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ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 6 Documents
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Search results for , issue "Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018" : 6 Documents clear
An Analysis of Entailment in Lady Gaga’s Song Lyrics Sitti Salma Malewa; Arman Arman
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

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Abstract

This research aims to analyze Lady Gaga’s song lyrics in terms of pragmatic study. The problem concerns what are the types of entailment in those song lyrics. The objective of this research is to identify the types of entailment in seven song lyrics of Lady Gaga. This research used a qualitative descriptive method. Therefore, the data in this research are in the form of utterances conveyed by Lady Gaga. The source of the data is seven song lyrics of Lady Gaga. The data were collected by identifying, reading, coding, and classifying the data and then analyzed by presenting, describing, interpreting, and concluding the data. This research showed that among four types of entailment, the data involved all the types of entailment in Lady Gaga’s song lyrics. One-way entailment (5 times), Two-way entailment (4 times) Negative entailment (2 times), and Metaphorical entailment (9 times). Thus, those types of entailment are found in seven song lyrics of Lady Gaga.
Postmodernism as World View in the Golden Compass Movie by Chris Weitz: The Application of Lucien Goldman’s Genetic Structuralism Theory McFulvia HY
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

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Abstract

This research clarifies Postmodernism as World View in The Golden Compass movie by Chris Weitz. The researcher applies Descriptive qualitative methods. An analysis is done by applying the Genetic structuralism theory by Lucien Goldmann to find the authors’ world view as a Trans-individual subject in the movie which can be categorized as a postmodern work. The research found that: World View in The Golden Compass movie can be divided into three parts; (1) The World View of God; the existence of divine reality is represented through Lyra Belacqua, Pantalaimon, and Lord Asriel’s research. (2) In the World View of Human, there is a reaction against to modernism system done by Lyra Belacqua, The Gyptian, and The Witches, in which the resistance is based on the concept of Egalitarianismas efforts to realize postmodernism ideals. (3) In the World View of Nature, there is an Anthropomorphism concept represented by the relationship between Lyra Belacqua and Iorek Byrnison characters. So, it may be concluded that the movie is one of the efforts by authors, Phillip Pullman and Chris Weitz to create history and to change the social structure by using their ideology and aspirations as the part of Trans-individual subject.
An Analysis of Grice’s Maxim Violation in Spider-Man: Homecoming Movie by Jon Watts Novi Kurnia Sari; La Aso
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

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Abstract

This thesis is intended to analyze the violation of Grice’s maxim which is found in the utterances of conversations between characters in Spider-Man: Homecoming movie by Jon Watts. The research question of this study is formulated: “What are the violations of Grice’s maxim found in Spider-Man: Homecoming movie?”. The objective of this study is to find out the violations of Grice’s maxim in the Spider-Man: Homecoming movie. Techniques in analyzing the data consist of describing the context of the data, presenting the data into conversations and images, explaining the data, and making the conclusion Based on the findings and discussion, the researcher concludes that all of the four types of Grice’s maxim violation are found in Spider-Man: Homecoming movie. Those are the violation of quantity maxim, the violation of quality maxim, the violation of relation maxim, and the violation of manner maxim. After data reduction, it can be seen that the number of the four types of Grice’s maxim violation in the movie is 20 turns. The violation of the quantity maxim is 5 turns. Violation of quality maxim is 5 turns. Violation of relation maxim is 5 turns. Violation of manner maxim is 5 turns. The dominant violation from Grice’s maxim type is the violation of maxim relation. Theviolation of Grice’s maxim in the movie is created in order to make the conversation seems natural as real life and not too formal for the speaker and the addressee.
An analysis of Shadow in Lord Henry Character in Oscar Wilde’s “the Picture of Dorian Gray”: The application of Carl G. Jung’s Psychoanalysis Winda Wulandari DJ
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

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Abstract

This study is aimed to analyze The Picture of Dorian Gray by Oscar Wilde in terms of analytical psychology. The problem concerns revealing the Shadow of Lord Henry's character which is portrayed in The Picture of Dorian Gray. The objective of this study is to analyze the shadow of Lord Henry's character in The Picture of Dorian Gray. This study used the descriptive qualitative method. The source of data in this study is a novel by Oscar Wilde, titled The Picture of Dorian Gray which is published in 1890. The data were collected through the process of previewing, reading, and annotating and then the writer analyzed those data by using the theory of psychoanalysis by Carl Gustav Jung. It is found that Lord Henry is dominated by his shadow, as he cannot balance the other archetypes in his personality. He cannot define his true self because his shadow keeps haunting him, or in other words, Lord Henry’s self is the Shadow. Lord Henry’s shadow is manifested into Envious, Hypocrisy, Fear, Misogyny, and Machiavellian which is portrayed in The Picture of Dorian Gray. The other archetypes also play important role in arousing Lord Henry’s shadow such as Persona and Anima. The worst thing about Lord Henry’s shadow that it is not only affecting himself but also affecting another character that is Dorian Gray, where it thrusts and motivates Lord Henry to give destructive influence over him and eventually awakes Dorian’s own shadow.
An Analysis of Black English Used In “The Color Purple” Novel by Alice Walker Zahrina Amelia; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

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Abstract

Black English is a variety of English spoken by many African Americans. Most people consider that Black English as a badly spoken version of Standard English. Therefore, this is the reason why the syntactic feature of Black English important to analyze. The knowledge about the syntactic feature of Black English may results that people will understand and recognize Black English. This research is aimed at describing the syntactic feature of Black English that Alice Walker used in her novel and to find the most dominant feature which occurs in the novel. This research used the syntactic analysis based on Lisa J. Green’s perspective. Then, the data were analyzed using the descriptive qualitative method. The data were collected by downloading, reading, classifying, and coding the data then analyzed by presenting the collected data, describing the use of the syntactic feature, and making a conclusion. The results of this research are the researcherfound 10 syntactic features of Black English used in The Color Purple novel, they are; multiple negations, negative inversion, zero auxiliary, lack of subject-verb agreement, ain’t as negated auxiliary, lack of auxiliary in wh-question and yes-no question, existential it, aspectual be and lack of genetive-‘s.
WOMEN’S LANGUAGE FEATURES IN “DORA AND THE LOST CITY OF GOLD” MOVIE SCRIPT Ella Apriyanti
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (171.525 KB)

Abstract

This research discusses the women’s language features used in Dora and the Lost City of Gold movie script. This research aims to find out the features of women’s language style in the Dora and the Lost City of Gold movie script. The research methodology used in this study is a qualitative descriptive method. The data of this research is taken from the Dora and the lost city of gold movie script. To collect data, the researcher used several steps: downloading, reading movie script, watching movie repeatedly, selecting and coding conversations containing women’s language features in Dora and the Lost City of Gold movie script. The result of the research show that not all types of women’s language features were used by the characters of Dora and the Lost City of Gold movie script. The women character used five types of women’s language features, namely lexical hedges or filler 5 data, tag question 2 data, rising intonation on declaratives 1 data, intensifiers 5 data and emphatic stress 1 data. Meanwhile, men’s characters used only three types, they were lexical hedges 3 data, intensifiers 1 data, and emphatic stress 1 data. The features that were not used by the characters, they were empty adjectives, precise color terms, avoidance of strong swear words, hypercorrect grammar, and superpolite form. Based on the comparison of women’s and men’s characters could be found that women used women’s language features much more than men’s characters.

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