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INDONESIA
Style : Journal of Fashion Design
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 28090888     DOI : https://doi.org/10.26887/style.v2i1.2563
Core Subject : Education, Art, Social,
Arts Education Social Sciences
Style adalah jurnal ilmiah yang diterbitkan oleh Prodi Desain Mode, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Padangpanjang. Jurnal ini berisikan tentang artikel hasil penelitian yang terkait dengan fashion, resensi buku bidang fashion, gagasan konseptual (hasil pemikiran), dan penciptaan karya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 19 Documents
 1   2 
Aplikasi Kain Perca Batik Tasikmalaya Melalui Teknik Sulam Dan Kolase Ilustrasi Fashion Pada Pelengkap Busana Wuri Handayani; Mira Marlianti
Style : Journal of Fashion Design Vol 1, No 2 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2009.59 KB) | DOI: 10.26887/style.v2i1.2566

Abstract

Penelitian tentang  “Aplikasi Kain Perca Batik Tasikmalaya Melalui Teknik Sulam Dan Kolase Ilustrasi Fashion Pada Pelengkap Busana“ ini bertujuan untuk membuat varian baru penggambaran desain Ilustrasi Fashion pada pelengkap busana dan pemanfaatan kain perca batik dengan teknik sulam dan kolase khususnya menggunakan perca kain batik dari Tasikmalaya yang dikenal dengan beragamnya motif batik yang memiliki kekhasan budaya Jawa Barat yang kaya nilai tradisi dan kearifan lokal. Metode yang digunakan dalam penelitian ini adalah metode eksplorasi, perancangan dan perwujudan dengan pendekatan estetika. Penelitian ini diharapkan mampu berkontribusi bagi masyarakat luas, dengan memperkenalkan penggambaran Ilustrasi Fashion pada pelengkap busana melalui upaya pelestarian budaya dengan mengkaji karakteristik batik yang mengangkat tradisi budaya lokal dengan pendekatan aspek estetis.Latar belakang lokasi penelitian adalah Tasikmalaya sebagai salah satu daerah yang memiliki keragaman budaya dan daerah penghasil kain batik yang memiliki kekayaan motif.  Keindahan Motif batik Tasikmalaya, tidak hanya memiliki nilai estetika saja, namun juga mengandung nilai-nilai tradisi dan kearifan lokal.
Perancangan Busana Magnificent Of Modular Mode Meilinda Lenawati; Rachmawaty -
Style : Journal of Fashion Design Vol 1, No 1 (2021): Style : Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (814.738 KB) | DOI: 10.26887/style.v1i1.2111

Abstract

Fast fashion can be interpreted as a quick response effort in providing the latest fashionable clothes according to consumer demand. This can lead to a accumulation of clothes which eventually becomes clothing waste. Clothing waste can be overcome with two opportunities, namely reuse and reduction, this reduction method uses the principle of sustainable design. Sustainable that is raised is a modular design. "Modular design" is a kind of design fashion that can not only make clothes more attractive, allow the wearer to participate in choices, increase the possibility of clothing styles, but also can extend the service cycle of clothes. In this "fast fashion" market, modular design ideas can be a breaking point, helping us find ways to balance low-carbon and eco-friendly needs and fashion. Therefore, there is a need for a ready-to-wear fashion modular design that inspires the Woloan Minahasa Stage House that can be disassembled. This will be the common thread in the creation of the work.
KREASI DAUN PISANG PADA BAJU KURUNG BASIBA Tastail Amelia; Dini Yanuarmi; Taufik Akbar; Mega Kencana
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3269

Abstract

The banana plant is a fruit plant consisting of roots, stems, leaves, a banana heart and fruit. Banana leaves are often used to wrap food. Banana leaves consist of a petiole, leaf blade and midrib in the middle of the leaf. Banana leaves were created as a motif in the creation of the kuruang basiba shirt. The concept of creating a banana leaf shape creation through a study of the shape of a banana leaf which is realized in the design of textile craft works as a kuruang basiba shirt. The creation method begins with the exploration stage, the planning stage, and the embodiment stage. The creation of artwork uses the theoretical basis of form, function, aesthetics, creation, motif, and colour. This work is done with Mayang embroidery techniques and ribbon and thread embroidery, which is used to unite all pieces of cloth into a kuruang basiba shirt with the motif applied to the work, namely the creation of a banana leaf shape. The result of the product of embroidery work with the motif of the banana leaf shape is manifested on the kuruang basiba shirt.
BUSANA TRADISIONAL TARI RANGGUK DI KECAMATAN KUMUN DEBAI KOTA SUNGAI PENUH Fenti Vidia
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3264

Abstract

Rangguk dance is an art originating from the Kumun Debai sub-district of Sungai Penuh city which is performed at traditional events such as Kenduri Sko and welcoming regional guests. The clothes worn at the Rangguk Dance are in the form of brackets, skirts from songket fabric along with complements and other accessories. Rangguk dance is performed by women both married and unmarried with a total of 7 to 11 dancers. In 2018 Rangguk Dance has been designated as Indonesia's Intangible Cultural Heritage by the Directorate of Cultural Heritage and Diplomacy.  A dance cannot be separated from clothing that can show the characteristics of the dance. Rangguk Dance fashion has a special meaning in the disclosure of the messages to be conveyed through the clothing. This study aims to describe the meaning and symbols contained in rangguk dance clothing.
STILISASI MOTIF TUMBUHAN PADA FASHION AKSESORIS KALUNG MEDIA KUNINGAN Mirda Aryadi; Irja Irja
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3265

