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INDONESIA
Acintya
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arjuna Subject : -
Articles 191 Documents
DESAIN RUMAH BUDAYA PASAR GEDHE HARDJONAGORO SEBAGAI DESTINASI PARIWISATA KOTA SOLO Ahmad Fajar Ariyanto
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1243.093 KB) | DOI: 10.33153/acy.v10i1.2284

Abstract

This article is the research result of Interior Design Pasar Gedhe Hardjonagoro: Tourism Destination that Represents Cultural House in Solo City. This research is about an effort in rehabilitation program to maintain cultural heritage building that function as Traditional Market with the best featured products. The zoning and grouping are not well planned that it causes problems to the hierarchy of space. The  circulation provides less accessibility for visitors, traders, distribution of goods, and waste. The research uses descriptive analytic method and design approach as design solution. The results achieved are: The concept of interior design revitalization of Pasar Gede Hardjonagoro aims to re-mapping the needs of interior design patterns for traders and visitors and provide an alternative offer of a functional, attractive design that resulting in increase of sales ratio. To achieve this goal, the design idea refers to functional, effective and efficient aspects that aesthetically adopt some architectural elements of Pasar Gede Hardjonagoro as a thematic approach. Keywords: Pasar Gedhe Hardjonagoro Revitalization, Tourism Destination, functional design, Cultural House.
PARADIGMA KONFLIK DALAM DRAMA ANALISIS UNSUR INTRINSIK, REKAYASA DRAMATIK, DAN RESOLUSI KONFLIK Akhyar Makaf
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v10i1.2285

Abstract

Conflict is an important element in dramas to assemble and unite intrinsic elements of theme, characterization, and groove. Conflict is also a determinant of the quality of a drama, because it is directly related to the reality of human life as individuals, as well as social beings. This study was conducted to determine the patterns, causes, effects, and conflict resolution presented in four realist dramas that differed from the time side of the incident, the background of the place, and the social setting, to find the resolution offered by the author, from the social conflicts that occurred in the community every period. The method used is analytic descriptive of conflict, intrinsic element, and social condition that underlies the creation of four realist dramas being sampled, Ketika Malam Bertambah Malam, Domba-domba Revolusi, Sayang Ada Orang Lain, and Pertja. In this study, it can be concluded while the conflict that arises is the depiction of social reality at the time this text is written, as well as the psychological condition of society in overcoming the problems that arise. Each author offers a reasonable and reasonable resolution of the conflict to provide a solution to each of the issues raised. Keywords :conflict, intrinsic, social, resolution.
FACEBOOK SEBAGAI SARANA PUBLIKASI HASIL PEMBELAJARAN Citra Dewi Utami
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v10i1.2286

Abstract

The learning process is an interactive activity that occurs between educators and learners, and therefore it takes a comfortable and pleasant atmosphere in living it. One effort to create such process is with the selection of models and means of learning in accordance with the character of the course and target of learning.  Scientific Writing Guidance (Bimbingan Penulisan Karya Ilmiah/BPKI) is a fourth semester course on Television and Film Study Program, Department of Recorded Media Art, Faculty of Art and Design, Indonesian Institute of the Arts at Surakarta. This classroom action research that combines Inquiry learning methods and Drilling used Facebooksocial media as a means of learning.  This was used not as a medium for disseminating face-to-face material but as a media to upload student learning outcomes. The action cycle was implemented twice. The results of this study showed an average increase in the value of learning outcomes by 40% and very high learning motivation. Keywords: Inquiry, Drilling, Facebook
KONSEP KOREOGRAFI BEDAYA HERJUNA WIWAHA Dewi Kristiyanti
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (833.656 KB) | DOI: 10.33153/acy.v10i1.2287

