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Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 98 Documents
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PERANCANGAN INTERIOR HOTEL RESORT PANTAI KLAYAR DI PACITAN Kurniawan, Yusuf; Indarto, Indarto
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2611.224 KB) | DOI: 10.33153/pendhapa.v9i2.2420

Abstract

ABSTRACTPacitan has a chance is prospective to be developed into tourism industry and tourism to compete with other regions and even abroad. Tourism potential include shore excursions, cave tours, cultural tourism, religious tourism, recreational tourism and travel industry. Pacitan known natural attractions beautiful beaches and charming, one of which is Turkish Klayar, beach has natural charms of the exotic with great views and beautiful natural scenery. Turkish Klayar potential and started to be developed into a tourism destination in Pacitan, because it can make the higher tourist visits, visits of tourist every year the statistics are significant surge. And so we need adequate accommodation such as Hotel Resort considering the number of tourists who come to vacation, this time Klayar Beach travel area there are only a kind of homestay accommodation is still minimal infrastructure facilities. Interior Design Resort Beach Hotel Klayar carries natural style ethnic with ethnic concept for the future should be able to show the identity of Pacitan condensed Javanese cultural traditions that are owned. Featuring designs that are ethnically not display the old-fashioned design, but the design is constantly evolving and is able to keep abreast of the times. Keyword: Interior, Klayar, Pacitan, Design, Resort
PERANCANGAN INTERIOR GRIYA GERABAH MELIKAN BAYAT DI KLATEN Anwar, Syaiful; Budiwiyanto, Joko
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5272.997 KB) | DOI: 10.33153/pendhapa.v9i2.2418

Abstract

ABSTRACTThe Griya Earthenware Planning aims to be an alternative educational or educational destination. Offering tourism options that provide pleasure through knowledge and experience about Melikan Village pottery products and their environment. The creative process in this work uses several approaches, namely the function approach, ergonomics and themes or styles. Approach function to find out the functions and benefits of Griya Gerabah for tourists or visitors and surrounding communities. The ergonomics approach is needed to know the human dimension and all things related to the five human senses that are related to the comfort and safety of visitors. Approach to the theme or style, which is used to support the identity of Gerya Gerabah as a pottery craft tourist attraction. The theme or style used is rustic, which is applied by applying to interior elements, namely floors, walls, ceilings, space filler elements, and space conditioning. The results of this work process are to create interior shapes and displays on Griya Gerabah that can support the activities of visitors or tourists at the Melikan Bayat Pottery Griya in Klaten and display designs with strong pottery characters.Keywords: Pottery, tourism, creative process, interior design
PERENCANAAN INTERIOR GRIYA SPA DAN KESEHATAN UNTUK IBU HAMIL DI BLITAR Sukmana, Galang; Hapsari, Putri Sekar
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1302.719 KB) | DOI: 10.33153/pendhapa.v9i2.2415

Abstract

ABSTRACT In general, spa spa planning and health for pregnant women in Blitar can generally be interpreted as planning activities of the inner space of a building that is the center of the whole body care activities aimed at mothers who are pregnant (pregnant). In addition to being used as a body treatment for spa, the spa is also expected to be able to interact or exchange experiences about pregnancy between pregnant women with one another or also between pregnant women and therapists on duty. Therefore the need for a body treatment such as a spa. In this work using several approaches, the approach includes the ergonomic approach to know the human dimension and everything related to the five human senses, and the theme or style approach that supports identity / coorporyte identity. This work takes the Mediterranean style with the concept of the park. This style and concept is applied to furniture and interior elements in the form of floors, walls, ceilings.Keywords: Spa interior, Mediterranean style, garden concept.
KAJIAN AKSESIBILITAS DAN ERGONOMI PADA MEBEL PAUD AL ABIDIN SURAKARTA Prasetyo, R. Ernesthan Budi; Suyasa, I Nyoman; Haryanto, Eko Sri
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1364.502 KB) | DOI: 10.33153/pendhapa.v9i2.2417

