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THE IDENTIFICATION OF CONTRIBUTION OF GOVERNMENT GALLERY IN SUPPORTING INDONESIAN FINE ARTS DEVELOPMENT (CASE STUDY OF INDONESIAN NATIONAL GALLERY MANAGEMENT SYSTEM) Henri Cholis
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The research examines the existence of Indonesian National Gallery in Jakarta. The Indonesian National Gallery is managed by the government. The focus of the research is in the contribution of Indonesian National Gallery in Indonesian fine arts development, especially in the local fine arts development and to understand strategy or effort of Indonesian National Gallery in managing an organization for fine arts activities and its stake holderâ€™s network. The research also discusses a glance about management problems applied in the National Gallery. The research method, research kind or research model is a qualitative descriptive research, by using phenomenology and curatorial approach which is the management of Indonesian national Gallery and phenomena of the result of the interaction between the subjects involved in the Indonesian National Gallery activities, and understand the situation, the events, and the meaning existed in Indonesian Â National Gallery. Data are collected from interviews, especially person involved in the structure of Indonesian National Gallery organization and several persons related with the existence of the gallery, such as artist and curator. Another data is book taken from Indonesian National Gallery and also the books containing articles about the gallery and the pictures used as the observing technique in this research. Data collecting uses open interview technique (not structured natural interview), direct observation with situation observer, events, and everything related with the events happened in Indonesian National gallery. Data analysis uses cycle analysis related each other which is interactive analysis related with several steps: data collection, data reduction, data presentation and conclusion. Research result: Indonesian National Gallery is able to stand and exist and experience long journey because of the strong efforts from the government officials in the department of education and culture. The facilities and the infrastructures of Indonesian national gallery is quite representative even though the building used is a former school, at first it is not designed to become a gallery. The contribution of Indonesian National Gallery is very wide; it is opened for everyone for education, training, information service, and appreciation purposes. Indonesian National Gallery opens itself for cooperation inter related instances existed in several regions. It also provides place for the person wanting to held exhibition there. National Gallery management is quite good proven by many art activities held in regional, national, and even international level which has been conducted successfully. The collection of fine arts works in Indonesian National gallery is quite many with 1750 fine arts works; some of them are a grant from foreign countries. The existence of chosen curator make Indonesian National Gallery has a good image in Indonesian fine arts. And no less important, Indonesian National gallery always keeps its quality by using selection system for everyone who proposes to make exhibition there, both from the invitation from Indonesian National Gallery and from the proposal proposed by the artist who desire to held exhibition there.Â Key word: Â Gallery , management, contribution.

CCTV BERBASIS WEB SEBAGAI SISTEM KEAMANAN I Putu Suhada Agung
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Experiment research about CCTV under web for security system, is made to design a prototype remote security system. This security system can be develope for remote security system that can be accessedfrom intranet and internet networks. Streaming is an effective methode to send big capacity files like audio and video from intranet or internet networks. The benefitfor using streaming is a very big capacity offile(s) can be shown has no need all parts offile(s) be accessed. Ussually streaming proccess (Windows Media, Real Media, Quicktime and Flash) pass through a crucial phases and need very long time process. Else ussually streaming format needs much bandwidth and very large saving media. Unreal Streaming Server is an under windows streaming software, that has more function like online (live) features and offline (on demand) steraming than old differentÂ StÂ reaming software. Unreal Streaming Server is the right choice for developed as CCTV under web for security system. This software needs only 1 Giga Byte / 1 GB to record online/live seasson as long as 1 month. Unreal Streaming Server no needs decode an originalfile that will be used; all offile is streamed as an originalfile format. Player can receive stream, if codec is installed on. Security level can be set from server with security choices like : password, authent~fi cation, session and blocking acccess. Other main facility is CCTVstream can be access from cellular phone (celiphone) that has WindowsÂ OIS,Â Symbian 0/S or Java that can be accessed everywhere.Â Keywords: CCT1 Â Streaming, Unreal Streaming Server

ASPEK-ASPEK KOMUNIKASI DALAM PROSES KEKARYAAN SENI PERTUNJUKAN Anhar Widodo
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

