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Bambuti: Bahasa Mandarin dan Kebudayaan Tiongkok
Published by Universitas Darma Persada
ISSN : -     EISSN : 27972232     DOI : https://doi.org/10.53744/bambuti
Core Subject : Economy, Humanities, Education, Art, Social,
Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences Other
Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok is an national journal published by Program Studi Bahasa Mandarin dan Kebudayaan Tiongkok, Fakultas Bahasa dan Budaya, Universitas Darma Persada, Indonesia. It covers all areas of Theoretical Linguistics, Applied Linguistics, Culture, History and Literature. Bambuti aims to serve the interests of a wide range of thoughtful readers and academic scholars of China Studies, as well as politics, social, economic and others interested in the multidisciplinary study of China Studies
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 10 Documents
 1 
Search results for , issue "Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok" : 10 Documents clear
TRADISI SEMBAHYANG CIOKO (鬼節Guǐ Jié) DI PAN KHO BIO, BOGOR CIOKO (鬼節Guǐ Jié) TRADITION IN PAN KHU BIO, BOGOR Wahyuni, Ni Putu Diah; Hartati, C. Dewi
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.14

Abstract

Cioko as one of the ceremonial traditions in Chinese culture has a meaning as a sense of devotion to the ancestors for the Chinese community. They believe that in this world humans do not live alone and their ancestors can still witness from a different realm. Prayers are performed to remember the ancestors and so that the ancestors are calm in their nature. This prayer also aims to ask for protection from their ancestors. Similarly, the Chinese in Bogor held the Cioko ceremony at a temple in Bogor, namely Pan Khu Bio. In addition to the Chinese community who held the Cioko celebration, the people who lived around Pan Kho Bio also helped during Cioko. Starting from preparation, helping decorate the temple to cleaning the temple after Cioko finished. Despite differences in beliefs, residents help each other at the temple and form a social bond.
TRADISI PENGHORMATAN DEWA DALAM MASYARAKAT TIONGHOA BEKASI Hartati, C. Dewi
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.15

Abstract

This article discusses the practice of the cult of temple”s deity. This cult is said to be a reinvented tradition. The tradition is created because it is formed by the elements that come from the original tradition. By tracing the process of discovering the Hobsbawm tradition from the sacred and profane aspects of Durkheim and its relation to totemism, it is evident that this tradition has a new form and function. The original function of tradition was to strengthen identity, but the new function of the reinvented tradition appears to be an integrative function. The reinvented tradition also occurs in an effort to attract public interest or attention to make it more popular in the community. The temple community carries out an invented traditional process so that the tradition of the cult becomes more attractive, and is preferred more popular, through the appearance of entertainment shows at festivals.
The Modal Particles in the Storybook 原我这么棒 Yuánlái Wύ Zhème Bàng By Li Huizhen Partikel Modalitas dalam Buku Cerita 原来我这么棒 Yuánlái Wǒ Zhème Bàng Karya Li Huizhen Handayani, Yayan Yunita; Chandra, Yulie Neila
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.16

Abstract

Particles in Mandarin can be divided into three kinds, namely structural, aspectual, and modality or modal particles. The particles have their own functions, as well as having grammatical meanings. This article discusses the particles of modality in the children's storybook entitled原我这么棒(Yuánlái Wύ Zhème Bàng) 'I'm So Great' by Li Huizhen. Particles of modality are widely used in the context of the conversation in the storybook, namely 啊 a, 吧 ba, 啦la, 了le, 啰luo, 吗ma, 嘛ma, 哪na, 呢ne, 呀ya, 哟yo. Through distributional analysis methods, as well as with the technique of evaporation and transfer analysis, the modality particles can be matched with phatic particles in Indonesian, such as 'ya', 'lah', 'sih', 'lho', and 'dong' which are generally located behind sentences, and some behind clauses. However, the meaning of the particles is uncertain and unsteady because each depends on the context of the sentence or the meaning of the sentence. The presence of modality particles in a sentence can change the meaning of a sentence, its type of sentence, or its language function.
The Use of Fengshui in Keraton Kasepuhan Cirebon Auliasari, Nita; Hartati, C. Dewi
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.17

