur pictures usually contain suggestions and prohibitions in life. Video illustration of the existing pitutur images, made with the chroma key (green screen) technique as the creation method used for its embodiment. As a result, single channel videos which are illustrations of pitutur images can be used as a medium for spreading the noble values of Javanese culture in the current millennial era.

Profil Penulis Perjalanan Bisnis Hak Cipta Hiburan dalam Konteks Perkembangan Hak Cipta Hiburan pada Kegiatan Hatch Kus Sudarsono
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

The journey of an entertainment IP may differ widely amongst IPs. However, there is a pattern that can be deducted from their journey. The journey starts from ideation and prototyping to licensing and partnership. The journey of an entertainment IP takes on multiple disciplines such as arts, marketing, business, public relation, partnership, and many more disciplines. Each stage provides its challenges to continue the journey. Further, each stage must be mastered and well-designed by the IP owner. The stages are Value Propositions, Business Model Generation, Media selection and IP Protection, Monetizing and expanding media, Collaboration and Market expansion, Partnership, and Licensing. Hatch is a mentorship event for new content creator to expand their IP, conducted by Katapel.id.

Color Grading sebagai Pembangun Mood pada Setting Waktu dalam Web Series Rewrite Shabira Almaas Yanaayuri; I Putu Suhada Agung
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Color grading can be used to support the film’s narrative by creating an atmosphere or mood that complements the storyline. This study aims to analyze and describe color grading as a mood builder that is applied to time settings in Web Series Rewrite. The results of this study found that color grading in several scenes at each time setting in Web Series Rewrite is used to build the mood or atmosphere in the story. The colors that are widely used include blue and brown with a mixture of other colors, namely: red, gray and black. Light blue is used to build the atmosphere of a scene that seems cold and melancholy, brown is used to build the atmosphere of a scene that seems warm, and dark brown and reddish brown tend to build a dark atmosphere and angry conflict. The use of gray color gives a gloomy and sad impression.

Visualisasi Feminisme dalam Film Jelita Sejuba: Mencintai Kesatria Negara melalui Karakter Syarifah Agnes Septiana; Achmad Sjafi'i
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Jelita Sejuba movie: Loving the Knights of the Country is examined in terms of visualizing the feminism of the film’s main character, namely Syarifah. Although not a feminist movie, there are indications of feminism features expressed by Syarifah’s character through visual language. The purpose of this research is to describe the visualization of feminism through shots, scenes, gestures, and dialogues. This qualitative descriptive study applies a purposive sampling method by selecting the most appropriate scene as a sample. The analysis of feminism in this study is seen from the scenes which contain the visualization of feminism. The results of this study conclude that feminism can be presented through shots in movies that summarize scenes, gestures, and dialogues. The visualization of feminism presented in the movie shows Syarifah’s attitude toward gaining the right to choose life according to her preferences.

Kajian Batik Tradisi Bayat Klaten dengan Pendekatan Estetika Aprilia Prastika; Sarwono Sarwono
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

This research aims to describe the aesthetic according to Dharsono’s theory from 1) the look of a batik pattern visual on the main motif and the filling (isen), and 2) philosophical guidance on the motif related to AgusSachari’s aesthetic theory of symbol, meaning, and power to analyze the traditional batik in BayatKlaten. This is a qualitative descriptive research. Desa Jarum, Desa Kebon, and DesaBanyuripan in Bayat Sub-distric, Klaten, were chosen for the research locations. The research samples were collected using purposive sampling technique. The data sources consisted of informants, objects, pictures, archives, and documents. Data triangulation technique was utilized to validate the research data. The analysis model used is the interactive analysis. The results show that the aesthetic of traditional batik according to Dharsono are: (1) The visual look of the batik’s main motif is the characteristic of the batik motif, the filling motif functions as an additional motif which has no meaning, and the filling (isen) acts as the filler on the blank space on the main and supporting motifs which are in the form of points and lines. 2) The philosophical guidance on the motif has symbol, meaning, and power related to AgusSachari’s aesthetic theory.

