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All Journal Waskita: Jurnal Pendidikan Nilai dan Pembangunan Karakter Studia Philosophica et Theologica
Kurniawan, Trio
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Religion Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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CANCEL CULTURE AND ACADEMIC FREEDOM: A Perspective from Democratic-Deliberative Education Philosophy Trio Kurniawan; Rambang Ngawan; Yudas Alno; Agus Herianto
Waskita: Jurnal Pendidikan Nilai dan Pembangunan Karakter Vol 6, No 1 (2022): WASKITA: Jurnal Pendidikan Nilai dan Pembangunan Karakter
Publisher : PUSAT MPK UNIVERSITAS BRAWIJAYA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.waskita.2022.006.01.1

Abstract

Cancel culture (or also known as call-out culture) is a social and cultural phenomenon that has been gaining global attention in the recent years. Public figures, company brands or institutions can be ostracized or boycotted only on the basis of disagreeing with the statement or visions of the sympathizers or the ideologues of this so-called cancel culture. This phenomenon has also slowly infiltrated the world of education and some researchers would even argue that cancel culture has its seminal growth beginning from the academe itself. Thus, with that regard, this article will critically analyze the phenomenon of cancel culture particularly in the realm of education. Anchored in the principle of academic freedom, this article shall put into scrutiny the presence of cancel culture and its presuppositions and ramifications in education. And in order to achieve such telos, as a qualitative study, this article has employed an analytical-critical reflection as its method. In this academic endeavor, then, the researchers shall rely on the perspective of Deliberative-Democratic Education Philosophy as its benchmark.
SIMBOLISME DALAM PESTA DALOK SUKU UUD DANUM: Perspektif Hermeneutika Paul Ricoeur Trio Kurniawan
Studia Philosophica et Theologica Vol 18 No 2 (2018)
Publisher : Litbang STFT Widya Sasana Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35312/spet.v18i2.30

Abstract

The feast of Dalok is the highlight of the feast in the series of death-rites performed by Dayak Uud Danum’s tribe in Serawai, District of Sintang, West Borneo. It is the biggest feast celebrated by this tribe. There are plenty of Symbols found in the rites, and they are picturing the relationship among the human beings and also between the people and The Supreme Being, Tahala’. These Symbols are tied each other very closely like a knot. The author of this article is using Paul Ricoeur’s hermeneutics to reread and reveal the meaning of symbolical knots which are acceptable to the public. Pesta Dalok adalah puncak dari rangkaian upacara kematian dalam suku Dayak Uud Danum di Serawai, Kab. Sintang, Kalimantan Barat. Pesta Dalok menjadi pesta terbesar yang dilaksanakan oleh suku ini. Ada begitu banyak simbol dalam ritus-ritus di pesta ini dan semuanya menggambarkan relasi antara sesama manusia maupun antar manusia dengan Realitas Tertinggi, Tahala’. Simbol-simbol ini saling berhubungan dengan sangat erat ibarat sebuah simpul. Penulis menggunakan hermeneutika Paul Ricoeur untuk membaca ulang dan membuka makna dari simpul-simpul simbolik yang dapat diterima oleh masyarakat.
ESTETIKA FRIEDRICH WILHELM NIETZSCHE: Romantisme Estetis dalam Prinsip Apollonian dan Dionysian Trio Kurniawan
Studia Philosophica et Theologica Vol 17 No 1 (2017)
Publisher : Litbang STFT Widya Sasana Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35312/spet.v17i1.37

Abstract

The classical philosophers present a picture of beauty refers to the Absolute Reality. Beauty has always been associated with concepts of metaphysical and transcendental ethics that far from human daily experiences. Nietzsche ripped that picture off and settled the beauty parallel to the everyday life of human. The art in Nietzsche’s point of view is the work of human where they try to love their life, not just chasing an abstract value where there is no end. Para filosof klasik menghadirkan gambaran tentang keindahan mengacu pada Realitas Absolut. Akibatnya, keindahan selalu diasosiasikan dengan konsepkonsep metafisika dan etika transendental yang sejatinya “jauh” dari keseharian manusia. Nietzsche merobek cara berpikir seperti itu dan meletakkan keindahan dalam hubungannya dengan keseharian manusia. Seni, dalam perspektif Nietzsche, adalah karya manusia di mana mereka mencoba untuk mencintai kehidupan mereka lewat karya tersebut, tidak hanya mengejar nilai-nilai abstrak yang tak berujung.
Co-Authors Agus Herianto Rambang Ngawan Yudas Alno