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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 7 Documents
 1 
Search results for , issue "Vol 4, No 1 (2012)" : 7 Documents clear
Kathe Kollwitz Kekelaman Dan Kepedihan Dalam Karya Seni Cetak Grafisnya Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1543.798 KB) | DOI: 10.33153/bri.v4i1.355

Abstract

Ekspressionis artist Kathe Kollwitz was a woman from Germany who has a major reputation as a graphic artist, althought he began his career as a painter and ended by making sculptures. His works done by combining technical masteryof the powerful, often shocking and disturbing, images were shown to the whole message strong. The overall theme of his work is mainly social and political, but the quality of emotional expression that is not chaotic. Kolwitz Kathe works that use black and white and the use of lighting effects felt very tense and dramatics. Facial expression and position objects depicted actually can represent feelings.This article discusses the background of the creation of works of graphic art prints by Kathe Kollwitz aesthetic approach. What factors underlying the creation of works of Kathe Kollwitz dark and gripping, and whether the expression of fellings like Kathe Kollwitz poured through his work with graphic print art techniques.Keywords : printmaking, dramatically, Kathe Kollwitz, Therapy
Problem Sosial Masyarakat Marginal Dalam Konsep Pewarnaan Lukisan Impresionisme I Made Suka Merta
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1902.042 KB) | DOI: 10.33153/bri.v4i1.339

Abstract

Human are individual as well as social beings. A social beings means that they live in the midst of others or living in a community defined as a society. Various social issues arise in the big city.  The development of a city brought many victims; the marginalized society is one of it.  The marginalized society is a group of people which are marginalized or excluded from the development, so they do not have any chance to obtain the benefit of the development. They frequently got systemic violence committed by the state (the authorizer).Those ideas then were manifested on an artwork of impressionism coloring concept. Impressionism is a style of painting which is characterized chiefly by concentration on the general impression of strong lighting, with emphasis on the color display and not the form. Specifically, the illustrated impression is the impression of light reflection on an object / invisible objects, especially sunlight because it has unlimited color richness. Colors used by the writer are mostly bold colors, i.e. bright colors. A bold black color is also used to create an atmosphere of misery, anguish, and gloom. Color used in the writer’s artwork is a description of few colors and displayed with an opaque technique / block.   Key terms: marginal, impressionism
Batik Sebagai Sarana Penanaman Nilai-Nilai Budaya Dan Pembentukan Karakter Bangsa Nunuk Nur Shokiyah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1228.586 KB) | DOI: 10.33153/bri.v4i1.343

Abstract

Batik is one of the world heritage that was had the Indonesian nation and it is essential to be introduced to the younger generation. Batik is a technique of drawing, painting, or providing color on cloth to get a certain pattern and it was given color with tutup celup system. The process of batik is very detail, the procedure consist of Nglowong, nembok, medel, ngerok, bironi, ntogo, sag, washing, and pressing. The process of making batik so requires patience and precision to achieve optimal results. Batik activities are conducted continuously with direct or indirect that will affect the person's character. Character is influenced by environment such as social values​​, experience and education. Batik activities that were taught for children both in the school and the family will be very influential in the formation of the child character. Children are trained to be patient, thorough, and independent. Besides, it also helps children to learn more about own nation culture , then it can strengthen the nation character and it  is as bastion of global culture influences. Key words: Batik, Cultural Velue, national character
Ironi Dalam Memori Ruang Waktu Analisis Trauma Jiwa Sebagai Ide atau Refleksi karya Dengan Pendekatan Psikoanalisis Freud Tri Wahyudi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1836.171 KB) | DOI: 10.33153/bri.v4i1.347