Abstract

This article shows the application of fengshui in Keraton Kasepuhan. The application of fengshui also shows the acculturation of Chinese culture in Kertaon Kasepuhan. This study uses a qualitative research method which data collection uses literature study, interviews, observation, and documentation. The results showed that Keraton Kasepuhan applied fengshui at the location of the palace, namely its position facing the sea with its back to the mountain. The shape of the building has the advantageous shape of a rectangle. The fengshui elements used in Keraton Kasepuhan building are in the form of color, room lighting, the symbol of plants and animals, and fengshui decorative symbols. The application of fengshui at Keraton Kasepuhan is carried out in order to get the benefits of balance or harmony.
Narasi-narasi Kecil (Mikronarasi) dalam genre Fiksi Pedesaan Pendekatan Posmodernisme terhadap Cerpen Menghilang Bersama Angin karya Xing Qingjie Konistiawati, Stevani; Gunawan, Hin Goan
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.18

Abstract

The short story text Disappearing with the Wind by Xing Qingjie as a representation of the rural fiction genre in Chinese Literature attempts to refute the grand narratives of modern fiction. For the author of the text, the power of modernity is not eternal, but can be subverted or deconstructed by giving acknowledgment to the small voices represented by Mr Zou, Sha Xiaobao, and the idiot woman in Disappearing with the Wind. This study uses a postmodernism approach to map the elements of disorientation, abnormality and small voices in that short story. Affirmation of the micronarrative is a way of working of postmodern fiction in challenging the power of modernity with the grand narrative as its main basis. For Xing Qingjie, reality does not always depend on big people, famous people, but can also be celebrated by village people, unusual people, including people who are marginalized in modern life. In his lawsuit, the presence of this text will emphasize that there is no central, no peripheral. All can be the center, and all can also be the periphery. Rural fiction pioneered by Lu Xun proves that denial of the power of grand narratives is possible in the same way that Xing Qingjie has done in a number of his works, including the short story Disappearing with the Wind.
TRADISI SEMBAHYANG CIOKO (鬼節Guǐ Jié) DI PAN KHO BIO, BOGOR CIOKO (鬼節Guǐ Jié) TRADITION IN PAN KHU BIO, BOGOR Ni Putu Diah Wahyuni; C. Dewi Hartati
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (536.163 KB) | DOI: 10.53744/bambuti.v2i2.14

Abstract

Cioko as one of the ceremonial traditions in Chinese culture has a meaning as a sense of devotion to the ancestors for the Chinese community. They believe that in this world humans do not live alone and their ancestors can still witness from a different realm. Prayers are performed to remember the ancestors and so that the ancestors are calm in their nature. This prayer also aims to ask for protection from their ancestors. Similarly, the Chinese in Bogor held the Cioko ceremony at a temple in Bogor, namely Pan Khu Bio. In addition to the Chinese community who held the Cioko celebration, the people who lived around Pan Kho Bio also helped during Cioko. Starting from preparation, helping decorate the temple to cleaning the temple after Cioko finished. Despite differences in beliefs, residents help each other at the temple and form a social bond.
TRADISI PENGHORMATAN DEWA DALAM MASYARAKAT TIONGHOA BEKASI C. Dewi Hartati
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.195 KB) | DOI: 10.53744/bambuti.v2i2.15