This research try to expose all the kind of human communications in pe,formance artâ€”especially dance. Indeed, human communication is usefulifor creative process of idea exploration. With qualitative approach and interview method to digg various data, this research expose a kind of communication context that built in creative pmcess of dance arts. The Director of one of a masterpiece peiformance art, Kalabendu, HDwi Wahyudiarto, S. Kar, M. Hum. will be the main source.Balancing interaction and adaptation that match with each portion dan responsibility, make creative performance art process so smooth to be done. A democratic culture, full filling in purpose to reach the best, will guarantee a creative independence an searching creativity exploration to gain the beginning aimâ€”that match with the deal in the first outline scenario. Various communication define of seven specific contextual circumstances. That was two persons communication; interview; a little communication group; public communication; organizational communication; mass communication; and inter-cultural communication. Shape of communication that built in art making process more intens to balancing reciprocal communication. Group and personal communication together in linear concept between communicator and communican in gainning the same purpose.Â Key words: communication contexts, art, democratic, kalabendu.

ASPEK ASPEK BUDAYA DALAM NOVEL AYAT-AYAT CINTA KARYA HABIBURRAHMAN El SHIRAZY Ana Rosmiyati
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The novel entitled Ayat-ayat Cinta is a very good novel with complete contents. It is not only a literature and love novel but also a novel ofpolitics, culture, religion,flkih (laws), ethics, language,Â and dakwah. TheÂ interesting problem which can be raised is the complex culture in Ayat-Ayat Cinta. This research uses qualitative descriptive method and librarial study. The sources used in this research include documents containing data about things or variables covering notes, transcript, books, newspapers, etc. Social background of the novel is described by an Indonesian student who is studying in Cairn, Egypt, with theÂ various normsÂ and traditions. There are two social backgrounds in the novel including local social cultural background covering east and west culture and social cultural background of each characters that is east culture.Â Keywords: religious novel, cultural aspects, text

PERANAN TAN THIAM KWIE DALAM PENDIDIKAN MUSIK BARAT DI INDONESIA R.M. Surtihadi
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

What I would like to write down here is an article which strong focuses on Tan Thiam Kwie as a maestro music education. This article originally is a research based on Tan Thiam Kwie as a person who dedicated to his life in the field of music education. This article use a historical method especially in addition by using oral history method and its relation with local history perspectives. Because of the concentration range proposed to be his musical life and his dedication to the Western Music education in Indonesia, so that the article connected to the examination of Western music education and its education institutionally establised throuugh the founding of the Sekolah Musik Indonesia (SMIND) and Akademi Musik Indonesia (AM!) on 1952 in Yogyakarta. There is a logic reason when Mr. Tan as a one of founder this music education institutionally connected to his loyality and his dedication to his own life.Â Keywords: local history, a maestro, music education.

ANALISIS INDUSTRI BUDAYA PADA DESAIN PRODUK KEMASAN MAKANAN INDUSTRI KECIL MENENGAH (1KM) Moch. Junaidi Hidayat
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Discussing about packaging is always interesting especially discussing topic of food packaging which grows quite fast at this time. Packaging, at this moment, is not only comprehended as a container~ apackage, orfood protector but also comprehended as a business strategy, signÂ jfiÂ cation process and an understanding about difference principle of social values and packaging tradition itself. Here is the cultural industry especially an understanding of the consumptive society and packaging becomes one of the interesting objects to talk about. This article tries to describe the meaning of object as a sign through the study ofproduct semantics and the understanding ofpackaging as a critic towards industrial culture and creativity by taking food packaging that is produced by small industry. The object of this research is food packaging offruit chips â€˜Natureâ€™ in small industry, Batu, Malang.Â Keywords : Food Packaging, Culture Industry, Product Semantic

