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<![CDATA[Panji Jayalengkara Angreni: Jalinan Kisah Panji dalam Sastra Tulis dan Kesenian ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.60564
<![CDATA[Panji Jayalengkara Angreni which is one part of the Panji Angreni variety has a close relationship with oral and written traditions. With the existence of multi-layered traditions and a very broad corpus, it is necessary to describe the distribution of traditions, especially in the realm of Javanese culture in Surakarta. Thus, this study aims to reveal the relationship between the oral and written traditions of Panji Jayalengkara Angreni. In revealing this relationship, it is necessary to understand that the manuscript and oral traditions are a unity as a basic foundation. This study uses a qualitative method and is based on a research method that combines manuscript writing traditions and artistic traditions, as was done by Vickers on the Malat text. As a limitation, the search for the corpus of written and oral literature is only focused on the Surakarta tradition, especially those related to oral literature in performing art. The text of Panji Angreni appears in the literary tradition of the northern coast of Java which developed with additions and recompositions. Panji Angreni Palembang as the oldest text shows the form of Panji Angreni which is still much influenced by Old Javanese literature. Panji Angreni developed by being combined with the story of Jayalengkara in the Surakarta era.The relationship between Panji Jayalengkara Angreni's written text and oral text is evident in the realm of wayang, dance, and musical performances. This relationship is not just a one-way relationship, but a reciprocal relationship between written and oral traditions. Keywords: Panji; oral tradition; written tradition; wayang.]]>
<![CDATA[Tingkat Tutur pada Cerkak di Web Page Jawasastra ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.63095
<![CDATA[Javanese is one of the unique regional languages because it has speech levels which are shown through spoken language in daily life conversations, while forms of written language are usually applied through Javanese literary works. This article aims to analyze the form and factors that cause the occurrence of speech levels used by the characters in cêrkak that represent people's lives. This study was studied using a qualitative descriptive method and analyzed using a sociolinguistic approach in the speech level study. The research data is sourced from documents of speech level that originating from dialogues between characters in five cêrkak on the Jawasastra web page. Research subjects were selected through purposive sampling, while data was collected through document analysis. The data were analyzed with an interactive analysis model through data collection, data reduction, data presentation, and drawing conclusions. In this study, four variations of speech levels were found, including: 12 data of ngoko lugu, 3 data of ngoko alus, 1 data of krama lugu, and 9 data of krama alus. The factors behind the use of each level of speech within the scope of Javanese society are due to differences in levels of education, economy, age, position, familiarity, and heredity.]]>
<![CDATA[Etika Komunikasi dalam Naskah Wicara Dora tuwin Wicara Temen tumrap ing dalem Sasrawungan ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.64278
<![CDATA[Indonesian citizens have a low level of politeness in their communication, so there is a need to increase the understanding of communication ethics, especially those that come from local wisdom.The purpose of this study is to present inventations, descriptions, transliterations, edits, translations, and ethical analysis of communication in the manuscript Wicara Dora tuwin Wicara Temen tumrap ing dalem Sasrawungan (for further abbreviation WDWTS). The method employed is the analysis of the document using a philology approach and communication with the research object of text and manuscript WDWTS. The result of this research is that only 1 copy of WDWTS manuscript was found, namely PNRI collection with codex number NB 1090, description of manuscript and text, script transfer from Javanese script to Latin script by correcting 6 word writing, editing 2 words with a single script, translation of text from Javanese to Indonesian with 1 translator's note, and knowledge of text content regarding Javanese views on communication ethics, including (1) communication must be correct, which is the real message; (2) communication must be precise, which is message conveyed according to the situation and context; and (3) communication must be helpful, which is message being delivered contains substance. Keywords: Communication ethics; philology; Wicara Dora tuwin Wicara Temen tumrap ing dalem Sasrawungan]]>
<![CDATA[Kajian Etnososiologi Jawa pada Sastra Anak di Antologi Anak “Meong Lan Arimong" ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.66282
<![CDATA[Children's literature will be the main attraction for children to learn about their culture. This study aims to describe: (1) socio-cultural relations; (2) the process of learning culture includes internalization, socialization, and enculturation contained in the anthology of children's stories "Meong lan Arimong". This research is classified as qualitative research with a qualitative descriptive method. The contents of children's stories are discussed using Javanese ethnosociology in the form of social and cultural relations of Javanese families and the process of learning one's own culture. The data used in this research are words, phrases, sentences, and discourses that contain socio-cultural relations, the process of learning culture itself includes internalization, socialization, and enculturation. The data source used is an anthology of children's stories “Meong lan Arimong. The research subjects were taken using purposive sampling. The data collection technique uses document analysis techniques, while the data analysis techniques use interactive analysis techniques. Based on the results of the analysis that has been carried out on the seven selected Jaya Baya magazine crikaks, all of them have: (1) socio-cultural relations caused by the existence of Javanese culture which is raised in each children's story; (2) the process of learning culture itself includes internalization, socialization, and enculturation experienced by the main character and the most prominent socialization process is obtained because it is in that process that reciprocal interactions occur. Keywords: ethnosociology; childrens stories; children's literature; meong lan arimon]]>