Abstract

Penelitian “Stilisasi Motif Tumbuhan pada Fashion Aksesoris Kalung Media Kuningan“ ini bertujuan untuk membuat varian baru aksesoris pelengkap fashion yang simple dan mewah dengan menggunakan bahan plat kuningan dengan teknik etsa logam yang sumber bahan baku maupun  pengerjaan mudah didapatkan dan dikerjakan. Metode penciptaan yang digunakan dalam penelitian ini adalah eksplorasi, perancangan dan perwujudan dengan pendekatan estetika. Pembuatan karya ini diharapkan mampu berkontribusi bagi masyarakat maupun pegiat fashion, dengan memperkenalkan teknik etsa pada penggarapan plat kuningan bertemakan motif stilisasi tumbuhan sebagai aksesoris sebagai upaya memperluas ilmu pengetahuan dengan aspek pendekatan estetis. Hasil dari karya ini berupa kalung bertemakan tumbuhan yang  digunakan pada pelengkap busana.
DAWET BAYAT DAN POHON AREN DALAM BUSANA VINTAGE Muna Lathifah; Toyibah Kusumawati; Suryo Tri Widodo
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3266

Abstract

The creation of this Final Project is titled “Dawet Bayat and Palm Trees in Vintage” is a from of ideas and appreciation developed by individuals with the aim of understanding the concept of making batik motifs by taking a dawet Bayat idea. The process and embodiment of batik works with dawet Bayat batik motif with remasol color substances, which are processed by individuals to create batik that has an aesthetic value and feelings from the author conveyed to the connoisseur of work, and as well as being the urge to keep the author. Dawet Bayat and plam trees are the art value in a work of batik motif can be channeled directly to the community, especially the people in the Bayat area. Everything is poured directly by the author into Batik art works and visual art to be a work that is acceptable to the public, and the creation of batik works that have difference from batik spread in Indonesia. The media used in fashion is the cotton cloth. This work realization process uses a method of creation that can help the process of work. Creation methods include data collection, data analysis, work designer, and labor embodiment. In the embodiment this final task, it makes 4 works, the entire collection of works is called “Dawet Wigunani” which is inspired by the Dawet Bayat and palm tree.
MOTIF TANAMAN KOPI PADA BAJU TALUAK BALANGO Indah Erda Ningsih; Dini Yanuarmi; Rahmad Washinton; Mirda Aryadi; Fadri Rahmat
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3267

Abstract

The coffee plant has a taproot, straight down, short and strong. The taproot is approximately 45-50 cm long, which basically has 4-8 side roots that descend down 23 cm. Coffee leaves are long, striped to the sides, wavy, dark green, and tapered at the ends. Leaves grow and are arranged side by side in the armpits of the stems, branches and twigs. A pair of leaves located in the same plane and branches that grow horizontally.The shape of the coffee plant that has been described, the creators make it as a source of ideas as an ornamental motif. The coffee plants that are used as motifs are the flower parts, leaves, fruit, and twigs that are applied to the balango taluak. Taluak balango is clothing for men in Minangkabau, the hallmark of the taluak balango shirt is using seams on the side of the shirt where there is a siba with a length below the waist, a round neck without a collar and slightly slit to the chest. The balango taluak shirt is usually worn with a trouser suit, worn in events, traditional ceremonies, religious and other formal events. The method used in the creation of this work is the method of exploration, design and embodiment with an aesthetic approach. This work is expected to be able to contribute to the wider community, by introducing the depiction of coffee plant motifs on balango taluak. The balango taluak used and used in the Minangkabau area does not have specific provisions related to its decorative motifs.
KREASI BURUNG BEO NIAS SEBAGAI MOTIF KEMEJA BATIK Anisa Giantari; Dini Yanuarmi; Taufik Akbar; Wirma Surya
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3268

Abstract

The Nias parrot is an endangered species native to Nias, North Sumatra. The body of the Nias parrot is black, a little white on the wings, earlobes and legs are yellow. The distinctive features of the Nias parrot with other parrots are its larger body size and united earlobes. The concept of the creation of the Nias parrot is taken from the life of this animal, in the form of freedom to fly in nature because many Nias parrots are caught, this concept also tells about the activity of tree branches. The production process of this work uses a theoretical basis that includes form, function, motif, creation and colour. The process of producing this work goes through three stages which are the exploration stage which is finding sources of ideas through library sources or interviews, designing which is pouring ideas into alternative sketches which then become the chosen design, the embodiment stage which is the process. the embodiment of the work that has been designed, the technique used is the batik technique, with silk cotton fabric and using reactive dyes, after the batik process is completed, the material is sewn into men's clothes.
JAKET PULLOVER HOODIE DENGAN MOTIF ISTANA SIAK RIAU Rahmayani Rahmayani; Dini Yanuarmi; Hendratno Hendratno
Style : Journal of Fashion Design Vol 2, No 2 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3719

Abstract

       Siak Palace is a sturdy rectangular building, decorated at the gate with a pair of hawks striking with sharp eyes and consists of two floors. Siak Palace is located in the city of Siak Sri Indrapura, Riau Province. The creation of this work was inspired by the beautiful visual form of the Siak Palace and then created at each end of the pillars of the building. The form of work created is in the form of an L-sized jacket using a written batik technique. The function of this jacket is outerwear that is used to protect from cold weather or fashion. The creation method in this work goes through three stages, namely the exploration stage which is field observation activities, source excavation and data collection. Exploration begins with going to the field to see and observe the shape of the Siak Palace. The design stage is pouring ideas through several alternative sketches, then from several alternative sketches it is determined to be the selected design as a reference in the process of making works. The embodiment stage uses a written batik technique with reactive coloring which is applied to a pullover hoodie jacket. The creation of works uses a theoretical basis of form, function, color, motif, creation and aesthetics. The results of the process of making this work created the Siak Palace motif in the form of five works with the titles "Kenyamanan", "Gugur" and "Bangkit".

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