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All Journal Nomosleca Jurnal Representamen Bricolage : Jurnal Magister Ilmu Komunikasi
Irmasanthi Danadharta
Universitas 17 Agustus 1945 Surabaya
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Journal : Jurnal Representamen

 1 
REPESENTASI FEMINIS MARXIS DALAM FILM SUFFRAGETTE Danadharta, Irmasanthi
representamen Vol 5 No 1 (2019)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (384.179 KB) | DOI: 10.30996/representamen.v5i1.2401

Abstract

This paper tries to describe the Marxist Feminist values that are embedded within themovie Suffragette. Suffragette is a movie created by Sara Gayron and was premiered bythe French cinema Pathé. Suffragette was inspired by a true story of the movement fromthe Radical Feminist group Suffragette led by Emmeline Pankhurst, in fighting for thewomen’s rights for political participation. Suffragette tells the story using the perspectiveof the main character Maud Watts, a laundry service worker who joined Pankhurst inraising the issue of sexual harassment and women’s rights to vote in front of theParliament; which mainly consists of upper class Caucasian men. This paper exhibits theinequality between the upper class and the domination of masculinity towards thelabors/female labors. This research adapt on Sara Mills’ Discourse Analysismethodology in order to provide description of the Marxist Feminist values which wasadopted within the character of Maud Watt, as the research subject, and the act ofresistance by Suffragettes as the object; in addition, placing the movie viewers as thereader and Sara Gavron as the writer. The values of Marxist Feminism were visiblethrough the scene which the character Maud Watts gave her testimony before the courtand within the Darby Horse Race scene which the group Suffragette performed theirprotest. The court scene showed the resistance from the female labor group, whichrepresents the rejection against the hegemonic masculinity values that’s projected by theupper class Caucasian men in parliament. In the final scene, the Darby, which wasconsidered as an activity for the elites and demonstrates masculine and competitivevalues, was chosen as a channel to demonstrate the labor class women’s resistance.Keywords : Representation, Marxist Feminism, Suffragette, Feminist Methodology, Movie.
HAMBATAN KOMUNIKASI LINTAS BUDAYA (MAHASISWA PAPUA DI SURABAYA) Prasmi, Sri Muliani; Sumarah, Noorshanti; Danadharta, Irmasanthi
representamen Vol 5 No 02 (2019): Jurnal Representamen Volume 5 No 02 Oktober 2019
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (355.86 KB) | DOI: 10.30996/representamen.v5i02.2935

Abstract

This study aims to determine the cross-cultural communication barriers of Papuan students in Surabaya. Qualitative approach to the cluster analysis method. Six respondents were successfully recruited by purposive sampling technique. The theory used is the theory of reducing the level of uncertainty by Charles Berger et al. And Theory of cross-cultural communication barriers by William Gudykust. This study shows the results that Papuan students experience many obstacles while living in Surabaya. Language, physical, perception and culture are key barriers to information interaction and adaptation. The barriers that occur have an impact on the social life of key informants where social disparities occur on personal key informants. However, these obstacles are reduced over time because they use three strategies to reduce obstacles, namely passive, active, and interactive strategies.Keywords: communication obstacles, cross-cultural, cultural aspects.
Feminisme Neoliberal dan Pseudo-Empowerment dalam Kampanye Kecap ABC “Suami Sejati Mau Masak” Danadharta, Irmasanthi
representamen Vol 7 No 01 (2021): Jurnal Representamen Volume 7 No 01 April 2021
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/representamen.v7i01.5121

Abstract

This paper tried to give an in-depth critical view on the Kecap ABC Real Husband Cooks Campaign. The campaign tried to tackle the issues within Hill Asean Reports on Gender Inequality in the Domestic Sphere by encouraging men’s participation in the kitchen. The campaign, though were highly praised to be considered as progressive and pro-equality, also send message of pseudo-empowerment within their Neoliberal Feminist message regarding women’s position in the domestic sphere. This paper founds three issues in related to the topic: first is how this campaign fails to eliminate the stereotype of women as weak and dependent towards men although they tried to present women and men as independent. Second, the campaign over simplify gender inequality and went with the neoliberal feminist understanding on individualization of understanding and defining an issue. Last, by putting men in the kitchen will give a message that men are willing and committed to participate in a pro-equality movement but in reality, it is not more than just a pseudo-empowerment created from adding domestic work as a skill. This paper will use Sara Mills’ Critical Discourse Analysis to describe the message stated before within the campaign.   Keywords: Neoliberal Feminism, Discourse Analysis, Sara Mills, Kecap ABC Commercials
Co-Authors Anak Agung Istri Prihandari Satvikadewi Bambang Aprianto Dewi Sri Andika Rusmana Prasmi, Sri Muliani Sumarah, Noorshanti