<![CDATA[Inventarisasi Cerita Rakyat Nyi Ageng Bakaran Desa Juwana Kabupaten Pati ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.66342
<![CDATA[Protection of oral literature from extinction can be done by an inventory program in the form of transferring texts from oral tradition to written literature. The folklore (legend) of Nyai Ageng Bakaran folklore originates from a village in the Juwana District, Pati Regency, Central Java. This story underlies traditions still carried out by the people of Bakaran Wetan village. This study aims to describe the structure and function of the legend of Nyai Ageng Bakaran. The oral literary tradition will recede with the reduction of actors and supporters of literary activities in society. Folklore inventory is an effort to document oral literature in the context of conservation and protection of folklore sources so that they can be maintained for the future. Data collection techniques use interview techniques and literature studies. Data analysis was carried out by collecting information with triangulation techniques from 3 speakers, voice recordings, and narrative texts in the form of notes from research results and data analysis techniques with the theory of structure and folkloric functions. The results of the research on the structure and function of the legend of Nyai Ageng Bakaran are intrinsic elements in the form of plots that contain the narrative units of this story, characters and characterizations, and the story's setting. Then, the function of legend is in the form of a description of 4 folkloric processes taken from William Bascom's theory, namely function as a projection system, as a tool for attestation of institutions and cultural institutions, as a child education tool (pedagogical device), as a tool of coercion and supervision so that its collective members will always obey the norms of society. Keywords: folklore; folklore Structure; folklore function; legend]]>
<![CDATA[Kajian Kontrastif Fonologi Bahasa Jawa Dialek Wonosobo dengan Dialek Solo-Yogyakarta ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.66703
<![CDATA[This article aims to examine the variations in Javanese speech by Javanese dialect speakers in Garung District, Wonosobo Regency, Central Java. The author uses phonological and phonemic process studies to identify the speech data of Javanese speakers. In the data collection process, the author uses the techniques of listening, recording, and tapping. The qualitative descriptive method is applied to describe the results of the study. In identifying variations of Javanese vowels and consonants speech in the Wonosobo Regency, the author uses a contrastive method with the standard Javanese Solo-Yogyakarta dialect. The study results show that there are several variations of Javanese speech by Javanese speakers in Garung District, Wonosobo. These variation utterances include changes in the vowel sound [ͻ] to [a], the vowel sound [e] to [a], the vowel sound [a] and [ɛ] to [e], the vowel sound [u] and [ᴐ] to [ o], and the consonant [y] changes to a fricative consonant [z]. Furthermore, based on the identification of phonemic processes, there are additions of sounds called paragoge and prosthesis, phonemes reduction of apheresis, and substitution of vowel sounds in words that have affixation. The study results can be used as material for further studies related to linguistic studies of Javanese dialects in Wonosobo, especially concerning lexicon and syntax aspects as well as socio dialectological maps of Javanese dialects in Wonosobo. Keywords: Javanese Wonosobo dialect, contrastive phonology, language variation, phonemic processes]]>
<![CDATA[Penggunaan Bahasa Jawa dalam Loka Drama Lara Ati karya Bayu Skak ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.67114
<![CDATA[Language has a very important role in life. Through language, humans can interact with each other both orally and in writing which aims to convey information. The form of interaction is not only in the form of direct communication but can also be in the form of indirect communication. As is the case with the interaction of a film which has the aim of conveying a message to its audience. Of the many films on YouTube, one type of film that is quite interesting is a regional language film, one of which is a Javanese language film. Javanese-language films also have a contribution in an introduction to the culture of a region. One of the newest films that uses Javanese and has language variations is the film Lara Ati by Bayu Skak. This research uses a theoretical approach in the form of a sociolinguistic approach and a methodological approach in the form of a qualitative descriptive approach. The data collection technique used is the observing and noting technique. The analysis technique uses a qualitative descriptive technique. The source of the data for this study is the Lara Ati Drama Workshop episodes 1 to 5 which are sourced from YouTube videos. The results of this study are the use of language that appears in the drama workshops in the form of Javanese, a variety of ngoko, krama and also a mix of languages. In addition, the characteristics that appear in the drama scene are language variations, namely dialect, speech level, code-switching and splitting. Based on the results of this study, there were errors in the use of the Javanese language based on the context. In addition, the characteristic forms that emerged were language variations including the Suroboyoan dialect and the ngapak dialect, the speech level of the Javanese language, the variety of ngoko lugu, ngoko alus, and krama lugu, krama alus, code mixing. -code switching, and splitting. Keywords: sociolinguistics; language variations; use of the Javanese language; lokadrama Lara Ati; Bayu Skak]]>
