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Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa

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Published by Institut Seni Indonesia Surakarta

ISSN : 20870795 EISSN : 26220652 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.

Arjuna Subject : -

Articles 191 Documents

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Fenomena Alam Sebagai Sumber Inspirasi Penciptaan Karya Seni Lukis Sukirno -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

This paper is a report from the study of the creation of works of art with a source of ideas of natural phenomena. In the context of the creation of art, nature with all its elements are sometimes seen as a theme, sometimes seen as a motive, sometimes also as an object of study, or a source of inspiration of artists (Soedarso SP,: 2006:30). This paper is at once answered the purpose of creation studies conducted by the author, which explains: how the phenomenon of destruction of nature as a source of ideas placed the creation of works of art? And how the process of making paintings with natural phenomena as a source of ideas?Keywords: natural phenomenon, the source of the idea of creation, painting.

Kathe Kollwitz Kekelaman Dan Kepedihan Dalam Karya Seni Cetak Grafisnya Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Ekspressionis artist Kathe Kollwitz was a woman from Germany who has a major reputation as a graphic artist, althought he began his career as a painter and ended by making sculptures. His works done by combining technical masteryof the powerful, often shocking and disturbing, images were shown to the whole message strong. The overall theme of his work is mainly social and political, but the quality of emotional expression that is not chaotic. Kolwitz Kathe works that use black and white and the use of lighting effects felt very tense and dramatics. Facial expression and position objects depicted actually can represent feelings.This article discusses the background of the creation of works of graphic art prints by Kathe Kollwitz aesthetic approach. What factors underlying the creation of works of Kathe Kollwitz dark and gripping, and whether the expression of fellings like Kathe Kollwitz poured through his work with graphic print art techniques.Keywords : printmaking, dramatically, Kathe Kollwitz, Therapy

KAJIAN IKONOGRAFI KARYA DULLAH â€œPRAKTIK TENTARA PENDUDUKAN ASINGâ€ Wisnu Adisukma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

The article tittled The Iconography of Dullahâ€™s artwork "Foreign Occupation Soldiers Practice" is intended to seek the textual and contextual meaning of Dullahâ€™s art work. With iconographic approach will be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless also necessary to understand the contextual and symbolic aspects. At the time of independence Dullah documentating the events related to the struggle of the Indonesian nation to seize and retain independence in his works. Dullah even led a group of young artists to paint directly of events during the occupation of Yogyakarta as an effort to document the history of the struggle of the nation. One of his very famous is"Foreign Occupation Soldiers Practice". This work depicts the atrocities of the Japanese army against the population Indonesia. It is a very strong art work is the "Foreign Occupation Soldiers Practice" that depicts cruelty colonizers against the indigenous population. In this case the work of "Foreign Occupation Soldiers Practice" finds its context as understood by tracing the socio-cultural history during the years 1930-1940. From the art work we can find out how the socio-historical situation of the community when the colonial era.Â Keywords :Dullah, Iconography, Praktik Tentara Pendudukan Asing.

SENI LUKIS KARYA WIRYONO PERIODE 2006-2012 Arif Wicaksana; Henry Cholis
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

This article discusses the paintings by Wiryono in the 2006-2012 period which are unique in terms of techniques, shapes, fantasies, metaphors, and aesthetics that are displayed in the works. The type of research used is qualitative research using a phenomenological approach that obtains data through direct observation in the field, interviews, literature reviews and other visual data. To dissect the work, Monroe C. Beardsley's theory of creativity was used.Â Keywords: aesthetics, wiryono, painting.

Kaligrafi Arab Dalam Seni Lukis Kaca Cirebon Amir Gozali
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Islamic culture transformation process continues to this day, the puppet is one proof of the continuity of historical reflection Indonesian culture resulting from the transformation of culture has characterized the culture of the archipelago. In addition it is also the object of puppets in the creation of works of art of Islamic calligraphy in Indonesia. Islamic Calligraphy has been media creativity of the artist to realize the creation of Islamic art that characterized the archipelago. During its development, calligraphy works, both produced by palace artist and artist from outside the palace, has managed to absorb the local cultture and accomplishment in calligraphy. In connection with this, mucullah calligraphy works in the form of works of calligraphy with the puppet motif adapted well in the archipelago, especially in Cirebon. Glass painting in Cirebon could not be separated from the cultural history of Cirebon that culture is the crystallization of several from the cultures that influence it. In the history of Cirebon culture influences from Arabic, Chinese, and Central and East Java.Acculturation in Cirebon culture integrated with peace, so that glass painting in Cirebon if observed bring a breath of uniqueness and distinctive character. Islamic Calligraphy in Cirebon is a mean of channeling creative art reflection of this artist.The trustee in Cirebon by successfully combining creative Islamic calligraphy art with elements of local art. So the calligraphy appears Cirebon identity. Traditional decorative patterns that have been developed previously distilir so as to produce beautiful calligraphic work without losing his character. Some works of calligraphy Panembahan which is stylized decorative patterns that emerge in the form of a charming figural calligraphy, monumental and filled with elements of local genius. Islamic Calligraphy presence in Indonesia has emerged as the archipelago culturesÂ capable of moving the tradition of thinking and notices, which is capable of touching the existence, cultivate ideas, open intuition, imagination cast a meaning behind the verses as a source of expression and creativity to create works that bercitra archipelago. Keywords: Glass painting, Cirebon, Islamic Calligraphy.