Abstract

This research is entitled A Choreography Concept of  Bedaya Harjuna Wiwaha Dance. The Yogyakarta style of Bedaya Harjuna Wiwaha dance was composed by KRT Sasmintadipuro performed in Tingalan Dalem Sri Sultan Hamengku Buwana IX in 1976. In Bedaya Harjuna Wiwaha dance, all dancers have their respective roles. The role of the dancers  in Bedaya Harjuna Wiwaha dance is like the other Bedaya dance. The roles of the dancers includeEndhel Pajeg, Batak, Jangga, Dhadha, Buntil, Apit Ngajeng, Apit Wingking, Endhel Wedalan Ngajeng and Endhel Wedalan Wingking. Some of these roles represent characters in the story contained in Bedaya Harjuna Wiwaha dance, such as Prabu Newatakwaca, Harjuna and Dewi Supraba. In addition, norms or rules for the arrangement of Bedaya Harjuna Wiwaha dance include: rules for the use and application of dance motives, rules for the use and application of floor patterns, rules for the use of rhythm of motion, story sources, dance forms and dance styles . Keywords: Choreography Concept, Bedaya Herjuna Wiwaha
MODEL SOUVENIR SEBAGAI PENINGKATAN KUALITAS ESTETIS DAN VARIAN PRODUK PADA SENTRA KERAJINAN GEMBRENG PASAR KABANGAN LAWEYAN SURAKARTA Henri Cholis; Satriana Didik Isnanta
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (833.656 KB) | DOI: 10.33153/acy.v10i1.2288

Abstract

This research entitled “Souvenir Models as an Improvement of Aesthetic Quality and Product Variety in Gembreng Crafts Center, PasarKabanganLaweyan Surakarta” in general aimed to improve the quality and product variants in Gembreng Crafts Center, PasarKabanganLaweyan Surakarta, followed by aesthetic product variants that are able to represent the city of Surakarta as an increasing competitiveness in the global market.  The specific purpose of this research is to develop the competitiveness of gembreng handicraft products with other souvenirs such as batik, wood or metal so as to attract the attention and interest of domestic and foreign tourists and indirectly also increase the income of the craftsmen.This research applied explorative exploratory research method. Therefore, it tends to be experimental; looking for novelty possibilities in the techniques and design of souvenir aesthetic products.  Data collection techniques undertaken by researchers were observations and in-depth interviews at the gembreng industry center in Pasar Kabangan Laweyan, Surakarta. The subject of this research was the gembreng craftsmen, with the aim of knowing the techniques they use and the techniques that can be explored for new products planned.  In addition, this study also interviewed some artists and culture bearers in Surakarta to find a visual image that can represent the city of Surakarta as a cultural city. Objects observed in this study were the results of the products that have been produced and the manufacturing techniques of handicraft products.  It is important to look for various possibilities for the development of the planned product designs. The existing data were validated by data reduction techniques and then they were analyzed. The results of this analysis were the basis for the development of souvenir product designs in the gembreng crafts center, Pasar Laweyan, Surakarta.The results of this development research were in the form of prototype gembreng-based souvenir products with a variety of possible variants, both the form and creativity. It is expected that the visual image of this product can represent the city of Surakarta as a cultural city. Keywords: souvenir, gembreng crafts,,Surakarta 
SIG BERBASIS GOOGLE MAPS API TERINTEGRASI SMS GATEWAY UNTUK MEMANTAU KEGIATAN KKN I Putu Suhada Agung; Sapto Hudoyo Hudoyo
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1769.143 KB) | DOI: 10.33153/acy.v10i1.2289

Abstract

This research is motivated by the difficulties in monitoring the implementation of Lecture of Real Work Lecture/Kuliah Kerja Nyata (KKN). Google Maps digital map application owned by Google is integrated with SMS input data from each KKN service post with various information. This system design method is to conduct initial study problems in the field, observation and literature study as well as interviews about system requirements made. Interviews were conducted to those related to KKN activities, including Coordinator and field supervisor/Dosen Pembimbing Lapangan(DPL) KKN. Research data is used to get the system needs made related to SMS input data, SMS data format, and display, as well as technical data in the field, including signal coverage and cell phone signal strength. From the data collected, it is analyzed to apply Geographic Information System (GIS) based on SMS Gateway to monitor KKN activities in real time. The use of SMS is chosen with consideration of the presence of stronger 2G (phone and SMS) signals than 3G and 4G signals (Internet data signals) in remote locations. The SMS format used is: KKN # LOCATION # INFORMATION. GIS is displayed in the form of markers and  windows information on the Google Maps map containing information that may change according to the content of the SMS sent from each KKN post. Furthermore the system is tested to determine the response to data sent via SMS. Keywords: KKN, GIS, SMS.
AKOMODASI BUDAYA SEBAGAI MODEL KEBERTERIMAAN KESENIAN BARONGSAI Isa Ansari
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (631.877 KB) | DOI: 10.33153/acy.v10i1.2290

