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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 7 Documents
 1 
Search results for , issue "Vol 5, No 2 (2013)" : 7 Documents clear
Estetika Seni Lukis Kaligrafi Karya Syaiful Adnan Aghni Ghofarun Auliya; Nunuk Nur Shokiyah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (352.351 KB) | DOI: 10.33153/bri.v5i2.417

Abstract

This research is a descriptive qualitative research. The object under study is the aesthetic value of the art of calligraphy Saiful Adnan. The author uses the techniques of data collection through literature review, observation, and interviews. The validity of the data using triangulation of data by utilizing the data sources and review interviews that have been conducted.Analysis of the data used are data reduction, data presentation, inference, and interpretation of data. To explain the aesthetics of painting calligraphy Saiful Adnan using interpretation approach Susanne K. Langer's aesthetic theory. The results of the study explained that, the character of the Arabic calligraphy art kaligarfi Adnan Saiful different from raw calligraphy character has evolved over the years. The character is known as khatkaligarfiSyaifuly. Calligraphy character formation through several internal and external factors. Internal factors include environmental factors Adnan Saiful place of origin, education factors, and spiritual factors. The external factors include factors phenomena that occur in the community and form factors of artistic calligraphy. The process has led to the formation of the character of the aesthetic value of the art of calligraphy Saiful Adnan symbolic color, shape, composition, and verses from the Qur'an with the meaning of the beauty of Islamic values in each painting calligraphySaiful Adnan. Keywords: Aesthetics, painting calligraphy, Saiful Adnan, Syaifuly.
Wheat Paste Di Jalanan Yogyakarta (Seni Cetak Grafis Sebagai Alternatif Media Pop Propaganda) Deni Rahman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.675 KB) | DOI: 10.33153/bri.v5i2.407

Abstract

When we observe the Indonesian public space, in big cities such as Jakarta, Bandung and Yogyakarta, we can see that the space is now packed with a wide range of consumer imagery, which is offered by the owners of capital, with posters, banners, and billboards . Moreover we can found also the spirit of ‘youth rebellion’ through graffiti, murals, and which is now becoming more popular or well is a wheat paste. Competing for attention with the visual images in the public space, of course, will always be won by those who have capital. The street artist should be smart to choose the media and what is the most appropriate technique to use. Using printmaking with many variety of technical work to make wheat paste of popular propaganda, will be one of smart strategy, because printmaking can be created massive, but still has the artistic power. Keywords: propaganda, printmaking, street art, wheat paste
Dampak Negatif Perusakan Hutan Sebagai Sumber Inspirasi Penciptaan Karya Semi Lukis Yulianto -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.917 KB) | DOI: 10.33153/bri.v5i2.421

Abstract

The negative impact of forest destruction in nature giving out a deep meaning for the author. One thing that is of concern and disquiet the author is able to provide a source of inspiration in the creation of the work. The exploration process makes an inspiring turn into something even more special is the theme of creation. The theme of this study of the of art is the impact of forest destruction. Background and a strong visual concept could produce visual elements according to the style1 personal authors, ranging from lines, colors, and forms a new metaphor. Deliberately and non deliberately during the process of creation is sometimes able to provide an interesting shape or composition that has not been thought about at the beginning of the work of art (sketches). In the creation of the work, the author tries to create some of the works in the form of works of art in the style and shape according to the character and aesthetic achievement that is owned by the author.Keywords: natural, experimentation, painting
Pengembangan Souvenir Berbahan Kertas Koran Berupa Lukisan Wayang Beber Di Surakarta Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (920.757 KB) | DOI: 10.33153/bri.v5i2.411

Abstract

Firstly, the basic idea of this study, is an awareness of the presence of associated opportunities creativity and eksperimentation in the handicraft products made from waste newspapers materil collaburated with artwork tradition, that is wayang beber, as a unique selling point that can increase the sale value  of handicraft products. The novelty in this research is twofold : 1) to study this form of visual materials and techniques used in the manufacture of wayang beber image are different than usually the process of working on image wayang beber is using tradition techniques “sungging” that is painting techniques using natural dyes as well as the manufacturer, so in this study, art works of wayang beber made with collage technique, it is a technique using glue stick and newspapers and without any dye. 2) until now the souvenir or craft art with materials such as newspaper products wayang beber artworks using waste newspaper material on canvas has never existed.Keywords : wayangbeber, souvenir, newspaper
Kajian Visual Gambar Beber Karya Soegeng Toekio Tahun 2011-2012 Muhammad Chaidir
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (264.918 KB) | DOI: 10.33153/bri.v5i2.425

Abstract

This thesis examines the visual images beber from Soegeng Tekio 's art work in 2011-2012. Soegeng Toekio began a cultural approach to explore the myths, legends, folklore and also a source of other lexis, including the history and ritual activities as well as a theme in his work concept. This type of research is descriptive qualitative study using a theoretical approach Monroe Beardsley. Based on the elements of art, we can conclude that Soegeng Toekio has managed to cultivate such a wayang beber beber image into the form of work that characterizes his work. For example Soegeng Toekio using comics in the shape of the face as he explained the picture, but the shape of posture using realistic proportions. In addition Soegeng Toekio also has a strong character lines in sunggingnya concept and the theme of his work is always related to cultural traditions that exist in Indonesia archipelago. Keywords; beber image, the process was working, meaning.
Visualisasi Banalitas Kejahatan Dalam Seni Lukis Banny Jayanata
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (210.661 KB) | DOI: 10.33153/bri.v5i2.413

Abstract

According to crimes which happens belong to our lives, crimes always give effects and impacts in our daily life as human being. Despite we have some feelings about crimes as a negative side of life, we should not beingso full-ignorance on it. Crime has its values like some moralities have. Ignore crime only make itmore invisible and undetected, by other name: make it more dangerous. In this project, writer means to bring crime into surface of life, using art for its medium. By art, we can express so many ideas and feelings we have, without being explicit showing or critisyzing. Crimes can be seen in a different way, not always in a dicotomic way: opposite of a goodness and beautiness.Keywords: Crime, banality, violence, art and painting.
Simbolisme Ragam Hias Sisik Batik Demak Wisnu Adisukma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.296 KB) | DOI: 10.33153/bri.v5i2.415

Abstract

Sisik ornament on Demak’s Batik is considered as cultural form, artifact that is contains self representation discourse which is framed by cultural ideographic aspect. However, Demak’s Batik vanished for hudred years from Demak society and emerged in 2006. Therefore, there is cultural communication that vanished in Demak society, particularly it is connected to meaning or value system which is contained in sisik ornament Demak’s Batik for life of Demak’s society. Therefore, it is essential to observe about sisik ornament as particular motif of Demak and the symbolism of sisik ornament on Demak’s Batik and the implication to Demak’s life society. The approach that is used is cultural approach. This approach observes sisik ornament on Demak’s Batik as culture and as part that is never divide, even become the cultural center of Demak’s society.Keywords: Demak’s Batik, Sisik Ornament, Simbolism

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