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Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya

ornamen
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Published by Institut Seni Indonesia Surakarta

ISSN : 16937724 EISSN : 2685614X DOI : 10.33153

Core Subject : Humanities, Art,

Arts Humanities

Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.

Arjuna Subject : -

Articles 171 Documents

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MENGENAL SEJARAH PANDE BESI TRADISIONAL Ari Supriyanto
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

BlacksmithÂ was the term for someone who has a knack for making a variety of objects made of iron. The term blacksmith so much as mentioned in some inscriptions of ancient Javanese as the pande / pandai wsi. Blacksmith at present have a marginal position, was very helpful in providing a variety of metal objects that are useful for the general public. Expertise and skills passed down from generation to generation to make this group survived until today. Skills that are descendants raises the question: how the lives of their predecessors in the past? Therefore, this short article to trace back to the past to search for information in connection with the blacksmith

KAJIAN MINAT PELAJAR SMA DI BANTUL TERHADAP SENI BATIK A Aruman dkk
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Penelitian ini bertujuan mengetahui minat pelajar SMA di kabupaten Bantul terhadap perkembangan seni batik. Dari hasil penelitian ini diharapkan dapat diketahui sejauh mana minat dan kertertarikan pelajar SMA di Bantul terhadap seni batik. Metode yang digunakan dalam penelitian ini dengan menggunakan alat ukur kuisioner, berisi 15 daftar pertanyaan tertutup yang disebarkan kepada 300 responden dari 6 SMA yang ada di kabupaten Bantul. SMA tersebut adalah SMA NÂ I Kretek, SMA N I Bambanglipuro, SMA N I Pundong, SMA N I Imogiri, SMA N I Jetis, dan SMA N 2 Bantul. Analisis data menggunakan metode kuantitatif dan deskriptif. Pengolahan data menggunakan perangkat lunakÂ SPSSÂ 11.0 dengan cara menghitung diskriptif jumlah dan rata-rata jawaban responden terhadap masing-masing aspek. Selanjutnya dicari hubungan antar aspek penelitian yang berkaitan satu sama lain dengan mengunakan analisis varian. Dari hasil penelitian ini diperoleh hasilÂ 94,24% tertarik dengan warna batik, 92,67% tertarik dengan motif, 100% setuju batik merupakan hasil budaya, 88% bersedia untuk mempelajari batik, 97,33% setuju Bantul dijadikan sentra industri batik, 96,24% setuju untuk mengembangkan wisata batik di Bantul. Dengan demikian dapat disimpulkan bahwa pelajar SMA di Bantul tertarik dan berminat terhadap perkembangan seni batik.

TROWULAN KOTA TERAKOTA Prima Yustana
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Geographical conditions of Trowulan are very supportive available raw clay, then logically the findings of artifacts found in the Trowulan madeÂ from raw clay or is often called terracotta. Trowulan has a carrying capacity as a prosperous city and a center of government in antiquity according to archaeologists, also the capital of the kingdom of Majapahit. Many of the findings in the form of artifacts that confirm the existence of Trowulan as a community center, in the form of buildings and objects supporting household activities, such as jars, piggy bank, well, wuwungan, and various sculptures as toys and decorative objects.TrowulanÂ as terracotta city still keeps the mysteries of interest to the scientists or researchers to dig deeper into its existence as a witness to the history of Indonesia. Indonesia trip many people motivated by the existence of the Majapahit kingdom, the kingdom has a tremendous influence on his time, influence includes political, economic and art. Art in many predominantly in the form of Majapahit terracotta objects, terracotta supported by the mention of the many factors that strengthen its presence as a descriptions and evidence contained in the current Trowulan.

BATIK SEBAGAI GAYA HIDUP MASYARAKAT YOGYAKARTA DAN SURAKARTA Sri Marwati
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

LifestyleÂ is one of the popular term in globalÂ andÂ modernÂ world.Â Their appearanceÂ does not necessarily exist, but is supported by the habitus and image of that shaped it. Any individual or group has always wanted to show his identity throughÂ theirÂ chosenÂ lifestyle. One of them is by using a particularÂ clothing. Since the first in the Java culture, batik is used by the kingdom as a marker of status, and are realized or not the kingdom was applied a certain lifestyle. As age advances, now lifestyle wear clothing with a particular motif widely followed by the community. There are some ideological contradictions associated with the development of lifestyle by using theÂ batikÂ in Indonesia. On the one side, batik as a lifestyle is the result of capitalist production which haveÂ aÂ conflict within it, and the other side, batik as a lifestyle is a form of creativity necessary for social and cultural progress.

VARIOUS DECORATIVE OF KALA AS AN ORNAMENTAL ART WORKS Sumadi Sumadi
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Various kind of Kala is one of temple ornament, that are patterned face of the giant's head Kala at every Hindu Indonesia Java temple entrances. Kalaâ€™s ornament is come from India named Kirtimukha. It has beautiful form, strange, unique and mythic, it also is noted by many parties. Its presence raises contradiction. Giant Kirtimukha was born out of anger of Siva, which raised a fire of anger from between her eyebrows. Kirtimukha that has very big power called Mahakala, with grim face, grinning mouth and sharp fang, killer and cannibal, was assigned to keep the palace/temple. Giant Kirtimukha or Mahakala is ornament of palace doors in India deva and Java temple, and then spreads to the East Java named Banaspati, to Bali named Boma, the mask, Betara Kala, Barong, Gupala, Bhutakala and others. Frequently, the word Kala is also associated with time and the sun. Each Kala in separated region has its own form and function. Heaven Palace buildings architect named Wisvakarma. Kala as temple ornament in Dieng is classical style built on (Â± 600-900), in Plaosan Lor is middle classical style built on (Â± 900-1250 AD), in Panataran temple is late classical style built on (Â± 1250-1400 AD ). Form and function changes in classical style Kala were done in anthropomorphich, metamorphosis, deformative by creative and innovative artist in each period. Period of Hindu artist produce classical Kala ornament as enterance guard on temple or and the like. Period of Islam produces Batara Kala and Gunungan Wayang Kulit Purwa and others.The change of the political, religious and authorities in various regions, is a major cause of changes in form and function of Kala. In a classic Indonesian Hindu temple, Middle and modern period Kala have different name and form, but his function still as an ornamental and security guard of its owner. Modern period produce new type of reliefs and paintings for building wall and many others. Kala ornament is created by creative and innovative artist ranging from design, preparation of materials/equipment and the forming, till producing giant pattern art works or mask.Â

