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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 191 Documents
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Digital Graffiti: Ekspresi Kreatif Di Lingkungan Digital Anung Rachman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1576.134 KB) | DOI: 10.33153/bri.v4i2.373

Abstract

Digital technology is enabling graffiti art to take on new forms, creating an alternative for the artist in making art work. Few attempts, though, have been made to integrate classical expression of graffiti into virtual space, and digital graffiti artists are still adjusting himself to the Internet and to digital tool. This paper describes a variety of graffiti form movement from the streets to the virtual, from the technology used, classification, until coding. Various advantages presented of digital graffiti, more practical, more diverse, and reach out to all corners of the world. We aim to enrich digital art culture, drawing inspiration from the art form and culture surrounding graffiti, making it visible to mainstream Internet user and creative expression. keyword: digital graffiti, digital environment, technology, internet
ESTETIKA SENI TATO KOMUNITAS PUNK DI SURAKARTA Dyah Agustin Suriandari
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (705.787 KB) | DOI: 10.33153/bri.v7i2.1599

Abstract

Fokus bahasan artikel ini adalah: estetika tato pada komunitas punk yang memiliki pewarnaan dan pemilihan bentuk yang berbeda dari visual tato pada umumnya. Metode penelitian menggunakan penelitian kualitatif bersifat deskriptif. Teknik pengambilan sampel menggunakan purposive sampling. Objek yang diteliti adalah karya seni tato dengan mengamati estetika yang tekandung pada tato anggota komunitas punk. Validitas data yang digunakan adalah teknik triangulasi data dengan memanfaatkan sumber data dan wawancara narasumber. Proses Penelitian ini berusaha mengungkapkan estetika yang terkandung dalam karya seni tato pada anggota komunitas punk di Surakarta. Penelitian ini menggunakan analisis deskriptif untuk mengkaji estetika bentuk dan makna yang terkandung dalam pada karya seni tato komunitas punk di Surakarta. Hasil penelitian menunjukkan bahwa: Anggota komunitas punk di Surakarta mengekspresikan dirinya dengan menggunakan seni tato. Perwujudan seni tato yang di temukan pada komunitas punk di Surakarta dilatar belakangi oleh apresiasi penghargaan untuk mengabadikan nama anak, rasa sayang kepada ibu dan mencari jati diri dengan mentato tubuh. Karakteristik tato pada komunitas punk di Surakarta, terdapat pada pemilihan bentuk tengkorak, kata against,living free,dan kubus keseluruhannya bertema kritik sosial. Estetika seni tato komunitas punk di Surakarta yaitu pada pencapaian karakter bentuk, gradasi warna, garis, letak penempatan pada media tubuh yang sesuai dengan visual gambar. Kata kunci: Estetika, punk, tato
KOMUNITAS SEBAGAI INFRASTRUKTUR PERKEMBANGAN SENI GRAFIS DI YOGYAKARTA Alexander Nawangseto Mahendrapati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1200.836 KB) | DOI: 10.33153/bri.v10i1.2175

Abstract

ABSTRACTThe research was conducted on the basis of there are at least three reasons why the first is,  there has been no mapping to the printmaking community in Yogyakarta and their activity. Second, raise awareness college students to forming a community as a receptacle for learning, working, and do the movement of together in independent to develop printmaking. Third, the results of the study to  determine  the  learning methods  that  continued  as  an  effort  to  increasing  the  quality  of  the artworks of  the students are, created  the atmosphere at work,  to providing  the socialization about printmaking  to  the  people.  Qualitative  descriptive  study  is  used  in  analyzing  the  results  of observations  are  done  continuously  thus  obtaining  a  complete  mapping  concerning  the phenomenon of the growth of the printmaking communities following the influence of existence of them  in  the  development  of  printmaking  in  Yogyakarta,  and  positive  values  to  be  adopted  or developed further as learning materials for graphic art students the Indonesia Institute of The Arts  Surakarta. The result of research conducted in the form of mapping the art community graphic in yogyakarta and recommendations on one method learning with a system of the formation of groups small  in  the  class  in  the process of  the achievement  of  the  creation  for  students, and a growing spirit to introduce printmaking to the people of Surakarta to become a branches of art popular.  Keywords: mapping , community , printmaking, popular.
Batik Sebagai Sarana Penanaman Nilai-Nilai Budaya Dan Pembentukan Karakter Bangsa Nunuk Nur Shokiyah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 4, No 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1228.586 KB) | DOI: 10.33153/bri.v4i1.343

