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Mhd. Pujiono
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Jl. Universitas No.19, Padang Bulan, Kec. Medan Baru, Kota Medan, Sumatera Utara 20155.
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International Journal of Cultural and Art Studies (IJCAS)
Published by Universitas Sumatera Utara
ISSN : 26231999     EISSN : 26543591     DOI : -
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
International Journal of Cultural and Art Studies (IJCAS) is an academic, open access, and peer-reviewed journal founded and first published in 2018 by Talenta Publisher & the Faculty of Cultural Sciences, University of Sumatera Utara, Indonesia. Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, IJCAS provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities. Topics include culture (Traditional Art & Culture, Tourism), Linguistics (morphology, phonology, semantics, syntax, sociolinguistics, antropolinguistics, psycolinguistics/neurolinguistics, discourse Analysis, translation, clinical Linguistics, forensic linguistics), literature (comparative literature, foreign literature, Indonesian literature), history (foreign history, Indonesian history). Only original research articles and book reviews are accepted. International Journal of Cultural and Art Studies (IJCAS) are published two times per year (in April and October).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
 1 
Search results for , issue "Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS)" : 5 Documents clear
Analysis of Speech among Some Ethnic Groups in West Africa Abdoulaye M'Begniga
International Journal of Cultural and Art Studies Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v5i2.6648

Abstract

This research discusses the analysis of the concept of speech among some ethnic groups in West Africa. In fact, in West Africa, the art of speaking is brought to a high degree of perfection.  According to those ethnic groups discussed in this paper, the speech possesses a mystical, talismanic power, which means that it has the power to protect and change the course of events. The Nommo's conception of life can illustrate this idea in that they consider that life itself lies on speech without which it can never exist. Also, they consider that there is a close relationship between speech and the speaker. However, speaking is more than just lining up words to be understood by the interlocutor, the audience. It is considered an art that must respect certain rules relating to the place, the time and the person speaking. In this sense, the researcher, in this paper, tries to analyze the concept of speech in these ethnic groups of West Africa. The research uses secondary data as the method, otherwise called “literature review”. In other words, the researcher proceeded to collect the data related to the paper's topic by downloading them and then proceeded to the analyzes and comments.
Different Understanding about the Other Shore: the Introspection Study on Chinese and Western Art under the Natural Disaster Zhi-hao Sun
International Journal of Cultural and Art Studies Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v5i2.6780

Abstract

No matter what the different cultural backgrounds are, they will always collide and generate divergence on the same point of intersection and then continue moving forward in the direction of collective cognition. At present, the global world is facing severe pestilence disasters; China Art Circle made many responses immediately at the beginning of the epidemic situation and tried to fight the epidemic situation, encourage the front-line medical staff and provide energy for them. However, when the epidemic situation in China trends to calm, the art theme about the epidemic situation also suddenly keeps silent. It looks like calm without great waves; however, through investigating Western art, it is found that the Western Art Circle has different orientations on the attitude to disasters; considering its inner core, it maps the further understanding of groups with different cultural backgrounds on the cognition of other shores of life- different life and death idea influence the social outlook, view of life and expectation of life fate of different groups. Meanwhile, they also promote the society to show different introspection paths while facing disasters. The study uses empirical analysis to identify and collect the image information from classical paintings of the East and the West. The results show that compared with Western art, Chinese art conveys a message that focuses more on maintaining the country's stability.
The Comparative Study of Form and the Structure of Sri Lankan Gaṭaberā and Pahatharaṭa Berā with the Indian Mridanga Drum Isuru Dehideniya
International Journal of Cultural and Art Studies Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v5i2.6822

Abstract

The Gaṭaberā and Pahataraṭa berā are the main drums in two regions in Sri Lanka; also the Mridanga is one of all South Indian main drums. This research is a comparative analysis of the similarities and differences of form and structure between those Indians and Sri Lankans drums. That is conducted in the qualitative method. Several similarities and differences are discovered from the form and structure between those drums under the organization, order of the elements, construct process, and shape. The final conclusions are, 1) the form of all drum heads of Gatabera, Pahatharata bera, and Mridanga is similar, and also that form represents an Indian subcontinent drum head variety, but their structure is different according to the culture of both countries. 2) The form and structure of Gatabera and Mridanga drum bodies are slightly similar.
Carrier Concept in Hindu Religious Scriptures and Sculpture: A Conspectus Taranisen Panda; Rajballav B. Mohanty
International Journal of Cultural and Art Studies Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v5i2.6825

Abstract

The relationship between man and bioresources (plants and animals) based on faith, belief, and tradition concerning gods and goddesses and other such powers are very intense, vast, and multifarious. The paper has a brief account of faith related to carrier or vahana in Hindu religious scriptures and sculpture. A total of 32 animals, ten different categories of birds, and only one plant (flower) are identified, playing the role of carriers of gods and goddesses of the Hindu pantheon. It is discussed that such faith, belief, and practice have a scientific basis and are helpful for the management and preservation of biodiversity.
The Meaning of Nyangahatn Ritual of Dayak Kanayatn Community for Disaster Mitigation Mohammad Maulana Magiman; Ary Sulistyo; Jeanne Francoise
International Journal of Cultural and Art Studies Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v5i2.7249

Abstract

This research focused on the Nyangahatn ritual in Dayak Kanayatn indigenous people in West Kalimantan. This study uses a descriptive qualitative research method with a phenomenological approach with an emphasis on literature study. This paper uses the cultural theory, human ecology, and Disaster Mitigation and shows that there is a connection between those theories in Nyangahatn people’s rituals. Nyangahatn ritual related to the cultivation practices carried out based on the rice planting cycle. The results showed that the Nyangahatn ritual is a pearl of local wisdom, which is an effort in mitigating and adapting to disasters, especially regarding the planting and harvesting seasons. Forests or land cleared for cultivation are very calculated to avoid degradation and air sources. The Kanayatn Dayak indigenous people are very understanding about natural signs. In the process of land clearing for agriculture, it is essential to consider the ​​​​land area is to be planted so that it does not disturb the forest ecosystem. Meanwhile, the culture of balale' or gotong royong as a form of solidarity and harmony between community members is still maintained.

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