Abstract

This article discusses the practice of the cult of temple”s deity. This cult is said to be a reinvented tradition. The tradition is created because it is formed by the elements that come from the original tradition. By tracing the process of discovering the Hobsbawm tradition from the sacred and profane aspects of Durkheim and its relation to totemism, it is evident that this tradition has a new form and function. The original function of tradition was to strengthen identity, but the new function of the reinvented tradition appears to be an integrative function. The reinvented tradition also occurs in an effort to attract public interest or attention to make it more popular in the community. The temple community carries out an invented traditional process so that the tradition of the cult becomes more attractive, and is preferred more popular, through the appearance of entertainment shows at festivals.
The Modal Particles in the Storybook 原我这么棒 Yuánlái Wύ Zhème Bàng By Li Huizhen Partikel Modalitas dalam Buku Cerita 原来我这么棒 Yuánlái Wǒ Zhème Bàng Karya Li Huizhen Yayan Yunita Handayani; Yulie Neila Chandra
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (539.555 KB) | DOI: 10.53744/bambuti.v2i2.16

Abstract

Particles in Mandarin can be divided into three kinds, namely structural, aspectual, and modality or modal particles. The particles have their own functions, as well as having grammatical meanings. This article discusses the particles of modality in the children's storybook entitled原我这么棒(Yuánlái Wύ Zhème Bàng) 'I'm So Great' by Li Huizhen. Particles of modality are widely used in the context of the conversation in the storybook, namely 啊 a, 吧 ba, 啦la, 了le, 啰luo, 吗ma, 嘛ma, 哪na, 呢ne, 呀ya, 哟yo. Through distributional analysis methods, as well as with the technique of evaporation and transfer analysis, the modality particles can be matched with phatic particles in Indonesian, such as 'ya', 'lah', 'sih', 'lho', and 'dong' which are generally located behind sentences, and some behind clauses. However, the meaning of the particles is uncertain and unsteady because each depends on the context of the sentence or the meaning of the sentence. The presence of modality particles in a sentence can change the meaning of a sentence, its type of sentence, or its language function.
The Use of Fengshui in Keraton Kasepuhan Cirebon Nita Auliasari; C. Dewi Hartati
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (466.662 KB) | DOI: 10.53744/bambuti.v2i2.17

Abstract

This article shows the application of fengshui in Keraton Kasepuhan. The application of fengshui also shows the acculturation of Chinese culture in Kertaon Kasepuhan. This study uses a qualitative research method which data collection uses literature study, interviews, observation, and documentation. The results showed that Keraton Kasepuhan applied fengshui at the location of the palace, namely its position facing the sea with its back to the mountain. The shape of the building has the advantageous shape of a rectangle. The fengshui elements used in Keraton Kasepuhan building are in the form of color, room lighting, the symbol of plants and animals, and fengshui decorative symbols. The application of fengshui at Keraton Kasepuhan is carried out in order to get the benefits of balance or harmony.
Narasi-narasi Kecil (Mikronarasi) dalam genre Fiksi Pedesaan Pendekatan Posmodernisme terhadap Cerpen Menghilang Bersama Angin karya Xing Qingjie Stevani Konistiawati; Hin Goan Gunawan
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (669.73 KB) | DOI: 10.53744/bambuti.v2i2.18

Abstract

The short story text Disappearing with the Wind by Xing Qingjie as a representation of the rural fiction genre in Chinese Literature attempts to refute the grand narratives of modern fiction. For the author of the text, the power of modernity is not eternal, but can be subverted or deconstructed by giving acknowledgment to the small voices represented by Mr Zou, Sha Xiaobao, and the idiot woman in Disappearing with the Wind. This study uses a postmodernism approach to map the elements of disorientation, abnormality and small voices in that short story. Affirmation of the micronarrative is a way of working of postmodern fiction in challenging the power of modernity with the grand narrative as its main basis. For Xing Qingjie, reality does not always depend on big people, famous people, but can also be celebrated by village people, unusual people, including people who are marginalized in modern life. In his lawsuit, the presence of this text will emphasize that there is no central, no peripheral. All can be the center, and all can also be the periphery. Rural fiction pioneered by Lu Xun proves that denial of the power of grand narratives is possible in the same way that Xing Qingjie has done in a number of his works, including the short story Disappearing with the Wind.

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