Abstract

Batik is one of the world heritage that was had the Indonesian nation and it is essential to be introduced to the younger generation. Batik is a technique of drawing, painting, or providing color on cloth to get a certain pattern and it was given color with tutup celup system. The process of batik is very detail, the procedure consist of Nglowong, nembok, medel, ngerok, bironi, ntogo, sag, washing, and pressing. The process of making batik so requires patience and precision to achieve optimal results. Batik activities are conducted continuously with direct or indirect that will affect the person's character. Character is influenced by environment such as social values​​, experience and education. Batik activities that were taught for children both in the school and the family will be very influential in the formation of the child character. Children are trained to be patient, thorough, and independent. Besides, it also helps children to learn more about own nation culture , then it can strengthen the nation character and it  is as bastion of global culture influences. Key words: Batik, Cultural Velue, national character
ANALISIS FORMAL SENI LUKIS KARYA SOEGENG TOEKIO TAHUN 2000-2015 Satriana Didiek Isnanta
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (991.926 KB) | DOI: 10.33153/bri.v7i1.1577

Abstract

This article discusses the formal aesthetic work Soegeng Toekio years 2000-2015. It is based on the understanding that the aesthetic value of a work of art can be formed by the work itself, and standard views deserve is requiring the work itself, rather than coming from outside work which is seen as an extra factor aesthetic.The approach used is the aesthetic approach using aesthetic theory by De Witt H. Parker, in his book The Principles of Aesthetics (1920), quoted by The Lian Gie in the book "Philosophy of Beauty" mentions six principles of aesthetics form, namely: 1). The principle of organic unity, 2). The principle of theme, 3). The variation principle according to themes, 4). The principle of balance, 5). The principle of development, and 6). The principle of hierarchy.The works Soegeng Toekio studied from 2000 to 2015 year. The work can be grouped into two major parts, the first is the search for, where Soegeng Toekio started trying to break away from the grip wayang beber and looking for his own visual style (2000-2004) and the second, are the works that have been able to represent Soegeng Toekio’ visual styles (2005-2015). Keywords: Soegeng Toekio, painting, formal analysis, aesthetics De Witt H. Parker
SENI RUPA "BIASA-BIASA SAJA" KARYA HERMAN "BENG" HANDOKO Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (745.42 KB) | DOI: 10.33153/bri.v9i2.2165

Abstract

ABSTRACTThe aim of the article entitled Seni Rupa “Biasa-Biasa Saja” Karya Herman “Beng” Handoko", is to understand creative and interpret the work of art aesthetics from Herman" Beng "Handoko or often called Beng Herman. This article is the result of qualitative research using Deteritorial theory Gilles Deleuze to understand Beng Herman's creative process. To understand the aesthetics of Beng Herman's work using the aesthetics of Clive Bell, inform art as a personal experience that presents a form of significance. Findings from this research are: (1) Beng Herman's art is present from a routine of feeling and thinking that frees himself from the boundaries outside himself so that his work is present from pure feelings from within him, (2) through liberation makes routine art activities become "mediocre" activities which are all responded to become a desire to produce aesthetic work, a depth of individual processes that display honesty without judgment on other individuals and (3) the aesthetics of Beng Herman's work is present from the unity of the line, fields that are coordinated freely, which sometimes appear repetitive by displaying dynamic rhythms. An ordinary thing that becomes extraordinary when something becomes a deep personal experience and presents diverse possibilities and meanings according to each individual's aesthetic experience. Keywords: Art, creative, Aesthetics, Beng Herman
Tokoh Punakawan Pada Wayang Orang Sebagai Sumber Ide Penciptaan Animasi 2d Dengan Konsep E-Learning Anung Rachman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3495.096 KB) | DOI: 10.33153/bri.v1i1.243

Abstract

The problem in the rising generation society concerning local culture are conflicting between the needs of rising generation society to have a suistainable edutainment as unity of a “living culture”, with many changes affected from the importing culture developed by foreign resources, high technology and the pressure by the world culture growth. Panakawan as one of culture local figure variety have many utilized by art agents as inspiration of art creating and creation media with various artistry shaped. It oftentimes we can see, considering on pana-awan's figure there are many contain positive simbol that is utilized to build nation personality. But unhappily current, the local culture is getting not popular among the rising generation because it’s ingoing the import culture to this nation with in fast. By the encapsulate local tradition and animation (modern technology) method for the research we have destination that the rising generation society can feel comfort and back to local culture as nation wealth. With animations technology, an object at computer can be made more interesting because this technology make the object moving and becomes ‘ life’. The encapsulation is made with e-learning method. The result is edutainment creation. The user which exploit it will be given local culture education and entertainment all at once. e-learning is define as learning method with technology (electronic) supporting. Keywords: local culture, animasi, e-learning
Studi Penciptaan Karya Seni Rupa Wayang Beber Menggunakan Teknik Kolase Dengan Memanfaatkan Koran Bekas Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2168.352 KB) | DOI: 10.33153/bri.v3i2.315