Kata Pengantar Dan Daftar Isi Redaksi Redaksi
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Keris Palembang (Sebuah Kajian Fisual Terhadap Keris Palembang) Basuki Teguh Yuwono
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Keris culture along Sumatera island known as the Malay keris, and the one that stands out is the dagger in Palembang culture. Although culture is not a culture dagger indigenous people of Palembang, but its existence is important and penetrated almost every joint of their lives. Palembang keris culture in the beginning of a culture that comes from the Javanese keris and keris culture influenced Bugis (South Sulawesi) and also under the influence of a keris culture of Minangkabau (West Sumatra). Span of the history and culture of the keris in Palembang supported community's ability to adjust and process keris culture coming from the outside gradually gave birth to the distinctive culture of dagger and reflect the characteristics of their culture and identity. The most striking feature can be seen from such a visualization of shape or keris. Palembang keris visualization can be identified through the shape of each piece keris, namely: 1) Blade / dagger eyes covering prestige, size, type, and others. 2) sampir / dagger sheath that covers various forms sampir and pendok. 3) Ulu / upstream dagger which includes various forms pangulu and pedongkok or mendak. Each part of the keris is visually has a unique appearance and characteristics. Keywords: Cultural Palembang keris, Javanese and Bugis influence,Â visual characteristics, eye dagger, slung, ulu.

Baratayuda Penyelesaian Konflik Kurawa Pandawa Dalam Pandangan Teori Konflik Marx Mardjono Mardjono
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Salah satu cerita di dalam pertunjukan wayang, ada perang hidup dan mati antara Pandawa dan Kurawa yang disebut Baratayuda Jayabinangun. Objek penelitian ini difokuskan pada karakter Pandawa dan Kurawa. Mereka mewakili kejahatan dan kebajikan, protagonis dan antagonis, kebenaran melawan kejahatan. Penelitian ini bertujuan untuk mendeskripsikan aspek teori konflik Marx dalam kaitannya dengan Baratayuda sebagai solusi konflik Kurawa dan Pandawa. Penelitian ini menggunakan perspektif sosiologis dengan menempatkan teori konflik Marx sebagai alat analisis. Hasilnya menunjukkan bahwa: (1) Konflik Kurawa-Pandawa didasarkan pada materi sebagai faktor psikis, yaitu kamukten dari negara Amarta dan Astina serta karakteristik Duryudana, yaitu ambeg angkara murka, (2) Konflik Kurawa-Pandawa bisa dikategorikan sebagai konflik sosial, (3) Perjuangan Pandawa yang tidak dapat dikategorikan sebagai perjuangan antara kaum miskin dan kaya untuk menghindari tekanan Kurawa. Konflik Kurawa-Pandawa tidak terbentuk dari faktor ekonomi. Kata kunci: Baratayuda, konflik, psikis, sosial, ekonomi

Fotografi Ekspresi : â€œPermainan Bentuk Tubuh Manusiaâ€ Purwastya Pratmajaya Adi Lukistyawan
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Photography in general as a tool for documentation of an event or incident. Along with the advancement of technology and the development of human creative ideas, then photography captured managed to make a more unique and different. Photography is designed with a particular concept, processed and presented as an artistic expression discharges took it, then it becomes a work of photographic expressionÂ works .(Soeprapto Soedjono, 2007; 27). Photographic expression of the theme of the body shape is a creation of photography as an expression of the author's personal expression in response to the artistic value of body shape. Based creative ideas, the author will explore the form of the human body, which then drafted, processed and presented as an expression of the authors discharges. In the creation of works of art, the game is something that is autonomous.Â The game will be the occasion of pure appearance, a structure,Â work independently. Independence will give size of meaning (BambangÂ Sugiharto, Agus Rachmat W, 2000, 251). In the creation of this work, the author will play the body to be used purely as a game viewing, structured to be an independent body and the artistic significance of the body. Form in the creation of this work is the general body structure of the entity, which is then explored a visual form of artistic photography and have an abstract impression Susan Sontag in the book of Acts Eyes is written by Seno Gumira Ajidarma; "nude photos is not the nudity but also game shape, the body beyond itself, so the sensuality down, lifted the body shape abstractness" (Susan Sontag in Gumira Ajidarma Seno, 2002, 50). Key words: Expression of Photography, Game, Shape, Body.

Seni Perhiasan Pada Masa Kerajaan Majapahit Ari Supriyanto
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Majapahit was one of the kingdoms in Java from late classical period. Various relics of the Majapahit empire had been found, but the discovery of artifacts in the form of jewelry from the Majapahit kingdom was not much that was rescued by the government. Based on these, encouraging writers to try to write about the jewelry of the kingdom of Majapahit. This short paper is a preliminary study on the headway of jewelry from the Majapahit kingdom, and in connection with the relics of a bygone era then the preparation of this paper comes from many sources related to the history of the kingdom of Majapahit and jewelry produced from that era. Keywords: jewelry, Majapahit kingdom

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