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Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum
Contact Email
acintya@isi-ska.ac.id
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Journal Mail Official
acintya@isi-ska.ac.id
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Location
Kota surakarta,
Jawa tengah
INDONESIA
Acintya
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arjuna Subject : -
Articles 221 Documents
PEMBELAJARAN MEDIA VISUAL BAHASA INGGRIS UNTUK ANAK-ANAK PAUD/TK DI SURAKARTA Johnny Prasetyo
Acintya Vol 8, No 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (392.529 KB) | DOI: 10.33153/acy.v8i1.1923

Abstract

Perkembangan teknologi yang semakin maju dapat berkontribusi besar di bidang pendidikan. Salah satunya keinginan para pakar di bidang pendidikan untuk memperbaiki sistem model pembelajaran. Salah satu model pembelajaran yang dikembangkan pada akhir-akhir ini adalah model pemelajaran dengan memanfaatkan media visual. Demikian pula dengan model pembelajaran di PAUD/TK yang mulai dikembangkan ke arah media visual. Media visual yang dikembangkan menggunakan bahasa Inggris untuk lebih memudahkan guru di dalam pencapaian materi bahasa Inggrisa. Materi itu nantibisa berupa gambar, video, film, dan sebagainya. Penelitian mengenagi Teknik Inovatif Pembelajaran Media Visual Bahasa Inggris untuk Anak-anak PAUD/TK di Surakarta menggunakan penelitian deskriptif kualitatif. Penelitian deskriptif bertujuan membuat deskripsi (gambaran) secara sistematis, faktual, dan akurat mengenai fakta-fakta, sifat, serta hubungan antara fenomena yang diselidiki.Hasil dari penelitian berupa model pembelajaran media visual bahasa Inggris untuk anak PAUD/TK dan manfaat penggunaan media visual dalam proses pembelajaran.Keywords: media visual, bahasa Inggris, PAUD, TK, model.
GARAP KEBAR DALAM KARAWITAN JAWA S., Sugimin
Acintya Vol 7, No 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (725.72 KB) | DOI: 10.33153/acy.v7i2.2019

Abstract

Garap kebar is one of the treatment on the musical offerings of Javanese musical by using a kebar’s drum pattern presented irama tanggung and dados responsibility to fulfill the musical expression by considering a variety of needs. The emergence of garap kebar on the musical offerings are caused byvarious factors, among which are interpretation of treatment, creativity of artists, and serving functions. There are several options kebar drum pattern that each has a different character, that kebar gambyong, kebar golek, kebar matut, and kebar gecul. Various aspects of forming the musical sense in garap kebar include: musical pattern instrument, rhythm, tempo or laya, and serving functions. Gending who worked kebar containing musical taste sigrak, berag, prenes, and gecul.Keywords: interpretation of treatment, creativity, and offering functionality.
PERANCANGAN INFORMASI KERIS BERUPA MULTIMEDIA INTERAKTIF BERBASIS KIOSK Asmoro Nurhadi Panindias
Acintya Vol 1, No 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2856.38 KB) | DOI: 10.33153/acy.v1i1.27

Abstract

This art design study was inspired from Keris which is known as a World Heritage and received a honorary as a Masterpiece of The Oral and Intangible Heritage of Humanity from UNESCO. Recently the speed of enlarge information demand this nation to extend information about Keris to public. Multimedia interactive has been choosing, which is use computer function to create and join link and tool that possibly user to do a navigation, interaction, recreation and communication. More specific about multimedia interactive, this is designed with kiosk base. Kiosk is an information system base on computer that put in a place who can be access by public, offer access to information or transaction for a group of user constantly with various anonym, use a short time dialogue and user interface that typically simple.Keyword : Keris, Multimedia Interactive, Kiosk, Public Information
KARYA KOMPOSISI KARAWITAN MIRAT DANA I Ketut Saba
Acintya Vol 2, No 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1007.318 KB) | DOI: 10.33153/acy.v2i2.155

Abstract

Art work creation, one of which is music composition, can occur because of a variety of internal and external motives. The music composition entitled Miratdana is created because of concern with various social agitations among a group of people who makes the society restless as shown in printed and electronic media. For example: murder, robbery, corruption and the similar deeds resulting in other’s loss of both property and even life. Music composition is one means of music that is expected to bring the people back into the right way because within it there are many song verses of life speech. The person, who had committed crime and tended to be anarchic, in my opinion, has forgotten a variety of life enjoyment that the God had bestowed as the universe creator. In Balinese the similar thing is called Miratdana. Keywords: fluctuation, forget yourself, awareness.
KEDUDUKAN DALEM PADA PROGRAM RUANG RUMAH INDIS SAUDAGAR BATIK LAWEYAN DI AWAL ABAD KE-20 Dhian Lestari Hastuti
Acintya Vol 6, No 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1033.593 KB) | DOI: 10.33153/acy.v6i2.225

