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DAYAK KAHARINGAN DI TENGAH PERUBAHAN SOSIAL EKOLOGI DAN PRAKTIK PERPINDAHAN AGAMA DI PEDESAAN KALIMANTAN TENGAH Kumoro, Nindyo Budi
Jurnal Masyarakat dan Budaya Vol. 22 No. 1 (2020)
Publisher : P2KK LIPI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14203/jmb.v22i1.939

Abstract

This paper tries to explain the relation between social-ecological change and the phenomenon of religious conversion in a minority group in Indonesia. The case study is the Dayak community religion in Central Kalimantan, Kaharingan, with 'world' or 'official' religions such as Christianity, Catholicism, or Islam. The study of Kaharingan in this paper is placed in the context of Kalimantan as an object of resource expansion with massive intensity by the global economic capitalist chain. Forest exploitation and local gold mining activity from outsiders urged Dayaks to participate in new economic patterns, which caused swidden cultivation to become inaccessible to villagers and began to slowly be abandoned. This has implications for the transformation of the Dayaks in perceiving their relationship with the natural environment, a relationship that was previously the basis of Kaharingan religious beliefs and practices. Based on my ethnographic research in the rural Dayak community upriver Katingan, this paper shows that the religious conversion from Kaharingan to a new religion is more driven by social and economic morals that emphasize individual-household relations rather than the communal-collective pattern as before. This paper also argues that although traditional beliefs have slowly been abandoned, the practice of Kaharingan ceremonies is still held intensively for different purposes.Keywords: Minority religion, socio-economic and ecological change, religious conversion Abstrak Artikel ini berupaya menunjukkan relasi perubahan sosial-ekologi dengan fenomena perpindahan agama pada kelompok minoritas di Indonesia. Studi kasus dalam tulisan ini adalah agama masyarakat Dayak Kalimantan Tengah, yakni Kaharingan, dengan agama ?dunia? atau ?resmi? seperti Kristen, Katolik, maupun Islam di sana. Kajian mengenai Kaharingan di sini diletakkan dalam konteks Kalimantan sebagai obyek dari ekspansi sumber daya dengan intensitas yang massif oleh rantai ekonomi kapitalisme global. Eksploitasi kayu maupun pertambangan lokal dari pihak luar mendorong orang Dayak turut berpartisipasi dalam pola ekonomi baru menggeser perladangan berpindah ke posisi yang tidak menguntungkan. Hal ini turut mendorong perubahan orang Dayak dalam memaknai relasi mereka dengan alam sekitar, relasi yang sebelumnya menjadi basis kepercayaan dan praktik agama Kaharingan. Dengan mendasarkan pada hasil riset etnografi pedesaan Dayak di hulu Sungai Katingan, tulisan ini menunjukkan bahwa perpindahan agama dari Kaharingan ke agama baru lebih didorong oleh moral sosial dan ekonomi baru yang menekankan relasi individu-rumah tangga dari pada komunal-kolektif seperti sebelumnya. Tulisan ini juga ingin menunjukkan meskipun kepercayaan lama telah ditinggalkan, namun praktik upacara Kaharingan tetap digelar dengan intensif meskipun untuk tujuan yang berbeda. Kata kunci: Agama minoritas, perubahan material-ekologi, perpindahan agama 
READING THE MUSEUM ANGKUT: CULTURAL SPACE PRODUCTION AND EXHIBITION NARRATIVE Nindyo Budi Kumoro; Irsyad Martias; Manggala Ismanto; Hipolitus Kristoforus Kewuel; Andi Azmi Saifullah; Jihananda Marcel Egidyah
Sosiohumaniora Vol 22, No 3 (2020): SOSIOHUMANIORA, NOVEMBER 2020
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/sosiohumaniora.v22i3.26956

Abstract

This article is a museum study from an anthropological perspective. Generally, the museum is an institution that stores and preserves particular material cultures. On the other side, a museum can also be critically seen as a space for the production of cultural discourse that narrates a particular ideology through exhibition strategies and display systems. This study wants to explore the discourse of cultural ideology that is represented by the museum through the design and exhibition. The museum is no longer only monopolized by the state but also developed by the private sector which offers a fusion model between the museum, edutainment, and amusement park. Thus, this article proposes a case study of the Museum Angkut in Batu, East Java, one of the most popular private museums in Indonesia that exhibits transportation system and world civilization themes assembled by implementing amusement park concepts.  This article would like to address the issue of the production of cultural discourse. The research questions are what kind of cultural discourse production is narrated in the Museum Angkut, and how has it been materialized through the display strategy? Additionally, this article explores the relationship of the visitor with material objects in the museum. This paper uses a hermeneutic approach, and Michael Foucault’s heterotopia to examine how cultural imagination with its ideology is represented in museum bodies. As a result, we argue that the Museum Angkut can reflect the character of society, as a post-colonial nation in the sense of seeing self and other cultures.
PERCEPTION OF BANYUWANGI AND BLITAR SOCIETY ON RELIGIOUS HARMONY Latifah Latifah; Wina Dhamayanti; Kadek Yudi Murdana; Rakyan Paranimmita Kamanitra; Nindyo Budi Kumoro
Jurnal Pencerahan Vol 12 No 1 (2019): Jurnal Pencerahan (Mencerdaskan dan Mencerahkan)
Publisher : Syailendra Buddhist College / Sekolah Tinggi Agama Buddha (STAB) Syailendra

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the perception of religious harmony in the Banyuwangi and Blitar communities, East Java. The aim is to find out about the level of acceptance of Banyuwangi and Blitar people on the reality of diversity of beliefs and religions in Indonesia. In addition, this paper also looks at how the attitudes of the two communities face various impacts on diversity to create inter-religious harmony. With a quantitative descriptive approach through analysis of minimum and maximum frequency (number) and comparison of relative frequencies (percentages) of two data groups, namely Blitar and Banyuwangi communities, this study shows that people in these two cities: (1) are increasingly critical in seeing problems in relations between-religion; (2) see that maintaining relationships, togetherness, and mutual assistance is an obligation in social life; In addition, (3) insights about other religions are very important to develop religious harmony by not only avoiding prejudice, but also building empathy for people of other religions or beliefs. Putting this into consideration, this research suggests that the existing interfaith forum needs to be more community based
Pemetaan Potensi Seni dan Budaya untuk Mendukung Industri Pariwisata Nindyo Budi Kumoro; Hipolitus Kristoforus Kewuel; Dhanny S Sutopo; Franciscus Apriwan; Manggala Ismanto; A. Faidlal; Romy Setiawan
Berdikari: Jurnal Inovasi dan Penerapan Ipteks Vol 9, No 2 (2021): August
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/berdikari.v9i2.10553

Abstract

The majority of tourism objects in East Java still rely on artificial and nature-based tourism. As a result, there is an impression that the potential in the society in art and culture has not been optimized for the tourism industry. This service was intended in the context of optimization through exploring the potential of art and culture to support the tourism industry in East Java. This service also aimed to produce mapping data on the potential of cultural arts in the context of creating a directory of arts and culture in Malang Raya. Malang Raya will be used as a pilot project before it can be developed throughout East Java. The data collection method was focused on field studies based on the study of the PPKD (Pokok Pikiran Kebudayaan Daerah) documents for each region, while focus group discussions (FGDs) and field observations were also conducted. The results of the community service program showed that the potential of Malang Raya culture and arts could be compiled online and included in the PPKD mapping document.