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Ranah Seni: Jurnal Seni dan Desain
Published by Universitas Negeri Padang
ISSN : 19786565     EISSN : 27154696     DOI : https://doi.org/10.24036/ranahseni.v12i01.36
Core Subject : Education, Art,
Arts Education
RanahSeni: Jurnal Seni dan Desain mulai diterbitkan oleh Jurusan Seni Rupa FBSS UNP Padang. sebagai jurnal nasional yang telah menerapkan sistem open access peer-reviewed journal. Jurnal ini didedikasikan untuk artikel orisinal yang diterbitkan dalam Indonesia, dan Melayu. Jurnal ini sebagai forum ilmiah Seni Rupa dan Desain. Ranah Seni: Jurnal Seni dan Desain merupakan jurnal yang dikelola oleh jurusan Seni Rupa dan jurnal terbitan ini bersifat ilmiah. Beberapa bukti terlihat dari aspek-aspek artikel yang diterbitkan yang berasal dari hasil penelitian tentang Seni, Desain, sastra, dan pebelajarannya dari penulis. Proses penerimaan artikel, dilakukan dengan peer reviewer oleh para pakar di bidangnya dan dilaksanakan uji plagiarism melalui aplikasi Turnitin dan sejenisnya. Dengan demikian, artikel yang diterbitkan terhindar dari plagiat. Adapun dalam penerbitannya 2 (dua) kali dalam setahun, yakni Maret dan September
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 3 Documents
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Search results for , issue "Vol 12 No 02 (2019): RANAH SENI" : 3 Documents clear
Pertarungan Politik (Pemilihan Presiden dan Wakil Presiden Indonesia) Dalam Visual Meme yoni sudiani; eva yanti; cameron malik
Ranah Seni Vol 12 No 02 (2019): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v12i02.41

Abstract

This study discusses the form of political battles that will be held in 2019, which are represented in the form of political memes. As a form of battle, the campaign team from each camp all members involved in the campaign team always have different strategies. For example, the Jokowi-Maaruf team puts forward a defensive strategy, they prefer to explain and clarify all forms of criticism made by the Prabowo-Sandi (PAS) team. Therefore, the visual memes made by Jokowi-Maaruf's team explained more about Jokowi's achievements during his tenure as president which manifest in visual meme that perform in visual communication media such as comics, infographics and posters. Likewise with the Prabowo-Sandi team, the strategies used are more likely to be the style of "attacking" opposing camps, as seen from the many criticisms about the failure of Jokowi's administration during his presidential term. This can be seen from the many visuals meme of scattered in the online community through media as Facebook, Instagram, Twitter and whatsapp groups. This phenomenon shows that the importance of visual meme in political campaign strategies. However, as a campaign strategy, the process of creating visual memes is basically an attempt at framing and branding of each candidate, where each camp can show the advantages and hide the disadvantage of each presidential or vice presidential candidate through visual meme. Visual meme actually tries to simplify complexity of reality, with presenting one side but try to hide the other side.
SONGKET PANDAI SIKEK GAYA DAN FUNGSI Desi Trisnawati; Ediantes Ediantes
Ranah Seni Vol 12 No 02 (2019): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v12i02.46

Abstract

Tenun songket Pandai Sikek has been known by the public ; tenun Pandai Sikek consists of balapak fabric (tenun fabric with full motif) and bacatua (tenun fabric witc spreadiang motif). The unigue characteristic of its weaving is the motif used namely Mnangkabau motif. Various creativities are done by the craftsmen so tenun Pandai Sikek is always preffered by the consumers. One of them is by packaging tenun songket pandai sikek into souvenirs and combining it with sulaman technique. The making of motif on the fabric of tenun songket pandai sikek is used to be done by pulling out the thread but nowadays the making of motif has been combined with sulaman technigue: the combination of tenun technigue and sulaman tecnigue is the newest innovation done by pandai sikek craftsmen, and i­ts only found on the songket veil not on the other produkts. Motif applied with sulaman technigue is the stylization of the shape of rose and its parts such as leaf, suluak, stem, and flower bloom. There functions of art on tenun songket namely personal function is the craftsmens aesthetics channelled through the creation of songket that’s creative and innovative without limit; fusic function is the use value of a thing or product so it can be used as the ready-used tool and media that features the beauty value of that product; social function is related to personal collection, and desire to have something is the result of someone­s collection, and desire to have something is the result of someones collective nature. Tenun songket pandai sikek can be worn and used in formal events such as inauguration, gradution, marriage, and customary events in order to be more elegant and posh. Tenun songket pandai sikek tends to have classic and modern styles.
PENCIPTAAN FILM DOKUMENTER “MAHANTAK KUDO” RASIONALISASI PERUBAHAN TERHADAP AKTIFITAS ADAT Ediantes Ediantes
Ranah Seni Vol 12 No 02 (2019): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v12i02.47

Abstract

The development of Kudo dance is a phenomenon that occurs in the Kerinci region, the Kudo dance dance is not only presented as a tradition value that is not recognized, but is a traditional dance that is recognized by ninik mamak holders of the legitimacy of Kerinci culture, by contributing to the people This custom then the presence of the Rantak Kudo dance is recognized as a traditional dance from them. Although in plain view this dance is not a dance that fully uses traditional tools. This objective reality is used as a presentation in this film entitled Mahantak Kudo. It is expected that the concepts that will be carried out such as the exploration of dancers and the role of the mamak ninik and traditional management of the preservation of dance are able to enrich the meaning and culture, especially in Indonesia. The film is expected to be able to rationalize a cultural phenomenon that is interpreted creatively. This objective reality is used as the main material in the production of documentary films in the style of Cinema Verite. The work will be interpreted by applying the aesthetic concept of the director, so that a new perspective for connoisseurs will be created which results from the aesthetic concept of the workman without changing the substantive aspects of the Kudo dance dance itself.

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