Abstract

The main objective of this research was to create a model of social integration in the performance of Barongsai Dance and to build understanding of multicultural awareness based on traditional arts. The target of this study was the formulation of a social integration model in the performance of Barongsai Dance. To achieve this goal, researchers used descriptive analytical methods. The data were obtained by conducting interviews, observation, documentation.  The results of this researchhave formulated an accommodation model through an adaptation process. Adaptation that is done is in the attitude adaptation which is by strengthening the emotive and cognitive elements. The second is functional adaptation by adapting to ritual functions, entertainment functions, and sports and competition functions. Keywords: Integration Model, BarongsaiDance, Acceptance
SAJUMPUT MENDUNG PUTIH (Transformasi Terlihat Menjadi Terdengar) Mutiara Dewi Fatimah
Acintya Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (784.636 KB) | DOI: 10.33153/acy.v10i1.2291

Abstract

In Javanese tradition, batik is an art. In terms of its creation  to application, batik is very close to life, likewise with one of these phenomenal batik, which is jumputan.  A rare event is now transforming  like mushrooms in the rainy season.  The cloth which was used to be worn by lower class society is now an idol among the upper class society. By carrying the Javanese concept in a song namely the song of Winengku Sastra, the composition of this music was created.This research attempted to use phenomenological and ethnographic studies in reviewing, dissecting and analyzing the event. Phenomenology is expected to be able to unravel the logical reasons for past and present views including placing them in the frame of the phenomenon of musical performances. Meanwhile, ethnography is expected to be able to review and describe in detail the fabric structure into distinctive music. Likewise the musical concept will be carried in this work, namely the concept of transmedia instrument. Keywords: Jumputan, Society, and Music.
DETERMINAN PERUBAHAN DESAIN OMAH MBOK MASE TERHADAP KARAKTER KAMPUNG LAWEYAN DI SURAKARTA Dhian Lestari Hastuti
Acintya Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1243.093 KB) | DOI: 10.33153/acy.v10i2.2274

Abstract

This articleis the result of research about change design determination of Omah Mbok Mase To Character Kampung Batik Laweyan Surakarta Year 2004-2015. The research method is used phenomenology by using the Social Change Theory aproach. The result is the process of design changes Omah Mbok Mase caused by: 1) Fortress (front wall fence) built souvenir shop, 2) Tear down of buildings and replace with new buildings, 3) Selling of building structures 4) Sell all the assets, 5) Revitalize the building as a souvenir shop. The determinants of such design changes are influenced by internal factors, namely: the financial problems of the Omah Mbok Mase heirs, the inheritance system, and the mindset of trading that still using conventional means. External factors are the influence of technology and regulation of Surakarta City Government. Technological influences play a role in the cultural lag of process in economic activity. The Omah Mbok Mase heirs are evolving in a social change from a closed-character society to an open character, which must serve the tourists.Keywords: Determinant, design changes, Omah Mbok Mase, social changes, Laweyan
OBJECTIFIKASI DIRI TUBUH DAN EGO DIRI DALAM FOTO KONSEPTUAL Purwastya Pratmajaya Adi; S Andre Triadiputra
Acintya Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1816.714 KB) | DOI: 10.33153/acy.v10i2.2275

Abstract

Objectification is a way to block things that are not supposed to be objects, which often in practice is not generally realized by those who become objects or make them become objects. The human body that appears in photographic imagery in modern life, becomes an appropriate example of how the collective unconsciousness of objectification practices is carried out and produced continuously. This unconsciousness will have an impact on human inability to control and master, and in other perspectives it will also build negative representations of the body and itself. In this work the collective unconscious is accommodated by the ego which then becomes personal awareness, where personal awareness will be conceptualized in the picture frame. This artistic research is interested in conducting an in-depth investigation of the behaviors of unconsciousness of objectification, especially those relating to the human body and self, then explored and used as ideas and foundations for the creation of photographic works. The choice of approach to realize this idea, will use conceptual photography which emphasizes the expression or context of the personal interpretation of the photo artist on a phenomenon as the basis of ideas and main ideas in the creation of his photographic artwork.Keywords: Self Objectification, Body and Ego, Conceptual Photos

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