Abstract

This article is a result of research that discusses about the tradional position of dalêm in the homespace program of Laweyan batik merchants in the early 20th century which explain and understandthe position of dalêm as cultural artifacts. Two approaches are used to approach the systems of Javaneseculture and quadrant system which describes the nature of space as a symbol of Javanese culture.This study aims to understand the merchant community perspective of Laweyan socially marginalizedculture in the early 20th century, through the notch dalêm to their home space program. The resultsare: 1) physical form of three home Indies batik merchants Laweyan, a smart strategy in makingdesign decisions in harmony with nature, social environment, economic life, and ideals. 2) Position ofdalêm for the space program is regarded as a sacred area and the cosmic center, although without theapplication of the concept mancapat. Dalêm placement on the highest floor level is a reflection of thesacred area and the cosmic center. Prerequisite relations relatives and well known to the owner of thehouse is a symbol that dalêm position as a sacred area of the quadrant system.Keywords: dalêm, Indis, quadrant system, a sacred area
PEMBELAJARAN SENI TARI DI SMPLB BINA KARYA INSANI KARANGANYAR Katarina Indah Sulastuti
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1636.501 KB) | DOI: 10.33153/acy.v7i1.2001

Abstract

This research aims to identify a model of dance learning in SMPLB Bina Karya Insani Karanganyar. Dance learning for the special need students in SMPLB is very important for the ability and the chance to express become an activity that is able to make a strong self-confidence grows. For the reason, it is urgent to provide a special learning system for the students in order to express themselves through dance activities. The research target is identification of the dance learning model for the students in SMPLB Bina Karya Insani Karanganyar. The research uses descriptive qualitative method. The ways include: library study of learning model for dance practice; observation and exploration ofdance learning model for the tunagrahita students; descriptive qualitative analysis of dance learning model for tunagrahita students; and designing dance learning model for tunagrahita students. The research result shows that the identification of dance learning method in SMPLB Bina Karya Insani become a reference for arranging the design of dance learning model with a newmethod.Keywords: identification, learning method, dance art, SMPLB.
Identitas Lokal Dan Global Dalam Iklan Taufik Murtono
Acintya Vol 1, No 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4562.367 KB) | DOI: 10.33153/acy.v1i1.1

Abstract

This article incorporate globalization issue in advertising industry in Indonesia, particulary in discussing the presence of dultural identity in global world context. The finding abaout the modus of advertising strategy gives comprehension on how commercial advertisement communicate the identitiy they were offered. Identitiy works in many patterns those used product figure, verbal language and visual symbol. The existence of mixed identity as it appears in global products those try to use local element in their advertising while some local products do the contrary-show that identities srocc reference had happened in advertising world.Keyword : identity, globalization, advertisement
ANALISIS STRUKTUR NASKAH LUDRUK LAKON MLIWIS HITAM Tafsir Huda
Acintya Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (281.592 KB) | DOI: 10.33153/acy.v10i2.2281

Abstract

This research is entitled Analisis Struktur Naskah Ludruk Lakon Mliwis Hitam. This research focused on documenting folk theater in form ofwriting manuscript and the structural analysis. The script will no longer be developed into a wos, but into a modern structure one. The existence of Mliwis Hitam script is become an affirmation of folk art embodying solicitation of theater spirit in Nusantara. It is worthwhile that it can emerge new idiom to enrich kinds of theater in Indonesia. Structural analysis of Mliwis Hitam script is also done to ease director and actors to understand the story. This analysis can also be a reference in transformation process from textual script into a dramatic scene on stage.Keywords: script, structure, ludruk, and folk theater.
MEDIA PEMBELAJARAN BAHASA JAWA DESAIN COMPUTER ASSESTED LEARNING (CAL) Titin Masturoh
Acintya Vol 2, No 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4502.499 KB) | DOI: 10.33153/acy.v2i1.121

Abstract

Media Of learning covering hardware is easily found while the software media has been known since the development of communication and computer technology. Computer technology has supported the creation aflearning media for example application such as powerpoint presentation, VCD, MP3, web, and interactive CD. In order to make Bahasa Jawa ( Javanese language) learning not boring, it is important to try computer technology as the learning media. Besides, it is also supposed to increase the studying target. The purposeof this research is to find a model of Bahasa Jawa learning and a model structure of Bahasa Jawa learning by computer media (Computer Assisted Learning/CAL). Multimedia CAL tries ta make students active in wing learning technology especially the function of studying source development so that the studying obstacle mainly in connection with the studying source limit can be overcome, besides. it is supposed to optimalize the student role in studying actively and independently.Key words: media, educational, old Javanese. computer.
KAJIAN IKONOGRAFI KARYA DULLAH “PRAKTIK TENTARA PENDUDUKAN ASING” Wisnu Adisukma
Acintya Vol 8, No 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1320.02 KB) | DOI: 10.33153/acy.v8i2.1951

Abstract

The article with the title Iconography Study of Work Dullah “Army Practice of Foreign Occupation“ intended to seek the textual and contextual meaning of painters Dullah. With the approach of iconography will be obtained meaning that deeper and broader than a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless alsonecessary to understand the contextual and symbolic aspects. At the time of independence, Dullah many immortalize the events related to the struggle of Indonesian nation in seizing and maintaining independence in his works. Dullah even led a group of young artists to paint directly events duringthe occupation of Yogyakarta as an effort documenting the history of the national struggle. One of his very powerful is the “Army Practice of Foreign Occupation“ that depicts cruelty colonizers against the indigenous population. In this case the work Dullah Practice Foreign Occupation Army will findits context as understood by tracing the history of socio-cultural-years 1940-1950an. From the work we can find out how the socio-historical situation of the community when the colonial era.Keywords: Dullah, Iconography, Army Practice of Foreign Occupation.

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