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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 162 Documents
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DEKONSTRUKSI WAYANG DALAM NOVEL DURGA UMAYI Mashuri Mashuri
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10378

Abstract

AbstractThis study is a summary of reading celebration in effort to identify novel Durga Umayi written by YBMangunwijaya, published in 1991. The approach used ‘reading’ of’ deconstruction. Study focuses on the puppet whichis the dominant discourse in the novel that was published in 1991. The goal of the study is finding the events behindthe ‘text’ puppet in the novel. Apparently there are so many demolition on puppet construction are well established,and proved by the number of ‘trace’ the text read back with no single perspective, contradictory figure, blurring the factfiction, as well as the reversal of values and other binary opposition. The blurring and inversion conception of binaryopposition in this novel is formulated as experimental element that causes ‘decentering’ (center spread).Keywords: puppet, deconstruction, novel
DOMINASI PENGUASA KOLONIAL TERHADAP BUMIPUTRA DALAM SURAT KERAJAAN PONTIANAK ABAD KE-19: ANALISIS PASCAKOLONIAL Bagus Kurniawan
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10379

Abstract

AbstractProcess of colonialism in a long archipelago led to a number of colonial domination colonizers against thecolonized. It can be seen in the classical Malay literature. Slightly, it is different from the concept of literature in themodern sense, in the sense of classical Malay literature, including royal scripts as a literary work. Therefore, the localroyal scripts archipelago in the 18th century period 19th addressed to the colonial power are a classical Malay literatureto inform the colonial domination of the colonized people. As such, this paper outlines the dominance of colonial powersagainst colonized peoples contained in the classical Malay literature, especially the royal letter. Royal scripts that serve asthe object of study in this paper is a letter sent Pontianak Royal Prince Syarif Abu Bakar Al Qadri to JF Walrave vanNes, dated May 16, 1847. The script indicates the inequality relationship between the subjects with the object. Colonialauthorities have the power to regulate and dominate the native people. Relations between the Kingdom of Pontianakwith no colonial power relations that have the same bargaining power politics, and the Kingdom of Pontianak act as aparty dominated politically, and economically. Therefore, the Pontianak Kingdom of the letter will be analyzed throughpostcolonial theory to see a picture of the condition of literary colonialism Kingdom of Pontianak in the 19th century.Keywords: colonialism, domination, royal scripts, postcolonial
ROKOK, ALKOHOL DAN CINTA: TIGA PERBINCANGAN MENUJU “SURGA” (PEMAKNAAN AUDIENS FILM CONSTANTINE DALAM RANAH FIKSI PENGGEMAR) Yongky Gigih Prasisko
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10380

Abstract

AbstractThe transition of traditional media toward new media provide the change of media communications systemtoward the audience; which is originally transmitive, narrowcast and centralized become dialectical, broadcast andscattered. New media provides a space for the audience to interpret media content, with its dialectic system, the meaningbecome plural and heterogeneous. Audiences are no longer a passive object but subjects who actively participated in themedia. The concept of an active audience get the material in the form of fan fiction on fanfiction.net site, in this contextConstantine movie audience, make a fictional story with characters and settings are still using film as a new form ofinterpretation and meaning of the film. In the realm of fanfiction, has created dialectic between the audiences with themedia, through which new meanings will continue to emerge from the diverse audience interpretation.Keywords: Audience, fanfiction, Constantine, ecstasy, investment
PERGESERAN MAKNA PRIYAYI DALAM NOVEL PARA PRIYAYI KARYA UMAR KAYAM Rudi Ekasiswanto
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10382

Abstract

"> AbstractThis study aims to determine the meaning of priyayi and its shift in Umar Kayam’s Para Priyayi. The theoryused in this study is the theory of hegemony Gramsci. The method used is descriptive and analytical methods. Descriptivemethod is used to describe the social aspects of novel Para Priyayi, while analytical methods is used to analyze novel ParaPriyayi combining hegemony Gramsci. Para Priyayi containing values and meanings shift of Javanese noble. In addition,the values infiltrated by the author; Umar Kayam as humanists, academics, writers, the Javanese, also gives hiss own view.The emergence of multiple views, of course, establishes and leads a fight existing value of each character in the story. Theprocess happen allegedly contained negotiation among values. It is seen in moving process of humble class toward nobleclass. The process of negotiation among characters is represented in figures Sastrodarsono and Lantip or the fights amongpeople in noble class their self. Such processes continue to be made to reach consensus and truth together.Keywords: priyayi, the humble, the transformation of values, concencuss, negotiation, and hegemonic analysis
SOSIOLOGI SASTRA ALAN SWINGEWOOD SEBUAH TEORI Tri Wahyudi
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10384

