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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 8, No 1 (2016)" : 6 Documents clear
MEDIATISASI AGAMA DALAM FENOMENA DIMAS KANJENGTAAT PRIBADI SERTA KERJA LOGIKA MEDIA DALAM MEMBENTUK PENGETAHUAN PUBLIK SEBAGAI BAGIAN DARI AGEN SOSIAL DAN PERUBAHAN KULTURAL Risky Chairani Putri
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (807.272 KB) | DOI: 10.33153/capture.v8i1.1905

Abstract

The phenomenon,Dimas KanjengTaat Pribadi, is unique issues that have shocked in the Indonesian public because of his unbelievable activities (duplicate the amount of money).This metode of the research is textual;focus onTaat Pribadi news,doubling the money with the religion modus. Mediatisation theory explains about howTaat Pribadi work from the mediatisation, what things appear from the religion ,ediatisation , and how the logic of media work in this case (form knowledge) to the public.The findings of this study are mediatisation religion led to new understanding of the public that led to the substitution of the role of religion and peeps quast-religious.The logic of the media make the knowledge from public that the reporting on this case a shift is no longer focused on the case of deception,but tend to focus on the dramatization of the media or in other words experiencing commoditization of media content,as well as the logicof the media creating a privateTaat Pribadi as a new celebrity.Keywords: Mediatization, religion, logic media, commodification, and dramatization media
FILM SANG PENARI : Sebuah Kajian Estetika Baumgarten Damar Tri Afrianto
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1246.651 KB) | DOI: 10.33153/capture.v8i1.1897

Abstract

Film Sang Penari (The Dancer) is one of Indonesian film that has a local spirit.Ifa Ifansyah, director of this film presents the problematic female dancers Ronggeng, ranging from the problem itself with her culture,herself with her family,to herself with her love story. The film seems to provide another offer to bring local wisdom in the movie screen.This research uses ethical approach by applying interpretation of analysis with Baumgarten aesthetic theory.The presentation is presented in qualitative descriptive. Based on the aesthetic analysis are generated various perceptions of beauty as follows: 1) The filmSang Penari (The Dancer) has a unique plot power, the cornerstone of this plot is a flashback but only a small percentage. Then forwarded with a forward flow that dominates the plot in its entirely.2)The aesthetics in this film appear when presenting a complex suspense and surprises. Both aspects are beyond the expectations of the audience thought and blanket the mind of the audience. 3) The aesthetics revealed is how the power of displaying beauty-beauty through political symbols. 4) The next aesthetic that is revealed is the cultural aesthetic.The aesthetics of Ronggeng performing arts along with the aspects in them are clearly revealed in this film.Aesthetics displayed by a dancer Ronggeng not only on the beautiful and sensual movement, but also a Ronggeng is a representation of beauty in maintaining the agrarian society.Keywords:Film,Sang Penari,estetika,Ronggeng,dan Buamgarten
DIRECTING ANIMATION DALAM FILM SERI SERIBU SATU CANDI Koko Is Prayogo; Ranang Agung Sugihartono
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (939.404 KB) | DOI: 10.33153/capture.v8i1.1899

Abstract

The making of the work of this final project animation departs from the assumption that the development of Indonesian films is much about the search for identity or an identity, and the struggle of nationalism. However, there are still less of them involving folklore that developed in Indonesian society.By using creative formula of Kentaro Kimura style, the making of this film tries to lift the folklore in Indonesia and try to pack it interestingly. At the stage of idea creation,we do a research of the narrative element of a folklore and reconstructed to explore possibilities in making into a new story.The series of animated films Thousand and One Temple (Seribu Satu Candi) is raised and inspired from the Legend of Prambanan Temple.This film tells the twists and turns of life of Bandung Bondowoso before he becomes a prince of magic. Narratively the concept of comedy makes these stories more interesting.The use of ornamentic concept from batik for the object textures makes this work give more nuances of Nusantara.Keywords :Directing,animation,and Seribu Satu Candi
PENGAMBILAN GAMBAR KOMPOSISI SEPERTIGA BIDANG DALAM FILM DAMAR KURUNG MASMUNDARI Muhamad Aulia Rahmansyah; St.Andre Triadiputra
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1520.742 KB) | DOI: 10.33153/capture.v8i1.1901

Abstract

The idea of this research, Damar Kurung Masmundari, is how Masmundari's struggle to preserve arts tradition in Gresik by using third composition visual field expository documentary. Duration of this documentary movie is 26 minutes and showing a reconstruction of Masmundari as an artist Damar Kurung. The benefit is to show the proportion and composition of subject and object trough the rule of thirds.In addition, this research shows the point of interest of Damar Kurung proportion to attract the audience. The rule of thirds technique is used because subject in Damar Kurung Masmundari movie showed focused as well as symmetries being a point of interest.Keywords : documentary,expository,Damar Kurung Masmundari,and exploration.
MONTASE MEWUJUDKAN FANTASI DALAM FILM POHON PENGHUJAN Naafi Nur Rohma; Matius Ali
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (614.799 KB) | DOI: 10.33153/capture.v8i1.1903

Abstract

The research titled Montage Realizing Fantasy in the Rain Tree Film (MontaseMewujudkan Fantasi dalam Film Pohon Penghujan)uses qualitative research methods with a formalist esthetic approach and Eisenstein's montage theory. The problem in this research is how the montage manifests the fantasy in the RainTree film?The study in this study focuses on the montage, thus giving meaning in the fantasy film of the Rainbows. The analysis used to dissect the problems used Eisenstein montage theory, namely metric,rhythmic,tonal,overtonal,and intellectual.The results obtained in the research shows a way of fantasy creation,that is,there are some Lacan fantasy scenes,the way the subject is eagerly read through the Eisenstein montage. Through the montage of Eisenstein can be seen the essence of each shot is displayed and the formation of how the characters in the film RainTree knows his passion and shapes his desire through a series of montage.Keywords: Fantasy,Montage,RainTree.
PERHATIAN DALAM FILM RIDINGTHE LIGHT Annisa Rachmatika Sari; Matius Ali
Capture : Jurnal Seni Media Rekam Vol 8, No 1 (2016)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (833.699 KB) | DOI: 10.33153/capture.v8i1.1895

Abstract

This paper examines forms of the audience attention in RidingThe Light movies which is produced by the impressions of the object adjustment to structure basic of audience thinking. Here, objects are introducing their self to the audience so that they can be accepted and been awared by them because of their condition.Then, object makes adjustments on twelve categories in the audience brain. For finding the audience attention, theory of photoplay Münsterberg serves as the basis of research assuming that audience processes mentality because there are self adaptation of movies in the human intellection of being in the form of space, time, and causality. Therefore, attention is a one of the audience mentality process when film objects, RidingThe Light, was introducing itself.Keywords : Attention, adjustment, RidingThe Light, and film

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