Pemaknaan Alam Dalam Karya I Made Arya Palguna I Nyoman Suyasa
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Interactions between humans and nature around a lot to do with the creation of works of art both in terms of motivation and the creation of the result later. Nature provides its own meaning for each artist to be disclosed into work, Made Arya Palguna are artists who give their own meaning to nature admired to be disclosed into works of art. The relationship between individuals (Palguna) with nature in orbit consciousness as human beings living in the traditional and modern voltage. Palguna familiar and even close to the surrounding nature, but it does not cause admiration closeness to the outward forms, but the essence in it. More interpret nature as a part of the creative process to uncover the hidden meaning in nature.Keywords: nature, meaning, and Palguna

IDIOM ESTETIKA DALAM HIPEREALITAS IKLAN ROKOK Tristan Alfian
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Pembuatan iklan rokok bertujuan untuk menyampaikan pesan dan wacana citra atau brand produk rokok. Bukan hal mudah untuk memunculkan ide kreatif dalam sebuah iklan rokok mengingat peraturan iklan rokok semakin ketat. Idiom estetika yaitu Pastiche, Parodi, Kitsch, Camp, dan Skizofrenia yang terkandung dalam iklan rokok menimbulkan konsep-konsep estetik sebagai model pemuatan makna-makna pada pesan iklan yang disampaikan. Hasil dari penelitian menunjukkan bahwa masyarakat Indonesia pada masyarakat menengah bawah lebih tertarik pada iklan rokok yang mengandung idiom parodi dibandingkan dengan idiom-idiom yang lain. Parodi merupakan fenomena sederhana yang diangkat dari kehidupan masyarakat, sehingga menghibur dan mudah dipahami. Sedangkan untuk masyarakat kelas menengah atas lebih tertarik pada iklan yang mengekploitasi objek laki-laki yang berwibawa, gagah, dan elegan. Analisis yang digunakan adalah teori estetika dan semiotika Roland Barthes. Iklan rokok merupakan wacana hiperealitas yang mereproduksi objek-objek tidak nyata. Penampakan objek-objek dalam iklan rokok berbaur dan melebur dengan fantasi, fiksi, danÂ halusinasi. Idiom-idiom estetika dalam iklan rokok tersebut mengakibatkan keindahan konsep visual yang mempunyai implikasi kepada masyarakat sebagai konsumen.Kata kunci: iklan, idiom estetika, hiperealias, rokokCigarette advertising aims to convey the message and the discourse of the image or brand of cigarette products. It is not an easy thing to come up with a creative idea in a cigarette advertisement considering that cigarette advertising rules are getting tougher. The five aesthetic idioms, namely Pastiche, Parody, Kitsch, Camp, and Schizophrenia contained in cigarette advertisements give rise to aesthetic concepts as models of loading meanings on advertised advertising messages. The results of the study show that Indonesian in lower-middle-class society is more interested in cigarette advertisement containing parody idiom compared to other idioms. Parody is a simple phenomenon that is lifted from the life of society, so it is entertaining and easy to understand. Meanwhile, the upper middle class society is more interested in advertisement that exploits the object of men who are authoritative, handsome, and elegant. The analysis used in this research is the theory of aesthetics and semiotics Roland Barthes. Cigarette advertisement is a discourse of hyperreality that reproduces unreal objects. The appearance of objects in cigarette advertisements blends in with fantasy, fiction, and hallucinations. The aesthetic idioms in cigarette advertisements result in the beauty of visual concepts that have implications for society as consumers.Keywords: advertising, aesthetic idiom, hyper reality, cigarettes

