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All Journal Jurnal Arbitrer JURNAL ILMU BUDAYA Jurnal Bina Praja Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Jurnal Elektronik WACANA ETNIK
Hasanuddin, Hasanuddin
Universitas Andalas
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Pandangan Dunia Pengarang dalam Novel "Warisan" Karya Chairul Harun: Tinjauan Strukturalisme Genetik Tisa Sirefina; Khairil Anwar; Hasanuddin Hasanuddin
Jurnal Elektronik WACANA ETNIK Vol 7, No 1 (2018): Jurnal Elektronik Wacana Etnik
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/we.v7.i1.77

Abstract

Novel Warisan with a Minangkabau social background that tells the story of a dispute over inheritance. In this case, the novel is analyzed by a genetic structuralism approach that analyzes the structure of the story and relates it to the social structure of the community, then reveals the author's worldview that it reflects.This study concluded that Warisan's novel by Chairul Harun reflected the worldview of the author as a member of the Minangkabau community who had changed. Changes seen in the patterns of behavior and actions of the people are no longer in line with the Minangkabau philosophy, namely Basandi Syarak Customary, Syarak Basandi Kitabullah. Changes are caused by the influence of colonialization and modernization. The world view is the collective mind, in this case the Minangkabau educated group.
Model Pemerintahan Adat pada Nagari di Sumatera Barat Welhendri Azwar; Hasanuddin Hasanuddin; Muliono Muliono; Yuli Permatasari; Mufti Ulil Amri; Yurisman Yurisman
Jurnal Bina Praja: Journal of Home Affairs Governance Vol. 12 No. 1 (2020)
Publisher : Research and Development Agency Ministry of Home Affairs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21787/jbp.12.2020.33-42

Abstract

Law No. 6 of 2014 concerning Villages provides opportunities for indigenous communities to form indigenous village governments. Nagaris have an established government system, and yet it is getting blurry and dysfunctional institutionally as rules and regulations concerning village governments change. This study aims to explore and rediscover the nagari government models according to the Minangkabau customs. Data were collected with a mixed-method approach, including survey, observation, interview, and focus group discussion (FGD) methods. This study found that, first, there are two nagari government models in the Minangkabau customs, namely the aristocratic model and the democratic model. Second, the cultural identity of the Minangkabau society is reflected in the concept of banagari, as the traditional system and the government system as an autonomous and independent entity. Third, the nagari government system accommodates two systems that are running simultaneously, namely the state government system and the indigenous government system, in the context of banagari life by using a system that divides the government into three branches, namely an executive, a legislature, and a judiciary.
KOMODIFIKASI SONGKET SILUNGKANG DALAM PENGEMBANGAN PARIWISATA DI KOTA SAWAHLUNTO seprisyam seprisyam; Hasanuddin Hasanuddin; Pramono Pramono
JURNAL ILMU BUDAYA Vol. 9 No. 2 (2021): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v9i2.14526

Abstract

This study aims to explain the commodification of Songket Silungkang in the tourism development of Sawahlunto Town. This research is descriptive research with a qualitative approach. Data were obtained from field observations, recorded interviews, and documentary studies of Songket Silungkang. The data obtained were processed using ethnographic methods. The results of this study found that the commodification of Songket Silungkang occurs from the production process to consumption. Factors that influence the commodification of Songket Silungkang are changes in the social structure of society, education level, media and globalization, tourism, and creative industries. SISCA implemented by the Town Government of Sawahlunto is a step to promote tourism. The positive impact of the commodification of Songket Silungkang adds to the value of Songket and improves the economy of the community, while the negative impact of the commodification of Songket Silungkang loses the meaning of the Songket Silungkang motif.  
Pranata Mandiek Anak di Nagari Salareh Aia Kecamatan Palembayan Kabupaten Agam dan Multikulturalisme Budaya Bangsa Iron Maria Edi; Hasanuddin Hasanuddin; Fadlillah Fadlillah
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 5, No 2: November 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v5i2.9537

Abstract

The Rule of Mandiek Anak at Nagari Salareh Aia, Palembayan District, Agam Regency, and Nation's Multiculturalism This article is the result of research on the Institution of Mandiek Anak in Nagari Salareh Aia, Palembayan District, Agam Regency, which is a procession of the baka-baki in the Nagari Salareh Aia customary community. The Cultural Studies approach that was carried out on this institution was able to dismantle the form, function, and meaning of Mandiek Anak in the order of the Nagari Salareh Aia customary community. There are two customary community structures in Nagari Salareh Aia known as Langgam, namely Langgam Saripado and Langgam Panghulu Nan Balimo. This institution functions to strengthen kinship, control and social control, education, economy, self-identity, information, social integration, religion, and traditional cultural performances of Nagari Salareh Aia. This institution has an important meaning between the two extended families of the father and his people, as well as the children and their extended family because Mandiek Anak presents the quality of kinship ties that are maintained between the two. The institution of Mandiek Anak is carried out in the nuclear family and clan institution which then extends to other clans because the Bajaj custom from the paternal clan or korong kampung anak involves the relationship between the two clans and other clans in the local customary arrangement. With the linkage of all parties, the institutions that operate Mandiek Anak start from the Batih, Paruik, Kaum, Luhak, and Langgam families within the Nagari Salareh Aia customary community. Mandiek Anak is a national cultural root that still exists and is maintained in the Nagari Salareh Aia indigenous people who are part of the Indonesian Nation's Cultural Multiculturalism which must remain sustainable and alive. Keywords: Mandiek Anak, Style, Multiculturalism
The Winding Road to Return to the Beauty of Indonesian Multiculturalism: A Discourse Analysis of ‘Back to Nagari’ in the Regional Autonomy Policy in West Sumatra Hasanuddin Hasanuddin; Welhendri Azwar; Akmal Akmal; Handoko Handoko
JURNAL ARBITRER Vol. 10 No. 1 (2023)
Publisher : Masyarakat Linguistik Indonesia Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/ar.10.1.35-50.2023

Abstract

The plurality of Indonesia with more than 600 ethnics is a great wealth but has not been adequately rewarded. Various political, legal, and socio-cultural events have resulted in the degradation of diversity from a colorful mosaic to a blur. This article analyzes the discourse of ‘return to nagari’ based on texts of national commitments and policies on decentralization, West Sumatra’s local policies on the lowest government ‘nagari’, and public responses on them. The methods had been used are literature study and field research, which are analyzed based on the technique of discourse analysis which included text, context, and social practice. The findings are the policy on decentralization is still inconsistent, and the construction of the regional government’s policy based on local culture has not been ideal and operational formulated yet. In fact, it is not easy to return to indigenous culture as roots the Beauty of Indonesia’s Multiculturalism. This finding reflects the critical implication of the discursive practice that shows the awareness of actor’s membership in their culture that leads them to make clear cultural-political attitudes in relation to the state. The position of their cultural traditions is threatened and our position is to mobilize them to revive, maintain, keep, consolidate and revitalize their cultural identity.
Co-Authors Akmal Akmal Anwar, Khairil Azwar, Welhendri Fadlillah Fadlillah Handoko Handoko Iron Maria Edi Mufti Ulil Amri Muliono Muliono Pramono Pramono seprisyam seprisyam Tisa Sirefina Welhendri Azwar Yuli Permatasari Yurisman Yurisman