Abstract

AbstractThis writing is a reading of the book The Sociology of Literature, written by Alan Swingewood and a briefhistory of influenced ideas. The view that literature is a sociocultural document formulated by Swingewood into anunderstood and detailed framework.Keywords: Swingewood, literature, sociology of literature.
KRITIK SASTRA MARXIS FREDRIC JAMESON: TEORI DAN APLIKASINYA Ramayda Akmal
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10385

Abstract

AbstractThis paper is a review and preparation of concepts and ideas developed by Fredric Jameson in the realm ofliterature. From three main books, namely Marxism and Form, The Political Unconscious and Postmodern, or TheCultural Logic of Late Capitalism, Jameson this paper formulated the idea to produce a theoretical and methodologicalframework trace. With the same source as well, affecting the general idea and provide the basic foundation for thinkingJameson as Marxism, psychoanalysis and postmodernism will be presented.Keywords: Fredric Jameson, Marxism, Literary Works
JAWA, JUGGERNAUT, DAN ALAM SEBAGAI TEMBANG TENTANG ZIARAH TANAH JAWA Tia Setiadi
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10386

Abstract

Judul Buku: Ziarah Tanah Jawa | Penulis: iman Budhi SanToSaPenerbit: inTan Cendikia, YogYakarTa | Tahun Terbit: 2013Tebal: 127 hlm.
PEMBICARAAN RINGKAS PUISI-PUISI SUBAGIO SASTROWARDOYO Zen Hae
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10390

Abstract

h: 0px; "> AbstractThis paper attempts to discuss the return of the most important aspects of poetry Subagio Sastrowardoyo. Atfirst he tried to sit Subagio in modern Indonesian literature map by comparing with predecessor and fellow poet ofhis generation. In this comparison, its difference and important characteristics are found, especially their contributionto today‘s Indonesian that is by reintroducing “poetic essays” (essay poem/essayistic poetry) which had already beengrowing in the treasures of foreign literature. In Subagio‘s type, poetry is seen as an attempt to think the endless, whichfurther underline abstract rather than the sensory which is prosaic rather than poetic. As prosaic poem, Subagio seemsnot merely retelling certain treasures, such as puppetry mythology, but the subversion of the origin story. In other parts,Subagio‘s poetry also shows his character as a strong symbolic poetry and also trying to reformulate the poems in thepoetry (Ars Poetica) as a way to present poetry and irony in his chosen style of writing poems.Keywords: Subagio, essayistic poetry, prose writer, subversion
METAKRITIK UNTUK SUBAGIO SASTROWARDOYO Arif Bagus Prasetyo
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10392

Abstract

troke-width: 0px; "> AbstractSubagio Sastrowardoyo produces good structural analysis in a number of literary studies. One is the studyof Sitor Situmorang‘S poetry Sosok Pribadi dalam Sajak. The essay is submitted by Teeuw “as an example andvery precise topic” about endeavor of searching the hidden meanings in unanimity and elusive of modern poetry. InSitumorang‘s poetry , the focus discussion of Sastrowardoyo about literature and culture is based on a reading SosokPribadi dalam Sajak (SPdS), Sastra Hindia Belanda dan Kita, SHBdK dan Bakat Alam dan Intelektualisme.Overall, the SPDs are written which prioritizes the interpretation of the inner world , psychiatric or “private figure”author as depicted on the content of his work. Content, strong romantic and modernist understanding that puts the artistat the center of artistic creation, has encouraged Sastrowardoyo to blur quality of assessment and work of the authorpersonally, and to blur the distinction between art criticism and morality criticism, and the issue of aesthetics and ethicsmatters. Sharpness, accuracy, and diligence analysis are often dimmed by passion on doing “holy inquisition” against theauthor. In SHBdK, Sastrowardoyo shifts away from expressive to structural approach, though he never lost interest inthe “private figure” of the author.Keywords: meta-critic , Subagio, SPDs, aesthetics, ethics
MEMBACA(-ULANG) SEBUAH PUISI PAMPLET RENDRA: “SAJAK SEBATANG LISONG” Kris Budiman
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10395

Abstract

The following essay is the result of  strict close reading of  a text poem, “Sajak Sebatang Lisong”, written by Rendra. Different with previous study about his poetry pamphlets, this essay will sit Renda on a more appropriateposition, that is a literary text –not as a social or historical document.Keywords: Rendra, poems, pamphlets, rereading

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