Abstract

AbstractFurniture is an important tool used as a supporter for the smooth activities of teaching and learning in schools. Furniture that does not meet the rules of accessibility and ergonomics can cause the activities of its users to be disturbed. Research Beginner Lecturers aims to determine the accessibility and ergonomics of furniture in early childhood / kindergarten Al Abidin in Surakarta. Research is used to find out whether students have difficulty or ease when using the furniture. Ergonomic measurement is important to see if the object is suitable dimensinya with the needs required by the user, especially for students PAUD Al Abidin Surakarta. The object of research is the furniture contained in PAUD Al Abidin Surakarta. The method used in descriptive with qualitative approach supported by quantitative data (numeric), or can also be called double research strategy that is use of various method in solving a research problem. Quantitafif here uses numerical data which is the result of field measurement, then compared with referenced references, resource persons and analyzed based on researcher interpretation. The results of this novice lecturer’s research is accessibility data and implementation of ergonomics science that can be used as input to the manager PAUD Al Abidin IN Surakarta. The results of this novice lecturer’s study is also expected to provide the content of Egonomi, Interior Design and Furniture on Interior Design Study Program ISI Surakarta.Keywords: ergonomics, accessibility, PAUD Al Abidin
ALIH KODE DALAM BAHASA SMS Rosmiati, Ana
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3563.482 KB) | DOI: 10.33153/pendhapa.v2i1.1157

Abstract

The aims of this research are to find out  the forms of change of codes in the forms and functions in SMS (Short Message Service) discourse.            The population of this research was all of the utterances discovered in SMS language discourse from 2004 up to 2008. The utterances in SMS discovered in some cellular phones Sony Ericcsson K700i, Nokia 3100, Nokia 6030, Nokia 7610, Nokia N 81, Samsung N 620, Samsung E110, Motorola C15, and Sony Ericsson K310i in Surakarta area were used as a sample of this research. The data was collected by observation method of listening and interview with some informants endorsed with a noting technique. The writer directly sent SMS to some participants to validate the data. The data is analyzed by using padan pragmatic method to identify the form and structure of the discourse and the factors influencing SMS language. Identity method  is used to identify and classify lexical and grammatical aspects found in this discourse endorsed with delection and substitution techniques.            The result of this research showed that SMS language was a written discourse in the form of a dialogue between a speaker and interlocutor making use of the facilities in cellular phones. The internal change of code covered : the change of code of Indonesia standard variant into Indonesia non-standard variant , the change of code of Indonesia non-standard variant into Indonesia standard variant. The external change of code covered :  the change of code of Indonesia language into Kromo (high level of Javanese language), the change of code of Indonesia language into Madya (mid level of Javanese language), the change of code of Ngoko (low level of Javanese language) into Indonesia language,  the change of code of Javanese language into English,  the change of code of Kromo (high level of Javanese language) into English,  the change of code of Ngoko (low level of Javanese language) into English,  the change of code of Indonesia language into English, the change of code of non-standard Indonesia language into English, the change of code of Indonesia language into English.
FENOMENA BUDAYA DESAIN MINIMALIS MASYARAKAT KOTA Badriyah, Siti
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (67.949 KB) | DOI: 10.33153/pendhapa.v1i1.1685

Abstract

Solo (Surakarta) is a cultural city showing a significant progress. Although its transmission process is completely influenced by a cultural border, which is considered by the people as a great matter, the acculturation process that influences a visual culture cannot be ignored. The significant progress can be observed from its physical structure of site plan and other factors. While the city visualization that shows a crowd of business and trade community as well as education reflects its rapid progress.  A variety number of cultural products inevitably support the city visualization, which attract its people’s consumptive behavior. The writer is interested in choosing the phenomenon of the presence of minimalist-style housing complex that is like an epidemic in this city, especially in Adisucipto region and other strategic regions.Observation and interview were used as the methods of this study. The techniques used in this study were content analysis and data analysis using a procedure of:  an analysis done when the process of data collecting was done (Miles and Hubermen, 1984: 21-25) with some steps: (1) data reduction, (2) data reporting, and (3) verification. Those methods were applied by the writer to discuss the phenomenon of minimalist-style housing complex in Surakarta, which focuses on the things that give a background of the presence of it. It consists an interaction between traditional and modern ambivalence as well as between the maintained aspects and conditioned aspects. The two aspects will be mediated with a given concept that is agreed by the visual culture consumers, so that an unwritten agreement that brings the identity of Solo city itself can be obtained in the future in line with the demand of the era. Keywords : phenomenon, minimalist, epidemic.
Semiotika Dalam Periklanan Heriwati, Sri Hesti
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

