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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 6 Documents
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Search results for , issue "Vol 7, No 1 (2015)" : 6 Documents clear
KAJIAN IKONOGRAFI KARYA DULLAH “PRAKTIK TENTARA PENDUDUKAN ASING” Wisnu Adisukma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (801.356 KB) | DOI: 10.33153/bri.v7i1.1585

Abstract

The article tittled The Iconography of Dullah’s artwork "Foreign Occupation Soldiers Practice" is intended to seek the textual and contextual meaning of Dullah’s art work. With iconographic approach will be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless also necessary to understand the contextual and symbolic aspects. At the time of independence Dullah documentating the events related to the struggle of the Indonesian nation to seize and retain independence in his works. Dullah even led a group of young artists to paint directly of events during the occupation of Yogyakarta as an effort to document the history of the struggle of the nation. One of his very famous is"Foreign Occupation Soldiers Practice". This work depicts the atrocities of the Japanese army against the population Indonesia. It is a very strong art work is the "Foreign Occupation Soldiers Practice" that depicts cruelty colonizers against the indigenous population. In this case the work of "Foreign Occupation Soldiers Practice" finds its context as understood by tracing the socio-cultural history during the years 1930-1940. From the art work we can find out how the socio-historical situation of the community when the colonial era. Keywords :Dullah, Iconography, Praktik Tentara Pendudukan Asing.
PERMASALAHAN KEHIDUPAN KAUM URBAN SEBAGAI TEMAKARYA SENI LUKIS Arif Fiyanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1060.087 KB) | DOI: 10.33153/bri.v7i1.1575

Abstract

            Laporan penciptaan yang disusun dengan judul “Permasalahan Kehidupan Kaum Urbansebagai TemaKarya Seni Lukis” ini dilatarbelakangi oleh ketertarikan terhadap tema yang diangkat, yaitu permasalahan kaum urbanyang hidup dalam permukiman kumuh dan termarginalkan.Dibalik kehidupan yang tragis, kesedihan dalam kemiskinan yang menghimpit tersebut menjadi rangsangan untuk perenungan dalam pembelajaran hidup, agar menjadi lebih waspada dan prihatin dalam menata pola kehidupan untuk massa depan.Tujuan dari laporan penciptaan ini adalah ,memahami dan mendalami tema kemudian memvisualisasikan  ide dasar tersebutdan menciptakan metafor dalam karya seni lukis terkait dengan judulyang diangkat.Proses penciptaan karyanya menggunakanbeberapatahapan, di antaranya adalah: pra perwujudan,  perwujudan, dan pasca perwujudan. Tahap pra perwujudan dibagibeberapa tahapan yang harusdilewati, yaitu: tahap observasi, tahap perenungan, tahap persiapan, tahap penggunaan teknik. Pada tahap observasi, dilakukan study pustaka, dan pendokumentasian.Setelah malalui tahap pra perwujudan, kemudian beranjak ke tahap perwujudan, yakni menjelaskan beberapa proses antara lain: pembuatan sket bentuk (rancangan), pembuatan background, pewarnaan, improvisasi, penggarapan detail, dan yang terakhir adalah proses finishing. Penciptaan karya yang terprogramakan berjalan lancar dengan hasil yang maksimal, bila terdapat kesatuan yang utuh atau saling mendukung antara pemilihan bahan yang tepat dengan kemampuan teknik garap yang baik. Kata kunci: penciptaankarya, problemasosial, masyarakat urban
KONSTRUKSI MEDIA Albertus Rusputranto Ponco Anggoro
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (411.9 KB) | DOI: 10.33153/bri.v7i1.1587

Abstract

Media institutions were never really neutral. They keep partisanship and ideology stand on each. Media also never really according to the broadcast media producers. Media has the power to menyempal and interpreted differently by the audience. Even so media or media agency always tries to frame (framing) of their products, constructing reality. The media, especially news, are often regarded as a representation of reality. By using the framing analysis terkuaklah construction of reality that media have tried to build on the audience and the resistance, such as what might be done spectators.Keywords: media, construction, framing analysis, reality.
ANALISIS FORMAL SENI LUKIS KARYA SOEGENG TOEKIO TAHUN 2000-2015 Satriana Didiek Isnanta
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (991.926 KB) | DOI: 10.33153/bri.v7i1.1577

Abstract

This article discusses the formal aesthetic work Soegeng Toekio years 2000-2015. It is based on the understanding that the aesthetic value of a work of art can be formed by the work itself, and standard views deserve is requiring the work itself, rather than coming from outside work which is seen as an extra factor aesthetic.The approach used is the aesthetic approach using aesthetic theory by De Witt H. Parker, in his book The Principles of Aesthetics (1920), quoted by The Lian Gie in the book "Philosophy of Beauty" mentions six principles of aesthetics form, namely: 1). The principle of organic unity, 2). The principle of theme, 3). The variation principle according to themes, 4). The principle of balance, 5). The principle of development, and 6). The principle of hierarchy.The works Soegeng Toekio studied from 2000 to 2015 year. The work can be grouped into two major parts, the first is the search for, where Soegeng Toekio started trying to break away from the grip wayang beber and looking for his own visual style (2000-2004) and the second, are the works that have been able to represent Soegeng Toekio’ visual styles (2005-2015). Keywords: Soegeng Toekio, painting, formal analysis, aesthetics De Witt H. Parker
FENOMENA KERIS TERHADAP KEHIDUPAN SOSIAL MASYARAKAT JAWA Kuntadi Wasi Darmojo
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (687.621 KB) | DOI: 10.33153/bri.v7i1.1579

Abstract

Keris is a work of art that have aesthetic value and the value of philosophy that can be used as guidance and spectacle, the social life of Java. Kris culture in Indonesia has been known since the 10th century and has continued until now. Kris as objects tradition that has been handed down and there is a change in character bit by bit according the demands of time or the king ( ruler ). When seen his form dagger is an art that has achieved a high level of sophistication and qualifies it has a symbolic meaning, so that the existence of a dagger in the Java community, by most people had believed that the order of the social life of a man is not considered perfect in the achievement of social value if it does not have a keris. The existence of a dagger function in social life has undergone many shifts according to the demands of the times, even in the social and cultural life in contemporary times functions in supporting community has emerged an interesting phenomenon. Kris as non material Cultural Heritage (intangible ) has received recognition from UNESCO as it has among other things: the historical value, aesthetic, social function, philosophy , symbols and mystical . Keywords: Culture, Keris, Function and Society 
SIFAT DAN PERILAKU BURUK MANUSIA SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS H., Hasan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (843.283 KB) | DOI: 10.33153/bri.v7i1.1583

Abstract

Creation report compiled under the title "The nature and Bad Behavior Humans as a Source of Inspiration Creation of Art Works" is motivated by the problems associated with the bad behavior of human nature and the social life in this country and in the other hemisphere. The purpose of the report is the creation and deepen understanding of the theme and then visualized on the basic idea and created a metaphor in works of art related to the title is lifted. Methods used his creation stages include: pre-creation, creation and post-creation.After going through the pre-stage of creation, then moved to the stage of creation which explains some of the process include: design sketches and shapes composition, manufacture background, the removal of sketches and drafts composition forms on the canvas, coloring, details, improvisation, and finishing. In the creation of this post is a process gives fixatif works made in order to become more maximal and durable.The creation of the work will run smoothly with maximum results when there is a unified whole or mutual support between the selection of appropriate materials and work on good engineering capability in the process of creating the work that has been programmed, so the results are as expected.Keywords: bad behavior, human, creation of works, painting

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