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Kajian Arkeologi Mengenai Keraton Surosowan Banten Lama, Banten Permana, R. Cecep Eka
Makara Human Behavior Studies in Asia Vol. 8, No. 3
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This research intrinsically is about activity of field and non-field archaeology. Focus of this research is to know form, settlement, and room function and/or building specially undercarriage building structure which still can be seen in Surosowan keraton. Methods used for the research are excavation, bibliography study, artifact and feature analysis, special analysis, and reconstruction. The result may indicate that, according to ancient map analysis, Surosowan keraton at least have experienced of five development phase. Excavation can only show the existence of is biphase of development pursuant to building structure indication which is overlap. According to tiling remains in every room, this research can reconstruct measure and pattern of tiling installation at every room in complex of keraton. The Research also obtain data to reconstruct building wall brick couple pattern and foundation at building in complex of keraton. Meanwhile, according to field observation is also obtained an assumption for some building function which have been shown, like sultan’s residence, audience hall, garden pool of Roro Denok, and bath of Pancuran Mas.
Sosialisasi Kearifan Lokal Masyarakat Baduy dalam Mitigasi Bencana di Perbatasan Wilayah Baduy Permana, R. Cecep Eka; Nasution, Isman Pratama; Nugroho, Yogi Abdi; Putra, Hutomo
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 1
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The Baduy society has a local wisdom on disaster mitigation that many people outside the Baduy society are not aware of. Therefore, the Baduy community program is socializing the local wisdom to the people outside the community. The partnership of this effort is the youth of the elementary school to high school in the border area of the Baduy vicinity. In the beginning of the program, the students did not have any indication about the local wisdom of the Baduy people. However, after a period of lectures and discussions, their knowledge and understanding about the Baduy people and their wisdom on disaster mitigation have significantly increased.
Model Sosialisasi Kearifan Lokal Masyarakat Baduy Dalam Pelestarian Hutan Kepada Generasi Muda Di Kampung Balimbing, Baduy Luar Nasution, Isman Pratama; Permana, R. Cecep Eka
Paradigma: Jurnal Kajian Budaya Vol. 5, No. 1
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The Baduys are rice farming communities who rely on nature and the forest. Therefore, they keep and maintain their forests through customs and cultural practices. Dudungusan is preserved forest, prohibited for cultivation. Garapan is the land that can be processed into fields (huma), following the needs and rules of cultivation. Although the Baduys live in groups in small villages at the foot and slopes of hills or mountains, they keep and follow their local wisdom. This is evident from the review and the community activities that have been done earlier. There are records of the knowledge, views, and understanding of the old and young Baduys about forest conservation and identifying existing problems. The method used is the dissemination and sharing of knowledge. The results of the data collection and identification of the reference model of socialization, or carean, are used to understand the local knowledge about forest conservation. The Baduy residents in Kampong Balimbing who are involved in the research are the kokolot, or the class of older generation, whereas the youth group are participating in the process. In general, the activity is well-shared for both for the older and younger generation. In addition to this, the residents of other Baduy villages may learn from Kampong Balimbing’s wisdom.
Mabedda Bola ritual in South Sulawesi; The relationship between handprints in traditional house and hand stencils in prehistoric caves Permana, R. Cecep Eka; Pojoh, Ingrid H.E.; Arifin, Karina
Wacana, Journal of the Humanities of Indonesia Vol. 18, No. 3
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Mabedda Bola is a ritual which has been handed down from the ancestors of the Bugis - Makassarese people in South Sulawesi. At the ceremony which is called menre bola baru, held as part of the ritual inauguration of a new house, the Mabedda Bola, handprints are made on the poles and walls of the new house. In the region in which this custom is still honoured, hand stencils on the walls of the prehistoric caves have also been found. This article examines the significance of handprints in the Mabedda Bola ritual which might possibly be related to the hand stencils on the walls of the prehistoric caves. Using the perspective of analogy, one of the methods of ethnoarchaeology, it has been discovered that handprints and hand stencils take more or less the same form. The similarities between them hint at the same behavioural patterns between the present day and the prehistoric period. The print of the hand palm is meant to mark the ownership of the family or group who dwell in a traditional house or it is thought in a particular cave. Moreover, it is and was to avert danger or the intrusion of bad influences from outside.