Penerapan Struktur Penceritaan pada Film Dua Garis Biru Berdasarkan Pendekatan Sequence Angga Setyo Apriyono; Sri Wastiwi Setiawati
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

This study aims to describe the application of the story structure in the film Dua Garis Biru based on Paul Joseph Gulino’s sequence approach. The research method used is qualitative research. The results showed that the structure of the story used in the film Dua Garis Biru uses an eight-sequence story structure approach. Sequence 1 begins with the introduction of the main characters Dara and Bima with their lives, and there is a point of attack when it is confirmed that Dara is pregnant due to having sex with Bima. Sequence 2 introduces the limitations of Dara and Bima which affect the way they will run to overcome the problem by covering up Dara’s pregnancy. Sequence 3 Bima and Dara began to carry out their plan but an unexpected obstacle appeared that made Dara’s pregnancy revealed which resulted in Dara having to be expelled from school and expelled from the house. Sequence 4 shows how poorly prepared the characters are and the midpoint culmination appears. Sequence 5 shows the consequences of the midpoint culmination which makes Bima finally married to Dara, although a bigger problem arises. Sequence 6 shows the consequences of a big problem at the end of sequence 5 leading Dara to realize that they have not been able to become parents, which makes Dara and Bima do the last resort which is risky. At the beginning of sequence 7 an unexpected problem arose from Dara and Bima’s final plan, which made them aware of the importance of the role of parents in children’s growth, then led to a twist, namely Bima finally chose to take care of his own child. Sequence 8 problems were finally resolved, Bima took care of his son and Dara went to Korea.

Perancangan Tekstil Dengan Sumber Ide Griffin Untuk Fesyen Komunitas Solo Kick’s Up Bagus Firman Pradana; Nanang Rizali
Texture:Art and Culture Journal Vol 5, No 1 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

This design developed Griffin as a basis for making textiles and functioned in the sneakerhead community fashion named Solo Kick’s Up, this activity was an introduction to a nature and identity, depicting the digital world while offering unique and interesting visuals. The purpose of this design is to develop an illustration design motif with popular visual art processing with consideration of the fashion function for the Solo Kick’s Up community. The method used consists of; design methods, design concepts and visualizations. The design method goes through the stages of problem analysis, problem solving strategies, data collection, testing, and determining the initial design ideas. The design concept includes the rationale for designing textiles. Visualization is the stage of visualizing the concept of a design plan.The results of this textile design are as follows: (1) Greek mythological creature Griffin as a source of textile design ideas in order to increase the value of textiles, The results of the design succeeded in making 7 textile designs. (2) The application of Griffin textile design as a community fashion produces outer fashion products that are memorable, attractive, unique and different from the others.

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Zuliati

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zuliati@isi-ska.ac.id

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+6281804209909

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texture@isi-ska.ac.id

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FSRD Institut Seni Indonesia Surakarta Jalan Ring Road Mojosongo Km. 5,5 Jebres, Surakarta, Jawa Tengah

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Jawa tengah

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Zuliati

Contact Email zuliati@isi-ska.ac.id

Phone +6281804209909

Journal Mail Official texture@isi-ska.ac.id

Editorial Address FSRD Institut Seni Indonesia Surakarta Jalan Ring Road Mojosongo Km. 5,5 Jebres, Surakarta, Jawa Tengah

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

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Abstract

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Abstract

Contact Name
Zuliati

Contact Email
zuliati@isi-ska.ac.id

Phone
+6281804209909

Journal Mail Official
texture@isi-ska.ac.id

Editorial Address
FSRD Institut Seni Indonesia Surakarta Jalan Ring Road Mojosongo Km. 5,5 Jebres, Surakarta, Jawa Tengah

Location
Kota surakarta,

Jawa tengah

INDONESIA