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Jurnal Mamangan

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Published by STKIP PGRI Sumatera Barat

ISSN : 23018496 EISSN : 25031570 DOI : -

Core Subject : Economy, Science,

Decision Sciences, Operations Research & Management Economics, Econometrics & Finance

Jurnal Ilmu Sosial Mamangan with registered number ISSN 2301-8496 (Print) and ISSN 2503-1570 (Online) is peer review journal published by Labratory of Sociology Education Department of STKIP PGRI Sumatera Barat. The journal is to disseminating research and conceptual article in the field of social and humanity.

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Articles 7 Documents

Search results for , issue "Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)" : 7 Documents clear

SENI TRADISI, JATIDIRI DAN STRATEGI KEBUDAYAAN Heddy Shri Ahimsa-Putra
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

In this article the author identifies and describes three kinds of traditional arts in Indonesia: the arts of the Great Tradition, of the Little Tradition and of the Tribal Tradition. These kinds of tra-ditional arts need to be preserved and developed since they have a number of functions for the so-cieties, namely: as tourist attractions; identities of their communities/societies; source of inspira-tions for the creation and development of new arts. In Indonesia, the efforts are hindered by several problems, such as the decline of the popularity of the traditional arts, lack of regeneration, lack of institutional support, and lack of grand design for the development. These problems need to be solved to develop the Indonesian traditional arts.

SEJARAH DAN NILAI SONGKET PANDAI SIKEK Silvia Devi
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

Songket is one of weaving creations produced in various countries in Indonesia. The process of making Songket is not easy. It is a difficult and thorough process and needs a long time. Therefore it requires great care and diligence. One area where artisan Songket come from is Nagari Pandai Sikek (Pandai Sikek village) in West Sumatra. Besides Pandai Sikek, there are some other villages such as Silungkang, Koto Gadang, Kubang, Tanjung Sungayang and Batipuh. But the craft of weaving in Pandai Sikek has existed and developed since 1850. Songket weaving skill in Nagari Pandai Sikek still owned by the older generation to the younger generation. These skills cannot be passed on to generations out of Nagari Pandai Sikek, because this is the message left by the ancestors of village communities. In the process of passing on the skill, they are still using methods that have been taught by their ancestors for hundreds of years ago namely by using handloom (Not Weaving Machine Tools). This paper would like to explain about the history of the birth of weaving Songket of Pandai Sikek, processes and manufacturing techniques and values contained in the motives generated in its weaving Songket.

GAYA INTERAKSI & INTEGRASI SOSIAL ANAK MUDA RANTAU: Kasus Mahasiswa Kost Di Air Tawar Barat, Kota Padang Darmairal Rahmad
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

Overseas (shoreline) young man (students) interaction style in Air Tawar Barat (ATB) has its own peculiarities. Discussion of interaction refers to patterns of social integration in social system. Patterns of social integration that is most ideal Students Type A, Type B or Type C they are active in religious institutions (AA) and social institutions (AS) as well and have a concern (care) for the social environment in the form of type explorer (PP). However, in this study, the ideal reality of the social integration of students in the social system, namely Student Type A, Type B, and Type C one of them is active in religious institutions (AA) or social (AS) and has concern for the Moderate mode (PM). Stretchable student of religion and social institutions and social norms prevailing in society is an action trigger conflict between students and the community. Involving students in religious activities and sociality, student administrative records, as well as the dissemination of social norms is a form of community efforts to integrate students in the social system and the students respond and participate to it. Based on the results it can be stated that any type of residence status, marital status, student activity form (activists and non-activist) in the social system and the student meets the requirements of social norms and administrative requirements are morality behavior to integration of students in the social system into.

BUDAYA DALAM LINTASAN SEJARAH: BOOMING NONTON BIOSKOP DI PADANG TEMPO DULU Meri Erawati
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

This article discusses the existence of cinema as entertainment for the people in Padang during the period 1970s to 2000s. Cinema is a mass entertainment and can be enjoyed by all the community at that time. Cinema became a phenomenal because the movies have become part of people's lifestyles. Cinema furor enlivened by promotions to attract people to come to the cinema through flyers, posters, banners and advertisements in the mass media. The development of technology led to the existence of cinema began to be replaced by the presence of new entertainment media such as television and media screenings of other films such as VCD players so that the film is no longer only be enjoyed in the cinema. Cinema audience popularity and dynamics as well as aspects related to cinema in 1970 this will be discussed within this article.

PERLAWANAN KAUM MUDA TERHADAP HEGEMONI RADIKALISME AGAMA DALAM BENTUK-BENTUK BUDAYA POPULER Yusar Yusar
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

This paper aim to describe the middle class youth resistance against the religion radicalism which hegemonized the society. Religion radicalism is one of the main issue faced by the Indonesian as their cause of the communal conflicts within the state. The youths are the main target of the spreading the radicalism ideology. The qualitative method was done to comprehend the meanings of the middle class youth contemporary popular culture. Data was gained by several observation, depth interview, and framing analyses to the actors who are made the resistance. The results found that the youth have an awareness of the religion radicalism hegemony and made the resistance against the radicalist with several communicatively artistic appearance and oftten ironics which constructing the forms of youth contemporary popular culture.

GAYA KEHIDUPAN MALAM REMAJA DI KOTA PADANG; Suatu Kajian Subkultur di Tempat Hiburan Malam Kota Padang Faishal Yasin
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

The subculture is a group of people who have different culture from the dominant culture and them original cultures. The subculture expreesed in the from of the style creation (style) and not as a challenge to its culture or way of social tension symbolically. In addition, forms of subculture also expressed by groups to negotiate and then they create an identity based on situation themselves. This research article described the involvement a adolescent in the nightlife in the Padang City. Their involvement in night entertainment especially happeneed in the billiards, cafe and discotheques. On this third place the adolescent raises subculture in the terms of dress, music style and kind of food.

PARADOKSIAL GAYA SOSIAL GLOBAL; Kajian Budaya Dalam Memahami Kesadaran Kolektif Di Tengah Booming Batu Akik Silfia Hanani
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

Batu akik is a stone that is honed and polished, then show the beauty with a stunning artistic image. The beauty of it is basically what makes it become the preferred batu akik, the reputedly by the market so that it becomes a famous batu akik. The famous look of the ways to use it and ways to express it, so that the batu akik changing the collective consciousness of not stylish batu akik into entering that it style. The market has the potential to change the style of gemstone collectivity that, until the batu akik collectivity was defeated attention to other issues. However, behind it there is a need to be interpreted when the collectivity there, which each make interpretation batu akik with context locality and mystical, such as those used to interpret it. So, a collective consciousness with temporary style with locality and mystical, as a sign of Indonesian people are still familiar with mysticism in culture. This paper will describe the culture that emerged as a result of the rise of batu akik in the global era.

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