Asep Kurnia and Ahmad Sihabudin, Saatnya Baduy bicara. Jakarta: PT. Bumi Aksara and Universitas Sultan Ageng Tirtayasa, Banten, 2010, 294 pp. ISBN: 978-979-010-998-8 (soft cover). Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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Hasan Djafar, Kompleks percandian Batujaya; Rekonstruksi sejarah kebudayaan Daerah Pantai Utara Jawa Barat. Bandung: Kiblat Buku Utama, cole fran aise d'Extr me-Orient, Pusat Penelitian dan Pengembangan Arkeologi Nasional, and KITLV Jakarta, 2010, 188 pp Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 13, No. 2
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Masyarakat Baduy dan pengobatan tradisional berbasis tanaman Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 11, No. 1
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A Baduy community in general is still bound by the traditional rules (pikukuh). One of the pikukuh said lojor teu meunang dipotong, pendek teu meunang disambung, which means "what is long might not be cut off, what is short might not be connected". The implicated meaning pikukuh is that which does not change something or anything, or does not accept what is available without increasing or reducing what is available. This also includes not to accept modern goods or goods made in factories. The inner struggle of Baduy Luar is between on the one hand trying to preserve the customs of theirs ancestors, but on the other hand trying to follow the development in modernity and in their environment. This is reflected in issues related to health. If a Baduy falls ill, the dilemma is to choose between modern medical treatment that increasingly is easily accessible with the consequence to violate the local tradition, or to use the traditional herbs of which the local knowledge is decreasing with the consequence that is more difficult to get this kind of therapy.
Ali Akbar. Zaman Prasejarah di Jakarta dan Sekitarnya. Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2008, xiii + 160 hlm. Soft cover. Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 10, No. 2
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Fase-fase Pembangunan Keraton Surosowan-Banten Lama Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 6, No. 1
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The Sorosuwan Palace played a major role for the kingdom of Banten in the period between the 16th century and the 19th century. In such a long period of time, the Sorosuwan Palace experienced ups and downs in its development. Based on a library research, it is known that the Sorosuwan Palace was renovated several times. This is most clearly seen in the differences found in the representations of the Sorosuwan Palace in the maps of Banten of 1596, of 1624 and of 1726. Outstanding changes can especially be seen in the maps of 1739, 1825, and 1900. The last three maps represent the Sorosuwan Palace as oblong in form with a bastion in each corner (which is similar to the present representation of the Keraton), while in the previous maps it is represented as a building with steps where it protrudes at the top, surrounded by other buildings. Field study reveals no indication that there had been two phases in the process of its building. This can be gathered from the remnants of the structure of the building in several places indicating that there had been a two-layered floor structure and an overlapped structure.
Bentuk gambar telapak tangan pada gua-gua Prasejarah di Kabupaten Pangkajene Kepulauan, Sulawesi Selatan Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 7, No. 2
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Cave pictures are one form of human culture found in old sites of dwelling caves of the pre-historical time. Cave pictures can be said to be universal in nature because they are found almost every where in the world, including Indonesia. One form or object of picture frequently found is hand stencils. In Indonesia, beside Kalimantan, the Moluccas, and Irian, it is also found in South Sulawesi, especially in the District of Pangkajene Islands (Pangkep). Twelve caves in Pangkep are studied where 326 hand stencils are found. The hand part, orientation, hand side, number of fingers, size, color, and context are analyzed. The analysis reveals a pattern of hand palms of adults with upward orientation. The analysis also reveals a pattern of hand palms that are brown in color, randomly arranged, within the context of pictures of other hands.