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INDONESIA
Nirmana
Published by Universitas Kristen Petra Surabaya
ISSN : -     EISSN : 02150905     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
NIRMANA Jurnal Deskomvis aims to: Promote a comprehensive approach to visual communication design incorporating viewpoints of different diciplines Strenghten academic exchange with other institution. Encourage designer, practicing, academic and others to conduct research and other similar activities.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 3, No 1 (2001): JANUARY 2001" : 7 Documents clear
POTENSI DAN KAIDAH PERANCANGAN SITUS-WEB SEBAGAI MEDIA KOMUNIKASI VISUAL H. Istanto, Freddy
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (51.613 KB) | DOI: 10.9744/nirmana.3.1.

Abstract

The world is overwhelmed with the newly advanced-communication%2C that is Internet. One which widely known is web-site. Performing as the media of information through visual communication%2C web site is very potential and provides a wide variety of work field for the designers. The rules in web-site design are not far different from those of visual communication design. The essential elements%2C such as typography%2C illustration%2C symbolism%2C and photography%2C act as the key design in producing the web sites. Abstract in Bahasa Indonesia : Dunia dilanda model komunikasi baru yaitu internet. Salah satu bentuknya yang sangat terkenal adalah situs-web. Sebagai media penyebaran informasi melalui komunikasi visual%2C situs-web merupakan potensi dan lapangan kerja yang luar biasa bagi desainer komunikasi visual. Kaidah-kaidah perancangan situs-web tidak berbeda jauh dengan kaidah-kaidah pokok desain komunikasi visual. Elemen-elemen penting dalam desain komunikasi visual seperti typografi%2C ilustrasi%2C simbolisme dan fotografi merupakan kunci perancangan tampilan situs-web. web-site%2C potensi%2C design-criteria%2C visual communication design
PERAN MENGGAMBAR DALAM MEWUJUDKAN IDE KARYA ANIMASI Dwi Waluyanto, Heru
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (26.06 KB) | DOI: 10.9744/nirmana.3.1.

Abstract

Animation had been known since 1940. Although obstructed by limited facilities and simple technologies%2C back then the Walt Disney had successfully produced animation masterpieces such as Pinocchio%2C Snow White%2C etc. In the world of animation%2C technology isnÂ’t the most important player%2C the one who plays the biggest role is the animator. A good animator should be competent in drawing / having good drawing skill. This competency is very important because a good animator is supposedly able to translate ideas in his / her mind into visual in the form of animated pictures. Abstract in Bahasa Indonesia : Animasi sudah dikenal sejak tahun 1940-an. Dengan teknologi yang masih sederhana pada waktu itu%2C Walt Disney antara lain memproduksi film-film masterpiece seperti Pinocchio dan Snow White. Dalam animasi bukan teknologinya yang terpenting%2C tetapi justru tenaga kerjanya (animator). Seorang animator harus memiliki kemampuan menggambar. Hal ini karena seorang animator dituntut mampu menterjemahkan sesuatu dalam pikiran menjadi wujud visual berupa gambar animasi. drawing%2C ideas%2C animation
HUBUNGAN GENDER DALAM REPRESENTASI IKLAN TELEVISI Agung Suasana, Arief
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (46.46 KB) | DOI: 10.9744/nirmana.3.1.

Abstract

Gender discourse up to now still have become the main subject to come up for discussion. As long we keep questioning of the gender innequalities%2C there are the others which feel suffer a ideologocal loss. For example in the whole of advertising businees%2C women have been involved with the advertisement in a variety of ways – as consumers%2C subject%2C and as object of representation%2C even women have become as commercial comodity. To appreciate the fact that women often bring up out of the representation%2C be desirable that we understanding by ideology and images which developed into the representation. That fact has inseparable with the codes of social reconstruction%2C which a lot of advertising designer adopt that as matters to create work of advertisement like television commercial. Abstract in Bahasa Indonesia : Diskursus tentang gender sampai saat ini masih menjadi diskusi yang menarik. Selama kita masih mempertanyakan tentang ketidakadilan gender%2C selalu ada pihak-pihak yang merasa dirugikan%2C terutama menyangkut ideologinya. Sebagai contoh adalah dalam dunia bisnis periklanan%2C perempuan selalu pihak yang terkait dari berbagai sisi%2C baik itu diposisikan sebagai pemakai%2C subyek%2C maupun obyek itu sendiri%2C bahkan bisa dikatakan perempuan saat ini telah menjadi obyek komoditi yang dapat dikomersialkan. Untuk memahami kenyataan bahwa perempuan sering dimunculkan dalam representasi%2C sebaiknya kita terlebih dahulu melihat dari sisi ideologi atau citra yang dibangun di dalam representasi. Hal ini tidak dapat dipisahkan dengan bagaimana melihat kode-kode sosial yang terdapat dalam tiap rekonstruksi sosial masyarakat itu sendiri%2C di mana kode-kode sosial ini sering digunakan sebagai bahan bagi disaner periklanan ketika dia akan membuat sebuah karya iklan%2C seperti halnya iklan-iklan televisi. gender%2C ideology%2C images.
HEADLINE: FUNGSI DAN PERANCANGANNYA Pranata, Moeljadi
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (28.307 KB) | DOI: 10.9744/nirmana.3.1.

