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Jana, I Made
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Drawing Pattern On Novels In Contemporary Art Jana, I Made; Sujana, I Wayan; Muka, I Ketut
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (517.653 KB) | DOI: 10.31091/lekesan.v2i1.751

Abstract

This study is prompted by the concern over stagnant rates of creation in producing contemporary statues in Bali, both in the northern and southern regions, by using stone, wood, and metal mediums. The technology of using gips (plaster of Paris) is easier in statue production, however dismisses innovation in the process. The researcher took interest in I Wayan Sujana’s 10 years long research (2007-2017) on transferring of the unconscious onto art from novels (books). Based on that research I Wayan Sujana produced thousands of drawings with rich periodicity patterns. Those patterns are reviewed and selected to be made as contemporary statues. The production method for the contemporary statues, using Drawing Pattern on Novel, was participatory, involving traditional art carving experts. User Participation Method, an approach with user involvement in the art, judgment and creation methods by SP Gustami, was employed to conduct this study. The data was gathered with interviews, observation, documentation, and then exploration, planning and embodiment. This study aimed to create innovation of the fine arts, based on research, using Drawing Pattern on Novels, and can be recognized as part of Indonesian fine arts development. Indonesian contemporary fine arts focuses on local genius as the spirit of its creation. This research generated innovative statutes from stone with Indonesian national culture’s aesthetic motifs.
Konsep Patung Padas Batu Belah Di Lepang Klungkung Jana, I Made; Sujana, I Wayan; Muka, I Ketut
Prabangkara : Jurnal Seni Rupa dan Desain Vol 23 No 1 (2019): Juni
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1294.964 KB)

Abstract

Penelitian ini bertujuan mengetahui rancangan konsep patung padas batu belah lebih dalam. Permasalahan yang dirumuskan dalam permasalahan ini adalah ingin mengetahui rancangan konsep patung padas batu belah (PPBB) lebih dalam? Ingin mengetahui medium padas apa saja yang digunakan dalam mengimplentasikan konsep pola drawing?. Kemudian latar pemahat apakah mempengaruhi bentuk dan gaya patung padas?. Penelitian ini dijabarkan dengan interpretative kualitatif sebagai penelitian seni budaya dengan pendekatan seni murni. Pengumpulan data melalui observasi, implementasi, dan studi kepustakaan. Model analisis data disajikan secara formal dan informal. Hasil penelitian menunjukkan patung-patung padas batu belah merevitalisasi patung tradisional, imajinattif inovatif, bersifat personal, lepas dari tuntutan fungsinya sebagai benda magis, atau sebagai sarana upacara agama Hindu.