Studi Penciptaan Karya Seni Grafis Dengan Teknik Hot Print Di Atas Kaca Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

The development of discourse as well as the work process in the fine art realm relates to the contem-porary art spirit bringing pluralism, generates the tendency of art limit loss and daily needs, the fall of barriers between the high and popular cultures, opens the oppor-tunities of exploring form, technique and medium in creating the art work. The art institution and artist are required to attend and to participate actively in the dynamics of art development. A study on art work creation occurring from the observation, trial and creative experimentation is one proper answer for the demand of art development. This study begins from the observation of technique deve-lopment in the fine art work on the glass medium that still open the opportunity to explore the working technique, and it is inspired by the graphical art development beginning to expand to the computer tech-nology. The author wants to produce a fine art work with glass medium that is different from conventional glass pain-ting art and the technique employed was the printing technique in the graphical technique using thermal energy or calledÂ Hot Print. The hot print technique it self is a printing technique that utilize thermal energy in this case using the heat conductor plate connected to the electricity during the transfer of image to the drawing medium consti-tuting cloth, ceramic or glass. Mean-while, the experimentation the author stimulates is the picture visualization processing on the glass that later seems to be three dimensions, with the piled layer or glass system. In addition, the author also tries to present the problem, that is, questioning the communal identity of Javanese society amid the global culture, throughÂ PanakawanÂ charac-ter, that isÂ Bagong.Â Keyword: Wayang, Graphic art, Hot Print technique.

Mengantarkan Seni Grafis Indonesia Menuju Pada Kematian A. Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 2, No 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Graphic arts (printmaking) is composing the image through the printing process with the purpose of reproduction or reproduce. History of graphic arts at first in Europe in the late 14th-century woodcut print used to make fabric patterns and print images for the following religious texts images-picture of a saint. Until the late 19th century graphic art has a role an informative function, as the dissemination of knowledge and as a medium of expression.The pioneers of graphic art in Indonesia is a visual artist,painter and sculptor,who found an alternative in the art print. Baharoedin M.S. and Mochtar Apin that makes a set of graphic works to be sent to countries that have recognized the sovereignty of Indonesia in 1946, is the painter. Momentum is regarded as heroic and patriotic moment that marked the birth of graphic arts in Indonesia.Talks abaout the art of graphic printing (printmaking) in Indonesia is always dwell on the issues concerning the position of inferiority issues in art map. Diversity techniques and material and assist in the creation of works of an artistic achievement of expression. But the opposite happened, as if the graphic arts lazy to move to find new things and seem like less sluggish blood.The development of graphic art certainly does not escape the role arts education institutions because, in general the new graphic art can be studied in educational institutions because of the workmanship is in need of facilities such as a studio representative and supported by the equipment that had to be there. Beyond that not a lot of agencies or organizations that facilitate or support the activities of the graphic arts. Therefore it is necessary to form a powerful synergy of inter-related infrastructure and support every movement printmaking Indonesia and able to spur a more lively movement or at least make an effort to slow death.Keyword : graphic arts, lethargy, effort, synergy

Sakit Mata Refleksi Atas Pengalaman Pribadi Di Indonesia Finn Yngvesson
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

Books are capable of storing large quantities of information, both written and visual, forthousands of years. A printed book is not like digital information on a hard drive, a website, acompact disc, a photograph or an art exhibit. A printed book will last for a very long time if thematerials are acid free and it is stored properly.Sakit Mata is a project to compile my writings and paintings from the year 2009 until2013. This was a time when I traveled from America to come to graduate school in Indonesia. Ifelt that it was important to combine writing and paintings to help the reader to understand thekinds of experiences and observations about my surroundings that influenced the work. I chosea book format not only because it enabled me to combine writing with images, but also becauseof its permanence and ability to maintain cohesiveness unchanged over time. I saw many of myfriends and classmates display their paintings together in the format of a gallery show thatlasted for a week or two and then was gone. I don't want my experiences to be forgotten and mypaintings scattered in different places after a gallery show is over. I want everything to staytogether unchanged, documenting this time in my life and in the history of Indonesia.This kind of art book containing a wide variety of subjects does not serve a clearpurpose, other than the preservation and documentation of memory and artworks for the future.I hope this book can have an appeal for many kinds of people and I purposely spent a lot of timewriting the book in both Indonesian and English so that more people can understand the writtencontent.

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Contact Name
pramesti

Contact Email
fadesti@gmail.com

Phone
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Journal Mail Official
fadesti@gmail.com

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Location
Kota surakarta,

Jawa tengah

INDONESIA