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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
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Articles 5 Documents
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Search results for , issue "Vol 8, No 1 (2011)" : 5 Documents clear
KAJIAN MINAT PELAJAR SMA DI BANTUL TERHADAP SENI BATIK A Aruman dkk
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1074.337 KB) | DOI: 10.33153/ornamen.v8i1.1003

Abstract

Penelitian ini bertujuan mengetahui minat pelajar SMA di kabupaten Bantul terhadap perkembangan seni batik. Dari hasil penelitian ini diharapkan dapat diketahui sejauh mana minat dan kertertarikan pelajar SMA di Bantul terhadap seni batik. Metode yang digunakan dalam penelitian ini dengan menggunakan alat ukur kuisioner, berisi 15 daftar pertanyaan tertutup yang disebarkan kepada 300 responden dari 6 SMA yang ada di kabupaten Bantul. SMA tersebut adalah SMA N  I Kretek, SMA N I Bambanglipuro, SMA N I Pundong, SMA N I Imogiri, SMA N I Jetis, dan SMA N 2 Bantul. Analisis data menggunakan metode kuantitatif dan deskriptif. Pengolahan data menggunakan perangkat lunak SPSS 11.0 dengan cara menghitung diskriptif jumlah dan rata-rata jawaban responden terhadap masing-masing aspek. Selanjutnya dicari hubungan antar aspek penelitian yang berkaitan satu sama lain dengan mengunakan analisis varian. Dari hasil penelitian ini diperoleh hasil  94,24% tertarik dengan warna batik, 92,67% tertarik dengan motif, 100% setuju batik merupakan hasil budaya, 88% bersedia untuk mempelajari batik, 97,33% setuju Bantul dijadikan sentra industri batik, 96,24% setuju untuk mengembangkan wisata batik di Bantul. Dengan demikian dapat disimpulkan bahwa pelajar SMA di Bantul tertarik dan berminat terhadap perkembangan seni batik.
TROWULAN KOTA TERAKOTA Prima Yustana
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1176.51 KB) | DOI: 10.33153/ornamen.v8i1.1007

Abstract

Geographical conditions of Trowulan are very supportive available raw clay, then logically the findings of artifacts found in the Trowulan made from raw clay or is often called terracotta. Trowulan has a carrying capacity as a prosperous city and a center of government in antiquity according to archaeologists, also the capital of the kingdom of Majapahit. Many of the findings in the form of artifacts that confirm the existence of Trowulan as a community center, in the form of buildings and objects supporting household activities, such as jars, piggy bank, well, wuwungan, and various sculptures as toys and decorative objects.Trowulan as terracotta city still keeps the mysteries of interest to the scientists or researchers to dig deeper into its existence as a witness to the history of Indonesia. Indonesia trip many people motivated by the existence of the Majapahit kingdom, the kingdom has a tremendous influence on his time, influence includes political, economic and art. Art in many predominantly in the form of Majapahit terracotta objects, terracotta supported by the mention of the many factors that strengthen its presence as a descriptions and evidence contained in the current Trowulan.
BATIK SEBAGAI GAYA HIDUP MASYARAKAT YOGYAKARTA DAN SURAKARTA Sri Marwati
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1100.837 KB) | DOI: 10.33153/ornamen.v8i1.1013

Abstract

Lifestyle is one of the popular term in global and modern world. Their appearance does not necessarily exist, but is supported by the habitus and image of that shaped it. Any individual or group has always wanted to show his identity through their chosen lifestyle. One of them is by using a particular clothing. Since the first in the Java culture, batik is used by the kingdom as a marker of status, and are realized or not the kingdom was applied a certain lifestyle. As age advances, now lifestyle wear clothing with a particular motif widely followed by the community. There are some ideological contradictions associated with the development of lifestyle by using the batik in Indonesia. On the one side, batik as a lifestyle is the result of capitalist production which have a conflict within it, and the other side, batik as a lifestyle is a form of creativity necessary for social and cultural progress.
VARIOUS DECORATIVE OF KALA AS AN ORNAMENTAL ART WORKS Sumadi Sumadi
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1369.073 KB) | DOI: 10.33153/ornamen.v8i1.1017

Abstract

Various kind of Kala is one of temple ornament, that are patterned face of the giant's head Kala at every Hindu Indonesia Java temple entrances. Kala’s ornament is come from India named Kirtimukha. It has beautiful form, strange, unique and mythic, it also is noted by many parties. Its presence raises contradiction. Giant Kirtimukha was born out of anger of Siva, which raised a fire of anger from between her eyebrows. Kirtimukha that has very big power called Mahakala, with grim face, grinning mouth and sharp fang, killer and cannibal, was assigned to keep the palace/temple. Giant Kirtimukha or Mahakala is ornament of palace doors in India deva and Java temple, and then spreads to the East Java named Banaspati, to Bali named Boma, the mask, Betara Kala, Barong, Gupala, Bhutakala and others. Frequently, the word Kala is also associated with time and the sun. Each Kala in separated region has its own form and function. Heaven Palace buildings architect named Wisvakarma. Kala as temple ornament in Dieng is classical style built on (± 600-900), in Plaosan Lor is middle classical style built on (± 900-1250 AD), in Panataran temple is late classical style built on (± 1250-1400 AD ). Form and function changes in classical style Kala were done in anthropomorphich, metamorphosis, deformative by creative and innovative artist in each period. Period of Hindu artist produce classical Kala ornament as enterance guard on temple or and the like. Period of Islam produces Batara Kala and Gunungan Wayang Kulit Purwa and others.The change of the political, religious and authorities in various regions, is a major cause of changes in form and function of Kala. In a classic Indonesian Hindu temple, Middle and modern period Kala have different name and form, but his function still as an ornamental and security guard of its owner. Modern period produce new type of reliefs and paintings for building wall and many others. Kala ornament is created by creative and innovative artist ranging from design, preparation of materials/equipment and the forming, till producing giant pattern art works or mask. 
MENGENAL SEJARAH PANDE BESI TRADISIONAL Ari Supriyanto
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (373.519 KB) | DOI: 10.33153/ornamen.v8i1.1001

Abstract

Blacksmith was the term for someone who has a knack for making a variety of objects made of iron. The term blacksmith so much as mentioned in some inscriptions of ancient Javanese as the pande / pandai wsi. Blacksmith at present have a marginal position, was very helpful in providing a variety of metal objects that are useful for the general public. Expertise and skills passed down from generation to generation to make this group survived until today. Skills that are descendants raises the question: how the lives of their predecessors in the past? Therefore, this short article to trace back to the past to search for information in connection with the blacksmith

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