<![CDATA[Struktur dan Fungsi Bahasa Mantra dalam Masyarakat Jawa ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.67666
<![CDATA[Mantra is a distinctive choice of words, the meaning of which can only be known through in-depth cultural reading based on the culture in which the mantra lives. This study aims to describe the structure and function of the mantra language in Javanese society. The research method uses a qualitative descriptive approach. Sources of research data are Javanese mantras collected by purposive sampling. Data were analyzed by semantic analysis. The validity of the data used is semantic validity with semantic analysis techniques. The results of research on Javanese mantras are as follows: 1) the structure of the spell consists of a title, opening, suggestion, purpose, and conclusion of the spell; 2) the function of the mantra based on the user's purpose is generally divided into individual functions and social functions. The cultural aspects surrounding the spell have certain functions which are believed to have magical powers by the people. In Javanese culture, mantras have a special position in the religious system and public beliefs. The community also believes that each mantra recited has a different function according to the contents of the mantra recited by the speaker. Keywords: function; Javanese; mantra; structure]]>
<![CDATA[Ranah Sumber Binatang dalam Panyandra: Menjadi Cantik ala Orang Jawa ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.69172
<![CDATA[Panyandra is a form of expression in Javanese which is used to praise someone's beauty or beauty. Panyandra in Javanese society is usually to praise the bride (nyandra manten). Panyandra is a form of metaphor because it has metaphorical components such as the target domain, the source realm and the mapping between the target realm and the source realm. An interesting thing to study is the use of the source domain in panyandra. If panyandra is used to praise the beauty, however, the source realm used as a comparison looks far from beauty. An example is the use of the beast's source realm. Panyandra as a form of metaphor in Javanese can be used as an expression of the human conceptual system in thinking. This is based on the understanding that metaphor can be a reflection of the cognition and culture of a speech community. Thus, this study aims to describe the use of the animal source domain in panyandra as a form of cognitive process to understand the concept of female beauty according to the Javanese view. This study used descriptive qualitative method. Data sources are limited to pannyandra. Data collection was carried out using the observing and noting method so that the panyandra was collected in the form of sentences. Next, the data is analyzed to classify panyandra as a metaphor based on the animal source domain and the mapping pattern of the beauty metaphor using the animal source domain. The theoretical framework used as the basis for thinking in this study is a conceptual metaphor; the relationship between language, culture and thought; and analysis of meaning components. The results obtained are that there are various types of animals that are used as source domains, namely insects, wild animals, birds, and reptiles. There is a pattern of mapping relationships between the target domain and the source domain, namely through the properties of both of them are defined socio-culturally, then the two domains are mapped. Keywords: panyandra; metaphor; the beauty; Javanese woman; animal lexicon]]>
<![CDATA[Eroticism in Modern Javanese Poetry (Geguritan); an Analysis with a Semiotic Approach ]]>
<![CDATA[ Sutasoma : Jurnal Sastra Jawa Vol 11 No 1 (2023): Sutasoma: Jurnal Sastra Jawa ]]>
Publisher : <![CDATA[Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang ]]>
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DOI: 10.15294/sutasoma.v11i1.69850
<![CDATA[This article intends to highlight the expressions and depictions of symbols and meanings of eroticism that are present in modern Javanese poetry texts (geguritan) as a form of Javanese literature and cultural products of society. This study seeks to reveal the symbols and meanings of eroticism that are expressed in the text of the modern Javanese poem geguritan entitled "Aku lan Dheweke" by Poer Adhi Prawoto, a poet who is also known as a critic of moderen Javanese literature. The formulation of the problem in this article is 1) How is eroticism expressed in the geguritan “Aku lan Dheweke” by Poer Adhie Prawoto? 2) What are the symbols and meanings implied in the geguritan “Aku lan Dheweke” by Poer Adhi Prawoto? The aims of this article are 1) To describe the form of erotic expression in the geguritan “Aku lan Dheweke” by Poer Adhie Prawoto. 2) Reveal the symbols and meanings implied in the erotic geguritan “Aku lan Dheweke” by Poer Adhi Prawoto. Methodologically the approach used in this research is descriptive qualitative with a paradigm of critical analysis of cultural studies. Qualitative descriptive research reveals the analyzed data by providing detailed and in-depth descriptions of each problem formulation. The theoretical approach uses a semiotic approach. Semiotics is a science or method of analysis to study signs. Signs are tools that we use in trying to find a way in this world, in the midst of humans and with humans. Keywords: Eroticism, Modern Javanese Poetry, Semiotic]]>
