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Dr. Wening Udasmoro, M.Hum, DEA
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Post-graduate program of literature of the Faculty of Cultural Sciences, Universitas Gadjah Mada
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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 8 Documents
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Search results for , issue "Vol 4, No 2 (2016): Issue 2" : 8 Documents clear
HASRAT NANO RIANTIARNO DALAM CERMIN CINTA: KAJIAN PSIKOANALISIS LACANIAN Ricky Aptifive Manik
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15492

Abstract

Literary works known as authors’ desire manifestation.  In its history, a desire comes from the feeling of the lack of subject.  Writing a literary work becomes an effort to hide it.  The effort can be seen through an author’s point of view on ego ideal in his works.  Novel of Cermin Cinta is chosen as a sample in order to search what and how Nano Riantiarno’s desires are.  The aim is to find out the reflecting of Nano’s ego ideal.  This study uses Lacanian Psychoanalysis (PL).  Metaphor and metonymy will be used through PL in looking deeply the signs of Nano’s desire in Cermin Cinta.  This study finds out that a desire of becoming a writer and an artist has guided Nano unconsciously to other symbolic signs, such as being a ‘tough’,  ‘consistent’, ‘determined’, ‘diligent’ writer, etc. His effort in setting up a theatre community where he becomes the characters writer and director which was reached from the images of Rendra, Putu Wijaya, Arifin C. Noor, and Teguh Karya becomes his desire about the ontological intactness for his identity.  Besides, ‘Freedom’ becomes  ‘object a’ of Nano to get jouissance for himself.
THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI Yuli Mahmudah Sentana
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15493

Abstract

This study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze.
READING SIMULATION IN YANN MARTEL’S LIFE OF PI Sri Nurhidayah
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15562

Abstract

Yann Martel’s Life of Pi tells a story of a survivor boy floating on a lifeboat with a Bengal tiger passing Pacific Ocean with the brutal show between animals. He is insisted to tell about more realistic story, thus he tells it contains of similar conflicts with different characters; the animals are changed into humans. Here, it shows two stories in one story which blurs the true story behind it. This is what Baudrillard the process of simulation over simulacra; the reproduced false representation of the true reality. The two stories can be both true and thus, the questions can be problematized are; (1) How is simulation understood in Yann Martel’s Life of Pi? (2) What is the hyper-reality resulted as the impact of simulation represented in Yann Martel’s Life of Pi? The used method is objective approach (textually) and based on the analysis, the two stories are connected to each other, animal story represents human story while human story represents the animal story. The animal story can be seen as the false copy of the true story because it copies the human story, so can human story. This is simulation and this simulation results on the two true stories which are hyper-reality.
KERINDUAN PADA YANG REAL DALAM NOVEL AKAR KARYA DEE Fina Hiasa
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15650

Abstract

This research was aimed to describe how the author’s desire manifested through Akar’s novel. There was a relationship between the story of Akar’s novel, which has a Buddhism background, with Dee’s interest as the author’s toward buddha’s teachings that became an indication about the relation between author’s desire and Akar’s novel. To answer this indication, the writer used Lacan’s Psychoanalysis method through the mechanism of metaphor and metonymy by analyzing a series of signifiers on Akar’s novel, so it will discover what exactly the desire of “being” and “having” of the author.
POSMODERN DAN SASTRA INDIGENOUS AUSTRALIA Arif Furqan
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.15717

Abstract

Karya sastra Indigenous Australia adalah karya masyarakat native yang tinggal di negara bentukan penjajah (settler state). Setelah opresi yang dialami selama beberapa dekade, perkembangan sastra mereka baru saja menapaki puncak di awal abad ke-21 bersama dengan adanya perubahan kebijakan politis serta didukung oleh perkembangan teknologi, serta bersamaan dengan kondisi posmodern atau logika kapitalisme lanjut. Tulisan ini hendak mengelaborasi perjalanan singkat dan resistensi yang muncul dalam sastra Indigenous Australia hingga kini menghadapi kapitalisme yang canggih. Di era global sekaramg ini, banyak sekali permasalahan yang muncul bahkan ketika karya sastra tersebut mulai merekah, mulai dari persoalan tentang identitas, sejarah, otentisitas, persaingan global, dan logika masyarakat posmodern.
PRODUKSI, DISTRIBUSI, DAN KONTESTASI WACANA TRADISI DAN MODERNITAS DALAM CERPEN Leteh KARYA OKA RUSMINI Akmal Jaya
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.17531

Abstract

Penelitian ini bertujuan untuk mengungkapkan bagaimana wacana mengenai tradisi kebudayaan masyarakat Bali diproduksi, dipertentangkan dan kemudian menjadi wacana tandingan terhadap wacana modernitas dalam cerita pendek Leteh karya Oka Rusmini. Penelitian ini mengaplikasikan teori dan metode analisis wacana Foucault, dengan menampilkan formasi diskursif melalui ekslusi eksternal maupun internal. Penelitian ini menemukan bahwa ada upaya-upaya memproduksi, mendistribusikan, kemudian memodifikasi wacana tradisi sebagai wacana tandingan terhadap modernitas.
POSMODERNISME LINDA HUTCHEON: POETICS OF POSTMODERNISM (1989) DAN POLITIC OF POSTMODERNISM (2002) Supriyadi Supriyadi
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.17532

Abstract

IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016) Jeffrey Willever Jacobson
POETIKA Vol 4, No 2 (2016): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v4i2.17533

Abstract

Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya.

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