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Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 12 Documents
 1   2 
Search results for , issue "Vol 1, No 1 (2018)" : 12 Documents clear
THE LOVE AND FOOL TRAGEDY IN “KING LEAR” DRAMA BY WILLIAM SHAKESPEARE Wahidah, Nurul
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (528.693 KB)

Abstract

Literary work is one of the ways to show some phenomena in this world. Social condition in one country or city can be read in a novel or drama. All of the events and situation at the time become basic idea for author to elaborate his idea through imagination. The story which appeared in that work will be didactic matter for some people. The story also can be end by happy catastrophe or sad. The purpose of this written is to know and to gain social event that happened behind the story. The only key to get the meaning of that story is by reading process.  Beside that through reading, the meaning of the story in that work will be emerged.  Reading is a very important action to check the meaning of literary work or playwright. In this drama the story talks about foolish character which cannot get happiness. The story is so sorrowful and full of tragedy. The main character feels sadness and hopeless.  Without reading the meaning of that drama cannot be understood.  Key word: Meaning, Reading, and tragedy.
PERTUNJUKAN KERUNCONG STAMBUL FAJAR SEBAGAI SIMBOL SEJARAH Saputra, Iqbal H.
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

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Abstract

Stambul was introduced in Kota Pelabuhan Surabaya the late nineteenth century, until the early twentieth century. Stambul Music is part of a drama performance, the music accompaniment nuanced typical of Stambul, a variation of keroncong music. Keruncong Stambul Fajar in Mendanau Island, Belitung Regency, Bangka-Belitung Islands Province, has the same roots of the arts. Keruncong Stambul Fajar Pulau Mendanau is one form of artifacts, of the many artifacts in Belitung Island. This basic rhythmic music is a proof that the assimilation and alkuturation of Belitong Island has long been happening, as it has been in other parts of the archipelago, in different variants and forms. The problems studied in this paper are: 1) How can the Stambul music  get to Belitung Island ?; 2) What is the concrete proof of cultural intercrops which then gave birth to assimilation and acculturation in music art Stambul Fajar Pulau Mendanau, Bangka Belitung Islands province with the same art, both spread in the archipelago, as well as those in the area of origin? Key Word: Keruncong Stambul Fajar  performances; symbol of history.
BENTUK DAN FUNGSI PERTUNJUKAN TEATER AMAQ ABIR DI SANGGAR PUSTAKA BUDAYA DESA MARONG KECAMATAN PRAYA TIMUR LOMBOK TENGAH Zuhri, M. Ihsan; Markarma, Muh Ridwan; Yuliatin, Riyana Rizki
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

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Abstract

This study aims to describe the form and function of Amaq Abir theater performance at the Marong Village Cultural Literature Studio, Praya Timur District, Lombok Tengah. The research was conducted in Nyampe Hamlet, Marong Village, Praya Timur District. The approach used in this study was qualitative descriptive. The object in this study is the Amaq Abir theatre which includes the form and function of the show. From the results of the study found about: 1) the form of the show, which includes elements in theatrical performances namely: theme, plot, characterization, language, messages, and settings. Supporting elements of the show related to the artistic system, namely: stage management, decoration, sound system, lighting, makeup, and fashion. 2) the theater function of Amaq Abir consists of a) function as entertainment, b) function as social criticism, and 3) function as an economic. Keywords: Form of Performance, Function, Amaq Abir Theater
WACANA POS-DRAMATIK DALAM TEATER POOH-POOH SOMATIC: ON CROWD OF BIOGRAPHIESKARYA KALANARI THEATER MOVEMENT YOGYAKARTA Cantini, Cucum
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

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Abstract

The Pooh-pooh Somatic: On Crowd of Biographies that Kalanari Teater Movement has performed at Pusat Kebudayaan Koesnadi Hardjasoematri, Gadjah Mada University on August 22 2017, has become one of the dramatic theater movement of discourse to the post-dramatic. The phenomenon of the death of the text has come to the fore in Indonesian performing arts. This review will discuss the discourse of drama production by reaching out the Lehmann post-dramatic phenomenon. The death of conventional texts that are present in the drama-script, turns into a phenomenon of the emergence of theater productions that put the body forward rather than the language that was previously the main standard to convey meaning to the audience. Through Foucalt's perspective of discourse, this study will discuss the process of dramatic theater movement from dramatic to post-dramatic. The point of this paper is that post-dramatic theater becomes part of the performing arts that remains part of contemporary drama or theater. While not exploiting text or language, symbols and sounds have been communicated to the audience. In this case, the narration through symbols and sounds is agreed as a universal language.Keywords: drama, post-dramatic, language, theater, Kalanari.
KOMPOSISI GERAK PADA PERTUNJUKAN KESENIAN TARI PETUK DI DESA SADE KABUPATEN LOMBOK TENGAH Fajrianti, Nur Aini; Imtihan, Yuspianal
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

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Abstract

Gerak-Gerak yang menujukkan kejenakaan dalam tari Petuk sebagai satu komposisi utuh menjadi daya tarik tersendiri
TEATER SEBAGAI WACANA: SEBUAH METODE DALAM GARAPAN SENI PERTUNJUKAN PADEPOKAN SENI BAGONG KUSSUDIARDJA (PSBK) Satrya HD, Dharma
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