To send the message of communication by entrusting it on an object, in this case advertisement or an event in which many people show interest, should use accurate words. Using words inaccurately,  the message can not be understood well. A language as a means of communication and communication itself is self-expression. Not only can each language be used to analyze structurally but also using semiotic approach, especially to advertisements. Besides an activity of communication, advertising is an activity of marketing. Basically an advertisement is the product of mass culture and of industrial society culture indicated by mass production and consumptions. It means that the mass are only viewed as consumers. Communication activity creates personal interactions using clear signs. Communication is also the division of behavioral elements or life style with a set of rules and the use of signs. From communication point of view, the manipulation of elements of a message depends on who the target is and through what media the advertisement should be expressed.The presence of advertising as  public service is meant to counter commercial advertisements because  they are often accused of increasing consumerism. Apart from that, advertising as a public service advertisement can be viewed using semiotic approach. Key words: language, advertisement, semiotics
RAGAM HIAS TRADISIONAL JAWA PADA SINGEP PEDAN BALLROOM HOTEL SAHID JAYA DI SURAKARTA Haryanto, Eko Sri
Pendhapa Vol 3, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (615.615 KB) | DOI: 10.33153/pendhapa.v3i2.1203

Abstract

Traditional ornament is a regional cultural resources that need to be preserved so that theJavanese cultural values that have been made by previous generations can be passed downto the next generation. One way is to implement ornaments into existing buildings.This studyaims to determine any traditional ornaments used and how the meaning contained therein,and how it relates to the attractiveness of the tourism industry.This study is a qualitative research approach formalist / structuralist with aestheticand symbolic study, the approach to a study conducted at the decoration found on theinterior singep Pedan Ballroom Sahid Jaya Hotel in Surakarta. This study used a qualitativedescriptive method with aesthetic approach as the basis for analyzing. Comparative methodwas also performed to compare with other similar objects. Collection techniques; techniquesof observation, documentation, interviews, and interpretive analysis.Keywords: decorative, traditional, pedan ball room
OPTIMALISASI TENUN SARUNG GOYOR TRADISI SURAKARTA IMPLEMENTASINYA PADA INTERIOR SEBAGAI UPAYA PENGUATAN BUDAYA LOKAL Purnomo, Muh. Arif Jati; Budiwiyanto, Joko; Wuryani, FP Sri
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2856.016 KB) | DOI: 10.33153/pendhapa.v3i1.1185

Abstract

The study, entitled “The Optimizing of Surakarta Traditional Batik, The Implementationin Tradition-Based Accessories as strengthening efforts Surakarta Local Culture in the Global Era” to analyze and embodies Surakarta traditional batik as one of the mainstays of traditional souvenirs can be adaptable to support regional tourism and strengthening the local culture in the globalization era. A problem in the study is the lack of optimal utilization Surakarta batik as the souvenirs objects of tourist destination. The Weak sensitivity of craftsmen to the cultural wealth of the archipelago in Surakarta, in particular batik, is seen as a serious problem in an effort to optimize the Surakarta traditional batik. Identification analysis of Surakarta batik used as the indicator of first year performance to find solutions maps of design offer. Experiments conducted in ISI Surakarta by involving the team with the craftsmen. The method used in the first year using the method of content analysis, observation, interviews, experimental design with hermeneutic approach supported by a design, proposed by social, cultural, and psychological approach. The location is done in Surakarta. Data sources include the results of the work, which is a typical batik in Surakarta, informants, cultural figure, craftsmen, the general public, and literature related to the problem. Data collection technique is the study of literature, observations, and interviews. The validity of the data by using triangulation data and the analysis is the interactive analysis model to see the meaning behind the work of design objects. In the analysis phase of design formulation will using SWOT analysis. The focus of the second year of activities such as experimentation, education and training of craftsmen, try out, exhibition and sale of works of accessories, evaluation, refinement and accessories design concept, formulation of recommendations.
PERJALANAN PANJANG FOTOGRAFI SEBELUM ABAD-21 Astiti, Anin
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (8665.475 KB) | DOI: 10.33153/pendhapa.v2i1.1167

Abstract

To track back the History of Photography is like unraveling a messy ball ofyarn. Photography is considered a new form of art. lts origin started on 17thcentury as discovered by a Fine Artist and then followed along the way byscientists, philosophers and otherartists from different branches of arts. Theearly stage of photography focused more on the technique of developing,from the invention of plates and the negative-positive process. Thedevelopment of camera instruments such as the invention of lenses, shuttersand others went simultanously along the way.Keywords: History, Photography, Fine Art

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