Abstract

In psikoanalitika viewpoint, experiences during early life can and will shape his personality during later life, so that psychological problems in adulthood will be influenced by childhood trauma or difficulty. As adults most people do not remember that there's something to be started when they were still traumatized childhood and memories of the trauma will be hidden in their subconscious. Theory of psychoanalysis based on the application of the theory developed by Freud to focus on the structure and function of human thought in practical scientific and continues to influence the ideas, opinions, mindset and actions of their day-to-day. The first innovation is Freud when he recognized a different mindset between the conscious mind and the subconscious mind. Under the influence of the subconscious thoughts and feelings are allocated out of place, where they can be put together and expressed through an abstract shape in which the objects can be a symbol of another incident.Analysis with Freud's theory as well as to analyze the work of artists who use the subject of personal experience to present ideas in the works he made, in the course of his work meyisakan various problems that are hidden from the memory of the past as well as to convey no meaning in every image ironic paradox sometimes unintentionally created in game visual artists at work in the fields or created in the space of expression for the artist or artist author. Keyword: Psychoanalysis Freud, the idea of â€‹â€‹the work from artists, Irony, Memory space Time
Seniman Dalam Perputaran Pasar Seni Rupa Retno Wulandari
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1096.37 KB) | DOI: 10.33153/bri.v4i1.333

Abstract

After the booming, Indonesian art of painting come in to the era of the rise and the fall of the art of painting that happen very fast and drastic. Artists are often suddenly shocked and not ready to face a long famine era, because they are not ready and do not supply themselves with knowledge of their own art creating technique and infrastructure that built Indonesian art of painting market. It is only fitting that artists realize and ready to get in to the system that create art of painting market, because they have to behave as stakeholder for their own works, whether they want to or not. The principles “Art for Art” and “Art for Market” have to pass and to do in harmony without forcing to sacrifice the idealism in art work creating. Cooperation in all line, including artists, curators, art galleries, collectors, market and press, have to be ran in balance. Although it can not be denied that there are still many artists are “lazy” to get in and collaborate with one of those stakeholders. But, when artists start to have contact with market, the collaboration have to do for good cooperation and communication, because, however, market is one of the things that will establish Indonesian art of painting in the future, with focus on works quality and how the artist will survive in the world of art working.Keywords:  artist, gallery, collector, market
Perancangan Mainan "Odong-Odong" Sebagai Media Edukasi Tradisi Lokaluntuk Anak Usia 1-5 Tahun Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2428.28 KB) | DOI: 10.33153/bri.v4i1.351

Abstract

This article is a summary of the research that has been conducted by the author, titled “Designing Toys” Odong-odong “As Media Education Local Traiding For Children Aged 1-5 Years”. this study is to reintroduce the children intheir world, which according to the present writer has been captured by the electronic mass media capitalists. Media odong-odong toys are usually only as a medium of entertainment media modified as local tradition based art education game,expected results of this designs is able to inspire people to develop and be differentiation products are much in demand by the children, which will indirectly increase the interest odong0odong to play, and also increase income enterpreneurs and artisans odong-odong. On the other side, the nature of entertainment media education is expected that children will be more familiar with local traditions and art imprint will continue until they later grow up, so they do not visually cultural identity tercaput of local cultural roots. This is important, because the issue is what actually became the main issue in the development of national identity.Keywords : odong-odong, media education, children, traditions.
Dinamika Garis Dalam Sketsa Analisis Karya Ipe Ma' aroef Dan Fadjar Sidik I Nyoman Suyasa
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1498.295 KB) | DOI: 10.33153/bri.v4i1.337

Abstract

It is often said that the sketch is the most authentic trail, the exit from the artists themselves. Sketches reflect not just motor work, spontaneity, but also are difficult to be released from the documentary and a biography of the artist. Sketches are personal records in the form of visual and lines as its main element. Line shape can give birth once textures, tones, shades, and a certain volume, so as to give birth to a special character or disposition of a person. Character is owned by Ipe Ma'aroef and Dawn. They had a long journey in the creative process and the line is breath in his work. Pure lines of the sketch they showed strong character, who rarely owned by the artist now. Key words: Dynamics, outline, sketch, Ipe Ma'aroef and Fajar Sidik

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