Abstract

Headlines is the most important display element. The headline works with the visual to get attention and communicate the creative concept. Because headlines are so important%2C there are some general guidelines for their development and particular functions that they serve. Abstract in Bahasa Indonesia : Headline merupakan elemen paling penting pada iklan cetakan. Headline bekerja secara visual untuk menarik perhatian serta mengemban konsep komunikasi kreatif lainnya. Karena headline menjadi sangat penting%2C maka ada beberapa aturan perancangan umum untuk berbagai fungsi yang diembannya. headline%2C development%2C functions.
PENGGUNAAN ILUSTRASI SEBAGAI DAYA TARIK PADA IKLAN MEDIA CETAK Duto Hartanto, Deddi
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (153.32 KB) | DOI: 10.9744/nirmana.3.1.

Abstract

The usage of illustration in printed advertising media is considerably important. Illustration functions only for decoration to attract attention%2C but also act as visualisation of advertising ideas. If ilustration is functioned properly%2C it would be a very effective tool for delivening advertising messages. Abstract in Bahasa Indonesia : Penggunaan ilustrasi pada iklan media cetak merupakan hal penting untuk diperhatikan. Ilustrasi bukan hanya sebagai hiasan yang menarik perhatian saja%2C tetapi sebagai visualisasi gagasan pesan iklan. Apabila tepat penggunaannya akan sangat efektif dalam menyampaikan isi pesan iklan tersebut. advertising illustration%2C printed media%2C attraction device
MENCIPTAKAN BRAND AWARENESS IKLAN MEDIA MASSA CETAK D. Hagijanto, Andrian
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.3.1.

Abstract

Although printed media has been sharply segmented, even sharper than television, the design elements are still need to be organized. The considered elements are the size, type, and the illustration of the ad. Since printed media characteristically used as supporting media in advertising campaign, it must have consistency in creative approach with the main media in order to maintain the continuity to gain brand awareness. Abstract in Bahasa Indonesia : Walaupun media cetak sudah tersegmentasi lebih tajam dibanding media televisi, tetap diperlukan suatu pengorganisasian elemen-elemen desain iklannya. Aspek-aspek yang perlu diperhatikan menyangkut perihal format, teks, dan ilustrasi iklan. Karakter media cetak yang seringkali dipakai sebagai media pendukung dalam kampanye periklanan, menjadikannya iklan media massa cetak harus mempunyai konsistensi konsep pendekatan kreatif yang konsisten dengan media utamanya agar tujuan pencapaian brand aware senantiasa terjaga. Printed media advertisement, brand awareness, printed ad it characteristic.
WACANA LOKAL PADA GAYA IKLAN INDONESIA KONTEMPORER Limandoko, Bagus
Nirmana Vol 3, No 1 (2001): JANUARY 2001
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.3.1.

Abstract

A designer is demanded to be always original%2C innovative and produce the best possible result to be able to move target audience to purchase a certain product or service offered. However%2C there are dominant factors affected the have-to-be-taken design decisions. In the end the style produced by the designer is shaped by the strongest influences happened during the creative process. Abstract in Bahasa Indonesia : Seorang desainer dituntut untuk selalu berinovasi dan menghasilkan karya-karya yang original serta sanggup membuat khalayak sasaran tergerak untuk mendapatkan produk atau jasa tertentu yang ditawarkan. Namun dalam berinovasi tersebut banyak sekali faktor dominan yang mempengaruhi keputusan-keputusan desain yang harus diambil. Napas dari gaya yang dihasilkan akhirnya terbentuk dari pengaruh-pengaruh terkuat pada saat proses kreatif dilaksanakan. designer%2C style%2C influence%2C local.

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