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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 5, No 1 (2013)" : 7 Documents clear
REPRESENTASI IDENTITAS BUDAYA JAWA DALAM PROGRAM ADILUHUNG JOGJATV Cito Yasuki Rahmad
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (965.104 KB) | DOI: 10.33153/capture.v5i1.1777

Abstract

The growth of private national TV stations has become the window for other culturesslowly erupting the local culture.This problem gives an opportunity to local TV stations tobecome an alternative TV station that represents the local culture in their presentation.Thisopportunity creates a room for mutualism symbioses between localTV stations and traditionalpeople with their particular cultures and traditions.“The SuranTradition of Mbah Demang” inModinan, Sleman will be the case to figure out the issue in this research which is entitled as”Javanese Culture Identity Representation inAdiluhung Program JogjaTV”.The case is the SuranTradition Ceremony of Mbah Demang.There are two major enquiries that this research will tryto find out the answer.Those are; how the type of this program is represented and why theJavanese culture identity is represented in this broadcast.Keywords: Representation,LocalTV,and Adiluhung
STEREOTYPING PEREMPUAN DALAM SUAMI-SUAMITAKUT ISTRI TRANSTV Muhammad Zamroni; Nerfita Primadewi
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (947.157 KB) | DOI: 10.33153/capture.v5i1.1787

Abstract

This research describes about one of television genre programs called Suami-suamiTakut Istri.The problem is how stereotyping of woman's character in the Suami-suamiTakut Istriprogram? In addition, this research uses qualitative design and semiotic signification. From theresult,this research showed the stereotype of the woman's figure.There are particularly threestereotypes showed character, acting territory, and the relationship between men and women.Furthermore,the kinds of stereotypes among others indicate that a figure is feminine,emotional,domestic acting, and as a male sex object.Therefore, it is a proof that the sitcom Suami-suamiTakut Istri in Trans TV is not a program which empowers women because it is still on thestereotype to women.Keywords: Stereotype,sitcom,and Suami-SuamiTakut Istri
STRUKTUR NARATIF SERIAL ANIMASI UPIN DAN IPIN Iwan Ady Saputra; Ranang Agung Sugihartono
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (832.284 KB) | DOI: 10.33153/capture.v5i1.1779

Abstract

This study aims to describe the elements of narrative and narrative structure realisticpattern on the animated series Upin dan Ipin episodes Ramadhan Kembali Lagi and MenjelangSyawal.In order to examine a series of stories in the animated series Upin dan Ipin,the approachused is narrative structure. Sources of data in a research were video animation series pin danIpin.The data was obtained through observation role and literature.The process of data analysiscarried out in several stages, namely: data collection, data reduction, data analysis, andconclusions.The results of the research showed that Upin dan Ipin animated series set in abeautiful village, schools, courts, mosques, and homes of Upin and Ipin.The series uses a linearpattern,telling of the beginning of fasting until the feast.Perpetrators of these serial stories fromvarious tribes and religions.The conflict in this series is an external conflict,a conflict betweenthe main character and other characters.The purpose of this series is the physical (real).Thepattern of narrative structure used in the animated series Upin dan Ipin episodes RamadhanKembali Lagi and Menjelang Syawal is a three-stage pattern of alternative structures, namelyrealistic narrative.The series has a storyline floating,presenting a story of what it is like life itself.Although the pattern of realistic narrative has a clear goal but it is easily understood story.Keywords : Structure, narative, animation, Upin & Ipin
PENYUTRADARAAN PROGRAM DOKUMENTER DHUKUTAN : EKSISTENSI AGAMA JAWA Lina Bayu Fibriani; Achmad Sjafi'i
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (385.171 KB) | DOI: 10.33153/capture.v5i1.1781

Abstract

This artwork describes about Javanesse culture existence which is applied into Dhukutantradition in the Nglurah society. Problems of this research are how Dhukutan tradition in theMenggung's sites as a Javanese existence indicated in documentary movie? Meanwhile, theconcept of directing is used observation,interview,and books as a reference.Then,the series ofresearch were developed into ideas in treatment namely story telling non linier and expository.This documentary movie uses four segments in the treatment 1) short introducing about Java inthe Dhukutan tradition; 2) religion and Dhukutan tradition as a phenomenon in Nglurah village;3) Dhukutan tradition process, and 4) Menggung's sites. In addition, informative is as adocumentary characteristic movie having traditional information in Nglurah. In the educationside,Javanese existence is applied in the Dhukutan.Keywords : Director, Dhukutan, Javanese religion, and documentary
BENTUK DAN GAYA PENUTURAN FILM DOKUMENTER BERBASIS BUDAYA DAERAH PB XII: BERJUANG UNTUK SEBUAH EKSISTENSI N.R.A. Candra D.A
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (723.921 KB) | DOI: 10.33153/capture.v5i1.1783

Abstract

This study aimed to describe the form,narrative style and dramatic flow of the film PBXII: Berjuang untuk Sebuah Eksistensi. So far, to understand the advantages and limitations ofdocumentary film in conveying messages is to divide it into three basic parts of documentaryfilm.Through aesthetic touches on the film, a documentary film director tries to convey thespecial things that became the basic theme of the documentary.IGP.Wiranegara, through workbased culture documentary film, seeks to show the form and style of its own narrative in thetheme of the film.The film is narrated dramatically by the director by give a viewpoint of thestrong character for the characters to show the relation of the content and message of the film.Through picture of the central figure and role model,the figure of a Pakubuwana XII tried hardin order that Surakarta palace still exist as part of the cultural community in Central Java,especially Surakarta (Solo).Keywords:Form,style,movies,documentary, culture,and the region
ELEMENTATA ARTISTIK PADA PROGRAM ACARA LANGEN SWARA JOGJATV Bondhan Hafsari Suprobo; Donie Fadjar Kurniawan
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (571.569 KB) | DOI: 10.33153/capture.v5i1.1775

Abstract

This research is to know what Langen Swara program broadcasting in Jogja TV as atalkshow program which has locality culture contents based on its artistics. The purpose of thisresearch describes the artistic elements which are combined with locality culture.The form ofthis research is descriptive qualitative and basic research.Then,for the first time data is collecteduntil ready to summarized. Furthermore,interview is the best way to collect the main data.Theresults is that Langen Swara program used television artistic setting, make-up and wardrobe,acting, and lighting.All of the artistic elements and locality were from Banyumas as a simbol ofBanyumas culture.Keywords: Artistics,local identity,and Langen Swara
EKSPLOITAS1TUBUH WANITA DALAM FILM HOROR DARAH JANDA KOLONG WEWE NAFSU POCONG Ucu Andritama Sunarto; Basnendar Herry Prilosadoso
Capture : Jurnal Seni Media Rekam Vol 5, No 1 (2013)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (919.53 KB) | DOI: 10.33153/capture.v5i1.1785

Abstract

This research entitled Darah Janda Kolong Wewe Nafsu Pocong telling the backgroundabout the curiosity about why woman became a main actor or object in the movies in the everyscene. Hence, this research used qualitative concerning how woman image was visualized bysemiotics (Roland Barthes) showed at Darah Janda KolongWewe Nafsu Pocong. In addition, theresult showed that horror movies were commonly visualized with exploitation againts woman'sbody as an vulgar object.Keywords: Woman's body,horror movies,and exploitation

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