MAKNA TANGGUNG JAWAB SOSIAL DALAM STUDI KREATIF GENRE IKLAN DI TELEVlSI Handriyotopo Handriyotopo
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The development of television media is quickly enough. in indonesia, many television advertisements appear to support the media. Advertisement which is formerly only comercial and non comercial (ILM) advertisement, nowadays there comes a kind of corporate advertisement butÂ itÂ hasÂ social nuance because of CSR (Corporat Social Responsibility) or philanthropy support soÂ thatÂ the advertisement becomes a new advertisement called philanthropy advertisement. As the factory responsibility towards society, philanthmpy advertisement is usually presented appropriately with the suitable moment in orderÂ thatÂ the presented advertisement is exactly on target. To understand the meaning of philanthropy advertisement can be reached by catching the audiovisual advertisement by taking picture frame by frame from moving image advertisement The first thing to do is deconstructing the signs including icons, index, and symbols. The second step is interpretating denotative as well as conotative meaning of the myth from cultural values by narrative, descriptive, and inductive description. By post structuralist semiotics, television advertisement in one moment can be analized in relation to the form and content of message, moment or cultural context, artistic visual aspect offrame byÂ frameÂ as well as the movement in creating advertisement from its sign and signer. A sign is a game so thatÂ theÂ signer is free from meaning. in other words, meaning presents because of intertextual signÂ andÂ a text can be given a meaning freely and endlessly.Key words: meaning, philantrophy, culture

KARYA KARAWITAN BARANG MIRING Bambang Sosodoro
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Barang Miring music composition is inspired by the musical gamelan of sekaten, a set of ancient ensamble called Kyahi GunturMadu and Kyahi Guntur Sari of Surakarta Palace. This unique musical gamelan is often used by compÃ©sers in their creations. It has also been using sources of creation, creative materials, creativity approach, imitation, etc. Gamelan itself generally accompanies other performance like dance, puppet show, and even the gamelan performance itself Based on this phenomenon 1 would like to examine a gamelan Sekaten as an object of material. Through this article I present the musical creation based on gamelan sekaten tradition and actualize through the new creation called Barang Miring. gendhing Barang Miring of gamelan sekaten will be the main sources because of its uniqueness as a major repertoire of gamelan sekaten. It is performed traditionally after the Adzan Asyhar when the Moslem does their sholat. This article also strive a reason of what kind of concept of Barang Miring (minur) into the concept of gamelan ageng performance. Using reinterpretation approach based on traditional repertoire, this article exists as a representation of a new field of creation in music creation based on karawitan traditional composition.Â Key words: barang miring, musiccreation, gamelan sekaten,

CANGGET SEBAGAI IDENTITAS KULTURAL PADA MASYARAKAT LAMPUNG Rina Martiara
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

This article talking about a Cangget dance of Lampung society and its identity related to the dance performance itself The Cangget dance and its specific field of its performance because of it was danced by a group of female dancers. Uniquelly the female dancers mostly the daughters of the traditional ethnic leaderand their appearance represents the unappearance of the ethnic leaders. Here! would like to examine through this article in what kind of the Cangget dance and its role as a culktural identity amongs Lampung society furthe rmore the extended role of this dance tradition presently. In other ways this article will also examine the Cangget dance by using sosio-historical approach in order to analyze the Cangget dance and its existence into the pattern of culture, system of value and its norms related to the intercontextualities of cultural diversity.Â Keywords: Cangget dance, cultural identity, society.

PERUBAHAN DAN KONTINUITAS SENI BARONGSAI DI SURAKARTA PASCA REFORMASI Dwi Wahyudiarto
Acintya Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

This article is based On individual research focussed on barongsai and its journey in Surakarta after the reformation era. Barongsai art performance in New Orde era is paid less attention as a creative pmduct. It has developed after post reformation era. This kind of Chinese ethnic performance has changed artisticallyÂ andÂ technically after the reformation era. Barongsai, in the former~ is usedfor ritual usage andÂ it has been changing nowadays especially for social funcion.Â This article examines baron gsai of Chinese ethnic through special approach and interpretative description based on its data sources empirically. Barongsai art performance as an material object would be exposed as much as possible while it is accompanied by everything which supports its existence nowdays. Several things indicate that baron gsai appearence had been supported by ritual needs, social needs, aesthetic needs, and existence needs. Barongsai and its development during the post reformation era give much impact to its existence connected to afair regulation and the changes of societiy which gradually welcoming upon this kind of art performance. Even it is often related to the frequently shows increase among Chinese ethnic who perform the barongsai and it shows us, in other way, that the creative world must be appeared in the field ofperforining arts.Â Keywords: barongsai, continuities, change, reformation

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA