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All Journal Corak : Jurnal Seni Kriya Gondang: Jurnal Seni dan Budaya Jurnal Rupa Serat Rupa : Journal of Design Atrat: Jurnal Seni Rupa Moda : The Fashion Journal
Faradillah Nursari
Universitas Telkom
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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PERANCANGAN BUSANA READY TO WEAR MENGGUNAKAN TEKNIK ENGINEERED PRINT Laksana, Subagja Budi; Nursari, Faradillah
ATRAT: Jurnal Seni Rupa Vol 9, No 3 (2021): EKSPLORASI DAN IMPLEMENTASI POTENSI RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i3.1773

Abstract

PENERAPAN UNSUR DEKORATIF SISIK IKAN GURAMI PADA KAIN TENUN LURIK UNTUK BUSANA KEBAYA aulina tsamara russin; Faradillah Nursari
Corak : Jurnal Seni Kriya Vol 10, No 2 (2021): NOVEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v10i2.4231

Abstract

Based on its development, embellishment with beading techniques and sequin material is currently in great demand by the public for ready-to-wear or formal wear, as in traditional kebaya. However, most people only know of the sequin material on the market. In fact, there is a sequin material that can be used to combine it in kebaya clothes that are produced through non-textile processing, namely gouramy scales, which is a natural material that has the potential to be developed. Gouramy comes from Sundanese waters in West Java, gouramy has a different body shape from fish in general with a long, thin, and wide body shape. On the body of the gouramy there are strong and rough scales. Just like the shape of scales in general, gouramy fish have large fish scales, but the unique thing is that gouramy has oval scales and gouramy scales resembling sequins, which when used as embellishment on kebaya will add its own aesthetic value.Berdasarkan perkembangannya, embellishment dengan teknik beading dan material payet saat ini banyak diminati masyarakat untuk pakaian ready to wear ataupun busana formal, seperti halnya pada kebaya tradisional. Namun kebanyakan masyarakat hanya mengetahui material payet yang ada di pasaran, sebenarnya terdapat material payet yang dapat digunakan untuk dikombinasikan pada busana kebaya yang dihasilkan melalui olahan non tekstil yaitu material sisik ikan gurami yang merupakan bahan alami yang berpotensi dapat dikembangkan. Ikan gurami datang dari perairan sunda di jawa barat, gurami memiliki bentuk badan yang berbeda dari ikan pada umumnya dengan bentuk tubuh panjang, tipis, dan lebar. Pada bagian badan gurami terdapat sisik yang kuat dan kasar. Sama seperti bentuk sisik pada umumnya, ikan gurami memiliki bentuk sisik ikan yang besar, namun uniknya ikan gurami memiliki bentuk sisik oval dan sisik ikan gurami menyerupai payet sequin, yang apabila dijadikan embellishment pada kebaya akan menambah nilai estetika tersendiri.
Potensi Penerapan Konsep Zero Waste Pada Busana Tradisioanal Studi Kasus: Kimono Faradillah Nursari; Dian Fitrah Hervianti
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.754

Abstract

Zero waste is a concept commonly used in the manufacturing industry in order to reduce the pre-consumer waste that occur during production phase. This concept was later adopted in the fashion industry to minimize left-overs or scraps when cutting patterns pieces on fabric. Unknown to most, this concept was actually used by our ancestors to create traditional clothes in the simplest form. Geometric shape is one of the simplest form of clothing adopted in many cultures for their traditional clothes. This shape can be seen in most Asian cultures, one of them is Japan. Kimono, Japanese traditional clothes, is one example of adapting the geometric shape for clothing purposes. Constructed from a basic rectangle shape made of fabric that is woven traditionally, it has many potential to evolve in terms of construction and production method, furthermore, having the possibility of being more sustainable by applying the zero waste concept.
PENERAPAN TEKNIK BLEACHING PADA BUSANA BERBAHAN DASAR DENIM Najla Acmelia Moestaf; Faradillah Nursari
ATRAT: Jurnal Seni Rupa Vol 9, No 3 (2021): EKSPLORASI DAN IMPLEMENTASI POTENSI RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i3.1770

Abstract

PENGAPLIKASIAN TEKNIK POLA ZERO WASTE PADA BUSANA READY-TO-WEAR PRIA Shafa Rahmani Faza; Faradillah Nursari
ATRAT: Jurnal Seni Rupa Vol 9, No 2 (2021): VISUAL ARTISTIK DALAM TEKNIK DAN POLA RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i2.1721

Abstract

PENERAPAN TEKNIK ZERO WASTE PATTERN CUTTING PADA BUSANA STREETWEAR WANITA DENGAN MATERIAL DENIM Fadhilah Mufidah; Faradillah Nursari
ATRAT: Jurnal Seni Rupa Vol 9, No 2 (2021): VISUAL ARTISTIK DALAM TEKNIK DAN POLA RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i2.1727

Abstract

POTENSI PENGEMBANGAN DESAIN JAS PRIA DENGAN TEKNIK PATTERN MANIPULATION Putria Zaza Swadesi; Faradillah Nursari
ATRAT: Jurnal Seni Rupa Vol 7, No 2 (2019): POTENSI TRADISI DALAM BUDAYA KONTEMPORER
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v7i2.610

Abstract

Pattern drafting technique is necessary to enrich variation of suit designs in Indonesia. However, the majority of Indonesian suit-makers still use conventional techniques resulting in lack of modification. Thus, the modification of male suit design must be improved by exploring pattern drafting. The study is qualitative in nature by carrying out literature review, observation, interview and pattern drafting exploration related to the making process of male suit modification in Indonesia. Creating inspiration board containing a collection of male suit designs made by international designers does the development of male suit design variety. Furthermore, the variation of male suit design is realized by experimenting on pattern drafting starting from an application of basic pattern and pattern drafting to create a prototype with scale ratio of 1:2. The result of this study is a male suit with modification on suit basic pattern with scale ratio of 1:2. It is expected to be a reference of suit modification pattern in Indonesia. Keywords: Men’s Wear, Suit, Pattern Drafting________________________________________________________________ Di Indonesia untuk memperoleh variasi desain busana jas diperlukan teknik pecah pola. Namun mayoritas pembuatan busana jas di Indonesia masih menggunakan teknik yang konvensional sehingga jas dihasilkan kurang memiliki modifikasi. Berdasarkan pemaparan tersebut maka diperlukan pengembangan modifikasi desain busana jas pria dengan eksplorasi pattern manipulation. Kajian ini bersifat kualitatif dengan melakukan kajian literatur, observasi, wawancara dan eksplorasi pattern manipulation terhadap proses pembuatan modifikasi busana jas pria di Indonesia. Pengembangan variasi desain busana jas pria dilakukan dengan pembuatan inspirasi board yang memuat kumpulan-kumpulan variasi busana jas dari desainer luar. Lebih lanjut variasi desain busana jas pria direalisasikan dengan eksperimen pattern manipulation yang dimulai dengan penerapan pola dasar dan pecah pola untuk menghasilkan prototipe skala 1:2. Hasil dari penelitian ini berupa busana jas pria dengan modifikasi bentuk pada pakem-pakem jas secara umum dengan skala 1:2. Diharapkan eksperimen ini dapat menjadi referensi pola busana jas modifikasi di Indonesia. Kata Kunci: Busana Pria, Jas, Pattern Manipulation
PENERAPAN METODE ZERO WASTE FASHION DESIGN PADA TENUN SENGKANG UNTUK BUSANA DEMI-COUTURE Nurfadhilah Nadir; Faradillah Nursari; Marissa Cory Agustina Siagian
Serat Rupa Journal of Design Vol 6 No 1 (2022): SRJD - JANUARY
Publisher : Fakultas Seni Rupa dan Desain Universitas Kristen Maranatha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6678.528 KB) | DOI: 10.28932/srjd.v6i1.3894

Abstract

Zero waste is a concept applied by industry by maximizing the use of fabrics which aims to reduce textile waste. One of the zero-waste methods that can maximize the dimensions of the fabric is the geometric technique. The zero-waste method can be applied to demi-couture clothing which produces quite a lot of waste with a total of 20% pre-production waste. Demi couture includes clothing that requires high craftmanship and is specially made with a limited number of productions Therefore, the application of Sengkang weaving can be used as a demi-couture dress because of the quality and price of the Sengkang weaving are relatively high. The use of the craft on the Sengkang weaving must also be maximized. Therefore, the Sengkang weaving needs to maximize the dimensions of the fabric using the concept of zero waste fashion design. The purpose of this research is an effort to optimize the zero-waste pattern on clothing for the sake of couture by using woven as a zero-waste fashion design product. The research method is to use a qualitative method with an exploration of the pattern of zero waste fashion design. The final result of this research is a fashion design for the sake of couture with the application of Sengkang woven fabric using the zero waste fashion design method.
PENERAPAN METODE ZERO WASTE FASHION PADA PERANCANGAN BUSANA MODEST MODEREN Nudia Azzahrah; Faradillah Nursari
Moda : The Fashion Journal Vol. 5 No. 1 (2023)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v5i1.3165

Abstract

Industri fashion yang terus mengalami perkembangan kreativitas dan inovasi, membuat meningkatnya jumlah produksi busana serta limbah yang dihasilkan dari proses produksi. Sehingga pengembangan metode zero waste fashion dapat diterapkan untuk meminimalisir limbah kain yang dihasilkan. Perkembangan kreativitas dan inovasi tersebut juga terjadi pada busana modest dengan meningkatnya minat masyarakat terhadap busana modest. Penelitian ini membahas tentang modest moderen, yang diartikan sebagai gaya berpakaian modis dengan aturan yang santun. Metode zero waste fashion yang diterapkan dalam proses produksi busana modest moderen bertujuan untuk mengoptimalkan penggunaan kain dengan hasil persentasi limbah kain kurang dari 15 persen, dengan melakukan plotting pola pada kain. Dari fenomena-fenomena yang telah dipaparkan, penerapan metode zero waste fashion pada perancangan busana modest moderen dapat menjadi potensi sebagai upaya pengoptimalan penggunaan kain dalam proses produksi busana. Metode penelitian yang digunakan adalah metode kualitatif dengan melakukan observasi tidak langsung mengenai objek peneitian, studi literatur melalui buku, jurnal, artikel, dan referensi lainnya terakit penelitian, serta metode eksplorasi pola zero waste fashion. Hasil dari penelitian ini adalah penerapan metode zero waste fashion pada perancangan busana modest moderen. Kata kunci: Modest moderen, Zero waste fashion
Utilizing Craft Techniques in Zero Waste Fashion Design Clothing Shella Wardhani Putri; Faradillah Nursari
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.51128

Abstract

The role of research in design is to develop the potential that drives the creation of novel value in design. In the research process for design, the majority of designer-students have difficulties in determining the starting point or initial idea of a design, so they have the potential not to have a train of thought regarding what needs to be done in realizing the design and do not know the next process. One aspect that can enrich design ideas and novelty in fashion products is the application of craft techniques. With the application of craft techniques, the data and facts obtained become increasingly massive. So that the series of ideas-research-design requires a clear mapping of the flow of thinking in the creative process. Today's student-designers cannot be limited to just one research method, knowing that conceptual ideas can start from anywhere, such as design concept ideas that start from craft techniques in a linear mapping flow. This can be a reference regarding the linear flow of ideas-research-design that is carried out in zero waste fashion design to find out its potential, especially in the application of craft techniques. This research was conducted qualitatively by reviewing literature data and looking at examples of case studies from the student-designer work process using the linear method. Observations are made periodically for students who have designed the application of craft techniques to zero waste fashion design, to become research subjects and find out their creative process. The result of this study is an analysis of fashion product design methods with the application of craft techniques that have been carried out in a linear way of thinking as a reference for designers in producing innovative works.
Co-Authors aulina tsamara russin Dian Fitrah Hervianti Fadhilah Mufidah Laksana, Subagja Budi Marissa Cory Agustina Siagian Najla Acmelia Moestaf Nudia Azzahrah Nurfadhilah Nadir Putria Zaza Swadesi Shafa Rahmani Faza Shella Wardhani Putri