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Abstract

This study focuses on theatre theory art resident (PSBK) developed by Bagong Kussudiarda. It applied ethnography research. Researchers is as the audience as well as Brigade Pamungkas Jagongan Wagen (JW) team. This research is about the creative process from the researcher?s experience. Researchers conducted observations actively in his creative process, so this research is an ethnographic writing about PSBK theatre process. The result shows that theatre is stated as a method of early theatre production.  Discourses of theatre are viewed genealogically, from Teater Menyenangkan, Teater Super Menyenangkan, Sandiwara Teater Perempuan, Adi Seni Teater, Sekar Sajen, Jenaka Akting Teater, and Mendadak Teatrik Intrik Musik Asik. PSBK considers theatre not only as the subject, but also as the object of performance art. Keywords: PSBK, theatre method, discourse   
Retracted Notice : KOMPOSISI GERAK PADA PERTUNJUKAN KESENIAN TARI PETUK DI DESA SADE KABUPATEN LOMBOK TENGAH Fajrianti, Nur Aini; Imtihan, Yuspianal
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1558

Abstract

Artikel dengan judul "KOMPOSISI GERAK PADA PERTUNJUKAN KESENIAN TARI PETUK DI DESA SADE KABUPATEN LOMBOK TENGAH" telah dilakukan pencabutan pada Volume 01 No 1 2018 pada tautan http://e-journal.hamzanwadi.ac.id/index.php/tmmt/article/view/1558. karena sudah ditemukan terbit pada  Jurnal Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial-Humaniora dengan nomor volume 02 No 2 2019 dengan link https://journal.ipm2kpe.or.id/index.php/KAGANGA/article/view/831 Isi artikel yang dibuat ini dipublish di 2 jurnal berbeda dengan waktu yang berbeda meski telah dipublish pertama kali oleh jurnal Tamumatra, akan tetapi karena ada oknum yang tidak bertanggung jawab mempublish juga di jurnal Kaganga: Jurnal Pendidikan Sejarah dan Riset Sosial. sehingga pihak dari tamumatra melakukan Penarikan (Retracted) dari artikel ini
Teater Sebagai Wacana: Sebuah Metode dalam Garapan Seni Pertunjukan Padepokan Seni Bagong Kussudiardja (PSBK) Satrya HD, Dharma
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1125

Abstract

This study focuses on theatre theory art resident (PSBK) developed by Bagong Kussudiarda. It applied ethnography research. Researchers is as the audience as well as Brigade Pamungkas Jagongan Wagen (JW) team. This research is about the creative process from the researcher’s experience. Researchers conducted observations actively in his creative process, so this research is an ethnographic writing about PSBK theatre process. The result shows that theatre is stated as a method of early theatre production.  Discourses of theatre are viewed genealogically, from Teater Menyenangkan, Teater Super Menyenangkan, Sandiwara Teater Perempuan, Adi Seni Teater, Sekar Sajen, Jenaka Akting Teater, and Mendadak Teatrik Intrik Musik Asik. PSBK considers theatre not only as the subject, but also as the object of performance art.  
The Love and Fool Tragedy in “King Lear” Drama by William Shakespeare Wahidah, Nurul
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1126

Abstract

Literary work is one of the ways to show some phenomena in this world. Social condition in one country or city can be read in a novel or drama. All of the events and situation at the time become basic idea for author to elaborate his idea through imagination. The story which appeared in that work will be didactic matter for some people. The story also can be end by happy catastrophe or sad. The purpose of this written is to know and to gain social event that happened behind the story. The only key to get the meaning of that story is by reading process.  Beside that through reading, the meaning of the story in that work will be emerged.  Reading is a very important action to check the meaning of literary work or playwright. In this drama the story talks about foolish character which cannot get happiness. The story is so sorrowful and full of tragedy. The main character feels sadness and hopeless.  Without reading the meaning of that drama cannot be understood.  
Pertunjukan Keruncong Stambul Fajar Sebagai Simbol Sejarah Saputra, Iqbal H.
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1127

Abstract

Stambul was introduced in Kota Pelabuhan Surabaya the late nineteenth century, until the early twentieth century. Stambul Music is part of a drama performance, the music accompaniment nuanced typical of Stambul, a variation of keroncong music. Keruncong Stambul Fajar in Mendanau Island, Belitung Regency, Bangka-Belitung Islands Province, has the same roots of the arts. Keruncong Stambul Fajar Pulau Mendanau is one form of artifacts, of the many artifacts in Belitung Island. This basic rhythmic music is a proof that the assimilation and alkuturation of Belitong Island has long been happening, as it has been in other parts of the archipelago, in different variants and forms. The problems studied in this paper are: 1) How can the Stambul music  get to Belitung Island ?; 2) What is the concrete proof of cultural intercrops which then gave birth to assimilation and acculturation in music art Stambul Fajar Pulau Mendanau, Bangka Belitung Islands province with the same art, both spread in the archipelago, as well as those in the area of origin? 

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