Abstract

Research the creation of works of art that took the title of the Creation Studies Fine Art Wayang Beber Using Collage Techniques Used by Utilizing newspaper, in 2011 by Much. Sofwan Zarkasi aims to open up wide open opportunities related to creativity in the art tradition in an increasingly globalized environment and create works of art beber puppets using collage techniques using newsprint as an alternative form in viewing works of art beber puppet that had been used paint manufacturer with natural dyes and painting techniques. The basic idea of this research is that there are opportunities that exist related to creativity and experimentation in the tradition-dimensional work of art as the development of an increasingly globalized era, as well as the opportunity to present a stimulus and a new perspective related beber puppet who started rare existence. The creation of art works using puppets beber tekonik collage using old newspapers is an engineering development ever undertaken in the work of art is a collage using feathers (hair painting) and collages using decoration technique that has been there on the puppet beber is using decoration techniques which is a technique attached using glue and old newspapers that has been there and selected according to the color needs. The method is applied in the creation of the work on this research is a method of experimentation is the process of conducting experiments that put forward from design planning, preparation and realization of the work in the media. Keywords : arts, puppet, beber, paper, collages
Dampak Negatif Perusakan Hutan Sebagai Sumber Inspirasi Penciptaan Karya Semi Lukis Yulianto -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 5, No 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.917 KB) | DOI: 10.33153/bri.v5i2.421

Abstract

The negative impact of forest destruction in nature giving out a deep meaning for the author. One thing that is of concern and disquiet the author is able to provide a source of inspiration in the creation of the work. The exploration process makes an inspiring turn into something even more special is the theme of creation. The theme of this study of the of art is the impact of forest destruction. Background and a strong visual concept could produce visual elements according to the style1 personal authors, ranging from lines, colors, and forms a new metaphor. Deliberately and non deliberately during the process of creation is sometimes able to provide an interesting shape or composition that has not been thought about at the beginning of the work of art (sketches). In the creation of the work, the author tries to create some of the works in the form of works of art in the style and shape according to the character and aesthetic achievement that is owned by the author.Keywords: natural, experimentation, painting
TINJAUAN SEMIOTIKA TERHADAPEKSISTENSI KERIS DALAM BUDAYA JAWA Kuntadi Wasi Darmojo
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 8, No 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (419.515 KB) | DOI: 10.33153/bri.v8i2.1819

Abstract

Keris sebagai produk budaya bangsa Indonesia yang memiliki nilai seni adiluhung dan  penuh makna simbolik yang perlu dilestarikan di satu sisi, dan dikembangkan di sisi lain. Oleh karena keberadaan keris yang sarat makna simbolik tersebut, baik sebagai tanda, ikon dan lambang, akan sangat menarik untuk dijadikan bahan kajian ilmiah dengan pendekatan semiotika.Eksistensi benda budaya keris selain dilakukan proses kreativitas, ternyata dalam kehidupan masyarakat Jawa sejak dahulu hingga sekarang masih memiliki peran yang penting, walaupun mungkin secara subtansi sedikit sudah terjadi perubahan alih fungsi. Mengenai bentuk keris secara tafsir cultural terhadap makna simboliknya, yang  sejak dahulu terutama sejak jaman Mataram selalu diajarkan kepada masyarakat oleh para pujangga atau lurahing empu. Hal ini sejalan dengan definisi kebudayaan yang secara semiotic adalah merupakan reaksi dari competence yang dimiliki bersama oleh anggota-anggota suatu masyarakat untuk mengenal lambing-lambang, untuk menginterpretasi dan untuk menghasilkan sesuatu, kebudayaan dalam batasan ini akan mengejawantahkan terutama sebagai performance sebagai bentuk keseluruhan dari kebiasaan-kebiasaan tingkah-laku dan hasil-hasil darinya.Kata kunci : Eksistensi, keris, semiotik, dan budaya

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